Thursday, February 24, 2022

Black History Month: Top 10 TV Episodes to Watch

Greetings, reader!


It feels a bit weird to be writing about anything else than Russia and Ukraine on a morning like this*, but I suppose it's always a good move to let life go on and not get sucked into the all-consuming cycle of apocalyptic news as I may or may not have done myself between the years 2016 and 2021. So, as it still is Black History Month for a while, here are 10 television episodes that resonate with the month's themes.


*After confidently typing 'morning like this', I looked at the clock and realized that it's 13:43. I might want to look into getting my life together in the near future.


10. Episode X (The Last Dance, Episode 10)

Many of the movies and TV shows that are recommended viewing for Black History Month are ones that deal with the horrors of slavery, segregation and other forms of racism, and rightfully so - we need equality, and understanding the atrocities our country has committed and the suffering that the Black community has been subjected to is a big part of that. But, Black History Month is also about celebrating the incredible achievements of African-Americans, which is especially important because many of them have been historically overlooked and downplayed due to the aforementioned racist aspects of society.

So if you're feeling depressed over watching five documentaries about racism in a row and want to watch something positive and empowering instead, what better thing to watch than the incredible documentary series The Last Dance? The series is a brilliant account of the 1990's Chicago Bulls team that grabbed the attention of the world with their fantastic teamwork and incredible athleticism, and the sheer power of Michael Jordan and company is best described in the tenth and final episode. Thoroughly worth the watch.

9. A Very Special 9/11 Episode (Big Mouth, Season 4 Episode 5)

Sure, this bizarrely titled episode might be best remembered for the storyline its title refers to, as the show's central group of schoolkids go on a gripping field trip to the 9/11 memorial museum. But the subplot on this episode was honestly just as memorable, as the season 4 storyline of Missy (Jenny Slate) getting in touch with her racial identity really picks up.

After being confused for a few episodes about her middle-class parents "suppressing" her cultural heritage, Missy wants to find herself as a young Black woman, and this episode's side adventure with supporting character DeVon (Jak Knight) accomplishes just that. DeVon shares his own experiences with Missy, while teaching her all about 'code-switching' and its ups and downs. The conversations between the two throughout the episode are illuminating, proving that a series as silly as Big Mouth sure manages to have its deep moments.

8. Six Meetings Before Lunch (The West Wing, Season 1 Episode 18)

Well, I've recently become absolutely hooked on the political drama from 20 years ago that my parents have talked up to me for years upon years, and that I always imagined to be somewhat boring and outdated. Oh, how wrong I was - I now have yet another reason to be very grateful to my parents, as this TV recommendation has been the saving grace of my last several weeks. It's not just comfort TV, but more or less therapeutic, as the trauma of following four years of the Trump White House calls for some processing, and this heartfelt series about how politics should work seems to have a role in the process. On a day like today, with the whole situation in Ukraine, I think I'll resort to watching quite a few episodes of this escapist reality where disasters are often averted due to the people in charge being so capable.

Anyways, for the topic of the day. The West Wing has quite a few episodes that resonate with Black History Month, as the rights of Black people and other minorities are often front and center in Aaron Sorkin's powerful and forward-thinking writing. The episode I chose was Six Meeting Before Lunch, where Deputy Chief of Staff Josh Lyman (Brad Whitford) discusses the touchy issue of reparations with Assistant Attorney General Appointee Jeff Breckenridge (Carl Lumbly). The series tackles this delicate issue with grace, as the viewer can easily relate to Jeff's strong support of reparations, as well as Josh's practical approach to the difficulties involved. It's a nuanced take on the difficult question of how the U.S. should reckon with the atrocities committed against Black people in our history - a question that has no easy answer, but is very much worth pondering.

7. Those Were the Days (The Fresh Prince of Bel-Air, Season 2 Episode 20)

There are many episodes from Will Smith's breakout sitcom that I could've chosen for this list, as The Fresh Prince often found itself dealing with important issues concerning Black culture in the midst of its comedic shenanigans. The one I went with is Those Were the Days, where the Banks family is visited by and old friend of parents Philip (James Avery) and Vivian (Janet Hubert). She's a friend from their youthful days of activism, and whereas Philip and Vivian left that life behind in order to safely raise a family, Marge (Peggy Blow) has continued her activism to the point that she's in trouble with the FBI.

It is heartbreaking to follow Philip and Vivian struggling between their urge to help out a dear friend and their incentive to turn her in, as they have to weigh the importance of their core values and the safety of their family's newly built surroundings against one another. Things get more complicated when Will (Smith) gets all inspired by Marge's activism and starts to spread the word of Black empowerment at school, which ends up being a heartwarming storyline for his character. All in all, Those Were the Days is a powerful and ultimately heartfelt episode that makes one think.

6. Far Beyond the Stars (Star Trek: Deep Space Nine, Season 6 Episode 13)

The Star Trek franchise has always prided itself in being progressive and ahead of its time with its societal criticism - the original series from the 60's has episodes criticizing the Vietnam war, racial inequality in the U.S. and Nazism (remember when we could all agree that Nazis were bad? Simpler times). Diversity and anti-racism has always been at the core of the franchise, as proved by the absolutely amazing true story of the show's origin - creator&writer Gene Roddenberry specifically wanted a diverse cast to show that humanity would've moved past nationalism and racism in the future, and the studio executives of the time tried their best to insist that it should just be a group of white guys instead. Roddenberry put his foot down, demanding that the cast is diverse or else the series doesn't get made - and the rest is history.

Of the many spin-off shows in the Star Trek universe, Deep Space Nine has always been my favorite. While the franchise has many anti-racist episodes that fit well with the themes of Black History Month, my pick just had to be Far Beyond the Stars. In this tear-jerking masterpiece of an episode, we follow protagonist Benjamin Sisko (Avery Brooks) as he finds himself envisioning a life very different from his own: suddenly he's a science fiction writer named Benny Russell in 1950's America. For most of the episode, we follow the life of this man as he deals with the racial inequalities of the time, while having dreams of being a space station captain in the future. Far Beyond the Stars is top notch science fiction, a gripping take on racism, a powerful tale of inspiration and empowerment, and Star Trek at its very best.

5. Confederacy (Last Week Tonight with John Oliver, Season 4 Episode 26)

What better way to celebrate Black History Month than watching an over-excited white guy rant for half an hour? Jokes aside, Last Week Tonight is a brilliant way of learning about important and serious topics in an entertaining way, as John Oliver and his hard-working research team make him into a figure who is closer to being a journalist than a typical late night host. His takes are comedic, but also very informative, and such is the case with the season 4 episode that should be mandatory viewing in the U.S. education system - Confederacy.

I haven't gone to school in the U.S. personally, but based on everything I've read about the state of education in my dear second homeland, I think I can confidently say that this half-hour television episode teaches more about the Confederacy and the Civil War than whatever Mickey Mouse stories certain states are currently passing on as "history class". The evils of the Confederacy have been downplayed in U.S. culture and media for so long, and the reasons behind the Civil War are so often blatantly lied about, that it's no wonder that people still romanticize the Confederacy while knowing very little of what it all really meant.

This episode does a great job explaining the more uncomfortable parts of our history, which is extremely important - I think most Germans would tell you that the parts from your history that aren't fun to talk about are the ones that are most important to understand, so that people don't repeat the mistakes of the past. Otherwise, you end up with alt-right assholes waving confederate flags while attacking our democracy over 150 years after the Civil War ended.

4. Moo Moo (Brooklyn Nine-Nine, Season 4 Episode 16)

Brooklyn Nine-Nine's respectable tradition of occasionally doing darker episodes that deal with serious social themes alongside the show's silly sitcom routine started with season 4's Moo Moo. This gripping episode begins in a typical Brooklyn Nine-Nine fashion, but the laughter comes to a very sudden stop when Sgt. Terry Jeffords (Terry Crews) is stopped and harassed by a police officer when walking outside his home.

The rest of the episode balances comedy and seriousness brilliantly, as Terry's storyline continues to deal with police racism as he and Captain Holt (Andre Braugher) debate on what should be done about the officer who profiled him, while Jake (Andy Samberg) and Amy's (Melissa Fumero) storylines of babysitting Terry's kids brings some much-needed levity to remind viewers that they're still watching a comedy series. Well, at least for the most part - even that storyline has its instances of heartbreak, such as Terry's daughters asking why their dad was in trouble and if they were going to be in trouble because of being Black. All in all, a sobering and massively important episode of television.

3. Rosa (Doctor Who, Season 11 Episode 3)

A series about a dude who can go anywhere in time and space opens up pretty much endless possibilities. And while Doctor Who most often uses its setting to either spend half of its time in modern-day London or to present classic time travel dilemmas like "Can we protect Earth from the crashing spaceship replica of the Titanic and save Christmas?" or "Is is too much if we call this episode Let's Kill Hitler even though Hitler only plays a very minor part?", it has also been known to use its time travel premise to recreate some powerful moments from history. We've seen The Doctor experiencing the Christmas Truce from World War One, the eruption of Pompeii and the border conflict in Pakistan, as well as meeting historical figures from Shakespeare and Dickens to Van Gogh and Christie (Agatha, not Chris).

And never is the series more powerful than it is in the episode Rosa. The Doctor (Jodie Whittaker) and her companions travel to 1950's Alabama, and Vinette Robinson provides an absolutely brilliant guest performance as Rosa Parks. The episode balances its science fiction with real-life history brilliantly, as the whole ordeal comes across as a tribute to Parks and the Civil Rights movement. It feels like the series going back to its roots, as the original idea of Doctor Who in the 60's was to teach kids about history in a fun way. Good timing, too - if the Republicans continue their anti-CRT book-burning campaign, American kids might soon have to be turning to Doctor Who to learn about their country.

2. Barack Obama: Navigating America's Racial Divide (The Daily Show)

Really, almost any episode of The Daily Show since Trevor Noah took over in 2015 will do (as well as many episodes from before then, as his predecessor Jon Stewart was way ahead of the curve on issues of social and racial justice). Noah is one of the most influential Black voices in American culture today, and his South African upbringing during the tail end of Apartheid has given him a powerful outlook on race (I can honestly say that his book Born a Crime is one of the most illuminating pieces of media concerning learning about race and racism that I have ever come across). And while his tenure as host of The Daily Show has featured a huge number of interviews that resonate with Black History Month, from Chadwick Boseman and Spike Lee to Kamala Harris and John Lewis, the one I decided to go with was one of his many interviews with President Barack Obama.

In an increasingly divided world, where much of our political discourse seems to be people screaming black-and-white rhetoric over each other, it is so damn refreshing to watch an interview like this one, where two smart, calm and open-minded individuals discuss important issues of race, culture and history in an elegant and ultimately beautiful manner. Also, as a fan of both individuals, it is heartwarming to see them having a conversation where it becomes clear how much respect both trailblazers have for each other.

1. B.A.N., Juneteenth, FUBU or pretty much any other episode of Atlanta (2016-Present)

In the last few years, the conversation around racism has put much more focus into nuance. While extreme movements like the KKK are still around, they appear to hold less and less power and popularity, which is obviously a very good thing - but the fact that we're getting rid of the most dire problems has also opened our eyes to a whole new layer of problems. It turns out that the narrative from American history education, where racism was an evil that was largely defeated in the 60's thanks to Martin Luther King Jr., and now everything is okay, couldn't be farther from the truth. Due to the fact that our society was built in a time when racism was widely accepted and white people held all the power, there's a multitude of flaws in pretty much all of our systems, from law enforcement and the justice system to education and our very democracy, that benefit white people. Hence all the talk about systemic racism and why we need bigger changes.

And this brings me to one of the most genius TV shows ever created - Donald Glover's Atlanta. Most of the well-known movies and TV shows about racism are stories where the racists are over-the-top extremist assholes that even real-life racists might look at and say "Damn, that dude is a jerk". Don't get me wrong, stories like this are important, but after some time, one starts to realize that they're not always enough - they don't challenge the viewer, they don't tackle the most common issues that minorities face today, and they present racism as a part of the black-and-white narrative where you're more or less okay if you're not burning a cross while wearing a white hood.

With the hard-hitting, artistic and absolutely unique comedy-drama hybrid Atlanta, Glover and company tackle issues of race with unforeseen nuance. We're exposed to white people who think they're doing the right thing but are actually making the problem worse, problems within and around the Black community that make the situation more complicated, and all sorts of double standards that you'd never think about until something like Atlanta opens your eyes to them. You realize just how pervasive racist attitudes are on multiple levels of society, and how we all need to educate ourselves and work to get rid of those attitudes instead of watching the same Oscar-winning movies and saying "Well, at least I'm not that bad :)" for a millionth time.

And I specifically chose any episode of Atlanta as the #1 pick for Black History Month, because among the many other points that the series makes while telling its story, it makes it painfully clear on multiple occasions that it all comes down to just that - history. Whether it's the episode Juneteenth where Earn (Donald Glover) enters a party where the ending of slavery is celebrated in a slightly fucked-up way, the episode North of the Border where the main characters end up in a frat party boldly flying the Confederate Flag, or the episode FUBU where we flash back to Earn's childhood struggles, clear lines are drawn on how American history has affected the racial injustices of today, and how the fact that my beloved second home country so stubbornly refuses to reflect on its history and learn from it is making everything worse (again, something we should and could learn from the Germans).

Black History Month may be coming towards its end, but its themes should carry with us across every month, and now would be a great time to start watching or re-watching the first two seasons of Atlanta before season 3 comes out!



Thank you for reading! Starting next Thursday, I'll be doing a music-related theme month, meaning that every post in March will be a top list about music instead of my usual movie/TV themes. It will begin next week with a ranking of my top 10 favorite rock songs of all time!

Tuesday, February 22, 2022

'Twosday' Special Double List: Top 2 Movie Franchises That Have Just 2 Movies, and Top 2 TV Shows That Have Just 2 Seasons

Greetings, reader!

It's the 22nd day of the 2nd month in 2022, and it's a TUESDAY (pronounced 'two-sday'), so that's pretty neat. To celebrate this momentous occasion, I'm ranking the two greatest film franchises that consist of only two films - these days that is pretty rare, as so many franchises get treated to a multitude of sequels. Even classic two-act series like Men In Black and Bill & Ted got their third instalments, decades after the original two. And to make matters worse, most cases where a film has only one sequel are cases where the part II is just terrible, as I'm sure anyone who saw Speed 2: Cruise Control (1997) will tell you. Still, I found a few good ones. Also, since I wanted to make two lists to celebrate 'twosday', I'll also be sharing my Top 2 favorite TV shows that only ran for two seasons.

Here are my honorable mentions:
2-movie franchises: Blade RunnerHot Shots, Kill BillNational Treasure, Wayne's World.
2-season shows: The Punisher, Star Trek: The Animated Series.

#2 in Movie Franchises: It

Between Harry Potter, Twilight, The Hunger Games and The Hobbit, the modern trend of splitting a book into two or more parts has become quite the polarizing phenomenon. Some fans of the books argue that splitting the source material into multiple movies is a much better option than leaving many of the books' best parts out, while others argue that making several movies out of one book is just about milking the source material to make more money. In my opinion, it can go either way depending on the case, and one of the best reasonings to split a book into two films was Andy Muschietti's adaptation of Stephen King's 1200-page masterpiece It.

Whereas the book jumps back and forth between the two timelines, one where the main characters are children and one where they have grown up and return to face the music 27 years later, the cinematic adaptation did the smart move on focusing on the child narrative in the first film and the '27 years later' setting in the second one. This made for two very different films that still feel cohesive enough to work as a whole.

#2 in TV Shows: The End of the F**king World

For many shows, a run of exactly two seasons doesn't work - if there's enough material for more than one season, there's likely enough for three or more. But Netflix's British dark-comedy-drama The End of the F**king World was an instance where two seasons was the perfect length for the story at hand.

The season 1 finale was big and dramatic enough to work as a series finale, but it did end ambiguously enough that a second season felt like an apt addition. The ending of the second season had even more closure for the main character archs, proving that a third season was definitely not needed. It's nice when a series knows to quit while they're ahead.

#1 in Movie Franchises: Jump Street

I know, I know. Hardly any film enthusiast would choose the Jump Street series as their favorite two-film series. After all, they're high school / college comedy films loosely based on the 1987-1991 TV series. But - and bear with me here - they're absolutely amazing high school / comedy films loosely based on the 1987-1991 TV series.

Seriously, 2012's 21 Jump Street and 2014's 22 Jump Street are pretty much perfect within their own genre. When you're looking for a fun comedy film to watch on an airplane or a Sunday night, not to mention comfort films to watch while sick in bed, you can't do any better than these two gems. Jonah Hill and Channing Tatum have impeccable chemistry together in their amusing roles, and the hysterical supporting performances by Ice Cube, Jake Johnson and other masters of the trade are the icing on the cake. Great jokes, wholesome moments and infinite re-watch value ensue.

#1 in TV Shows: Rome

Apparently, the original plan for HBO's woefully underrated historical drama Rome was to do more seasons, but after being preliminarily warned that they might get cancelled due to low viewership, the writers amped up the pace to stuff everything they had planned into the second season. They did a surprisingly good job with this, as I only found out about this fact afterwards and it startled me, as the second season was so good that it didn't feel rushed or forced in any way. It's too bad that we never got to see the full vision of Rome's writers come to fruition, but what we got is still an excellent piece of television.

In the course of two seasons, we follow the power struggles of the Caesar era in an intriguing manner. The series is mostly very historically accurate, and the few liberties they have taken from real events are very well-reasoned in the opinion of this history buff.


Thank you for reading! I'm posting this week's 'main' post two days from now - see you then!

Thursday, February 17, 2022

Black History Month: Top 10 Movies by Black Directors

Power to the people!


It's Black History Month, so I figured I'd use this comically small platform of mine to do my part and discuss important issues that very much need discussing. Last year I did a Black History Month post on the Top 10 movies that resonate with the month's themes, and this year I'm doing a post that definitely has some overlap but isn't the same: the Top 10 movies by Black directors. Any and all feature films are eligible, meaning that the story doesn't have to be about certain themes (although they still happen to be so, 10 times out of 10 - Black filmmakers have a knack for making fantastic societally critical movies). The point of this list is to specifically highlight the historically overlooked work of African-American filmmakers. I hope you enjoy, and I urge all of us to do all we can to make the world a better place and get rid of the many, many racist aspects of society that are still all too evident in this world of ours.

Here are my honorable mentions: 25th Hour (Spike Lee, 2002), Creed (Ryan Coogler, 2015), Marshall (Reginald Hudlin, 2017), Mo' Better Blues (Spike Lee, 1990), Us (Jordan Peele, 2019).

10. The Butler (Lee Daniels)

"America has always turned a blind eye to what we done to our own. We look out to the world and judge. We hear about the concentration camps, but these camps went on for two hundred years right here in America"

Inspired by - although not exactly based on - a similar true story, Lee Daniels' The Butler tells the story of an African-American White House butler who serves for decades, under the total of eight different presidents. Forest Whitaker plays the main role brilliantly, and the film's setting makes for a unique look at how views and attitudes on race and racism have shifted in the U.S. over the years, as we see the titular butler interacting with presidents from Eisenhower onward and discussing major events and developments with them.

The film is especially gripping for focusing on historical and still relevant divides within the Black community, concerning whether or not protesting against racism is always considered "worth it" when taking the tragic and unfortunate risks into account. It is inspiring to follow the main character's son getting into activism and becoming an anti-Vietnam rebel, but the viewer can also relate to the father's strict stance against his son's activism due to very real fear that it might get him killed by the KKK or the police. In the end, viewers like myself realize that more than anything, the film's lesson isn't "Black people should do this" or "Black people should do that", but more along the lines of "Us white people created this racist mess of a society and that needs to be changed by all of us".

9. 12 Years a Slave (Steve McQueen)

"I don't want to survive. I want to live"

Many historians have estimated that this Best Picture winner was the first movie, at least of the big-budget mainstream Hollywood drama kind, to portray the sheer brutality of American slavery with complete realism and honesty. It is very messed up that it took so long to make such a film, but better late than never, I suppose. 12 Years a Slave is one of the most gripping, hard-to-watch films I've ever seen, made all the more horrible when considering how accurate it is in depicting what life was like for African-Americans in that time.

Films like this are important as hell, because the media we consume plays a big part in how we see our history, and the romanticizing and whitewashing of that era has had a role in why many Americans still don't understand the era of slavery and the Civil War properly. There should be a rule that if you want to watch Gone With the Wind, you're allowed to watch it and enjoy it as the cinematic masterpiece it is, only if you also watch 12 Years a Slave and comprehend that one takes place in make-believe land and the other in a real historical era.

8. La La Land (Damien Chazelle)

Wait a sec, this can't be right. Damien Chazelle isn't Black! Oh, looks like I was handed the wrong envelope again. Can't believe this keeps happening.

Anyways, for the real #8...

8. Moonlight (Barry Jenkins)

"At some point, you gotta decide for yourself who you gonna be. Can't let nobody make that decision for you"

Moonlight is a Best Picture winner about the struggles of a gay Black man growing up in a poor neighborhood. The polarizing film resonated with people who have struggled with both their racial and sexual identities and whose story hadn't been told before, while prompting a ton of bubble-living white guys to go haywire with their "This guy is gay and black?? That's not realistic, Hollywood is really trying too hard" shtick. Must have confused the hell out of writer and director Barry Jenkins, who simply wanted to tell his semi-biographical story.

While the coming-of-age of main character Chiron (played at different ages by Alex Hibbert, Ashton Sanders and Trevante Rhodes) is illuminating, the show is stolen by Mahershala Ali's Oscar-winning supporting performance as complex mentor figure Juan. Moonlight is a gripping and eye-opening film, as it has a lot to say about sexual identity as well as race.

7. Selma (Ava DuVernay)

"Who murdered Jimmie Lee Jackson? Every white lawman who abuses the law to terrorize. Every white politician who feeds on prejudice and hatred. Every white preacher who preaches the Bible and stays silent before his white congregation"

On one hand, Selma is a depressing film to watch. When watching the scenes of police officers using excessive force on Black peaceful protesters, one can't help but question why so little has changed in over 50 years. Yes, progress has been made, but as long as innocent lives keep constantly being in danger, it's clear that there's still a long way to go.

But still, Selma manages to be an overall triumphant viewing experience. The message of Martin Luther King Jr., played here by David Oyelowo, comes across with astonishing strength. For anyone with a passion for activism and civil rights, it is immensely powerful to follow this true-to-facts account of King, fellow activists like John Lewis, and thousands of people inspired by them, protesting for change and equality in a time of severe racial injustice.

6. Black Panther (Ryan Coogler)

"Wakanda will no longer watch from the shadows. We can not. We must not. We will work to be an example of how we, as brothers and sisters on this earth, should treat each other. Now, more than ever, the illusions of division threaten our very existence. We all know the truth: more connects us than separate us. But in times of crisis the wise build bridges, while the foolish build barriers"

It's not every day that a superhero flick wins three Academy Awards. But I'm glad that Ludwig Göransson's epic score, Ruth E. Carter's brilliant costume department and Hannah Beachler & Jay Hart's production design got the recognition they deserved, for their part in creating the immensely vibrant world of Wakanda. In this beautifully created land, we follow what seems to be a Shakespearean tragedy in the context of Marvel, as two brothers from other mothers, with the same goals in mind but different methods due to their very different upbringings, are faced with leading their sides in a dramatic and violent clash.

Michael B. Jordan proves to be the Michael Jordan of people who share a name with Michael Jordan, as he provides a gripping performance as Erik Killmonger, one of Marvel's best villains. And, of course, the main hero T'Challa / Black Panther is brought to life by the one and only Chadwick Boseman, a truly inspiring figure both on and off the screen, who was taken from us too soon. While Boseman made a career out of playing iconic figures from Thurgood Marshall and Jackie Robinson to James Brown, his most lasting cinematic legacy will likely be the role of T'Challa, and the tremendously empowering effect that the role, the film around it and the feeling of representation that came with it caused for so many people of color around the world.

5. Malcolm X (Spike Lee)

"We didn't see any democracy in the cotton fields of Georgia - wasn't no democracy down there. We didn't see any democracy. We didn't see any democracy on the streets of Harlem or on the streets of Brooklyn or on the streets of Detroit or Chicago. Ain't no democracy down there"

Many walk into Malcolm X while having mixed views on the controversial civil rights leader. Most likely, once the film is over and the credits start to roll, they'll still have mixed views, but with a lot more context to back these views up. Spike Lee always was one for nuances, so this biopic of a real-life antihero doesn't make the mistake of painting Malcolm X as overly good or overly bad: it showcases his greatest moments and words of wisdom, while also not shying away from his shortcomings and questionable stances. It's an illuminating, 3-hour-22-minute look at one hell of a complex person, and the ways in which his culture shaped him and he shaped his culture.

I'm not exaggerating when I say that Denzel Washington provides one of the very greatest acting performances in cinematic history in this film - it says something that the Oscar for Best Leading Actor that year went to the absolutely brilliant Al Pacino performance in Scent of a Woman, yet I still 100 per cent believe that Washington was robbed. Between his powerful performance and Lee's one-of-a-kind directing, Malcolm X is one of the deepest, most layered biopics out there, and simply one of the best.

4. Get Out (Jordan Peele)

"How you find me?"
"I'm TS-motherfuckin'-A. We handle shit"

I've discussed Jordan Peele's magnificent debut film many times in my blog, and each time I make the same point because I simply find it so fascinating. The point in question is that Get Out is a combination of three elements that you would never imagine to work together until you see it for yourself. The elements in question are creepy and well-built horror, entertaining comedy, and razor-sharp societal criticism.

One is bound to get cynical that at least one of these three building blocks would be muddled by a film trying to juggle all three: either the horror isn't all that scary and genuine at the expense of all the comedy and politics, or then the comedy would feel forced and out of place at the expense of the horror and the politics, or at the very least the politics would feel preachy and simplistic at the expense of the horror and the comedy. But none of this happens, leading to a unique film that truly creeps you out, makes you laugh, and takes some brilliant nuanced jabs at the racism in our society. It's not every day that a horror film wins the Oscar for Best Screenwriting, but in this case, the historic win was beyond well-deserved.

3. BlacKKKlansman (Spike Lee)

"America first. America first. America first. America first"

Fun fact: the quote above isn't from a scene that takes place in a Donald Trump rally, but rather from a historic account of a Ku Klux Klan meeting in the 1970's. Yes, I know, I also have trouble keeping those two apart.

When writing this blog, I considered using the Viitanen method and only including one film for each director, so that my list wouldn't be filled to the brim with Spike Lee and it would be a celebration of as many different Black directors as possible. However, in the end I decided to allow multiple films by the same director - there still was room to discuss the works of several different filmmakers on this list, and if you're really such an incredible director that more than one of your films makes such a top 10, your body of work deserves to be celebrated. Not to take away from the multitude of other fantastic Black filmmakers out there, I figured that Spike Lee is such a legend among Black filmmakers that including a few of his films was the right thing to do (pun intended) - kind of how a list of the 10 greatest classical compositions might have two different Bach works, and that doesn't discredit all the other classical composers. It just means that Bach was a f**king wizard. And so is Spike Lee.

Anyways, BlacKKKlansman is the true story of a Black detective who infiltrates the KKK in the 70's, so needless to say, it's an amazing piece of cinema.

2. 13th (Ava DuVernay)

"We knew we couldn't make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities, we could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did"

In case you're wondering, that quote is by John Ehrlichman, a former high-ranking advisor of the Nixon administration. And that's just the tip of the iceberg. With brilliant directing by Ava DuVernay, this Netflix documentary takes the viewer down the rabbit hole of just how deeply racism runs in the veins of American society. 13th takes in-depth historical looks from slavery and the confederacy, Jim Crowe and segregation, and Nixon's war on drugs (read: "war on Black people") all the way to modern instances of police brutality and the gaping flaws in our justice system.

Clear lines are drawn connecting the horrifying acts from our past to the forms of injustice we face today, raising questions like "Why didn't they teach about this in our fairytale history class?" and causing realizations like "Oh, that's why Republicans want to censor American history and replace it with their own bedtime story". If institutional racism is a concept you find difficult to understand, watching this factual and eye-opening documentary is one of the most efficient ways to begin or further your learning process.

1. Do the Right Thing (Spike Lee)

"Yo! Hold up! Time out! TIME OUT! Y'all take a chill! Ya need to cool that shit out! And that's the double truth, Ruth!"

There's something inherently funny about the fact that Spike Lee has made films about Blackface, the KKK, the Vietnam War and Malcolm X, yet his single most powerful film, one that arguably says more about race in a more genius and nuanced way than any other of his joints, is the comedy about a very hot day in a Brooklyn neighborhood.

As we follow the events of this day, on a colorful and multi-cultural street, we are simultaneously exposed to the beauty and richness of multiculturalism, and the gripping effect that racism and racial tensions have on society. As the day gets hotter and hotter, making things unbearable for the many fantastic characters of the film, the tensions between the street's Italian-American, Latin American, African-American and Asian-American communities start to simmer in an unfortunate and heartbreaking way.

While Do The Right Thing has an abundance of funny and delightful moments, it is at heart a scathing criticism of humanity's tendency to let race divide us. The crowded Brooklyn street the film takes place on is in many ways a microcosm of the whole world, and the questions raised by the film's ending are questions we all should consider. Do The Right Thing is one of the best films ever made, and extremely appropriate viewing for Black History Month or any other time of year.




Thank you for reading! Next week's post will be another one on Black History Month, this time looking at 10 relevant television episodes concerning Black history.

Thursday, February 10, 2022

Valentine's Day Approaches: Top 5 Love Stories (And Top 5 Friendships) From TV

Greetings, reader!

Well, it's the last Thursday before Valentine's Day, so I figured I'd celebrate with a post. Since I already ranked my favorite rom-coms last year, this year's Valentine's Day post will focus on the world of television. I figured I'd rank my favorite love stories from TV shows, but then I got an idea from the culture here in Finland - Valentine's Day in Finnish is "Ystävänpäivä", which literally translates to "Friends' Day". The holiday is a bit less about romantic love in here, as it can be also seen as a celebration of platonic friendship, which has always felt like a wholesome take on the holiday. So, I'll be ranking the top 5 romantic love stories from TV shows, as well as the top 5 friendships!

Also, semi-spoiler alert: I won't do any hard spoilers ("X and Y's surprise engagement in the season 2 finale totally shocked me!"), but there are some soft spoilers (the fact that two characters end up together might not be evident in the show's beginning, et cetera) which may or may not bug people who haven't seen the series and want to go in fresh, so keep that in mind.

#5 in love stories: Amy and Rory from Doctor Who

Doctor Who underwent several changes in 2010, with Steven Moffat stepping in as showrunner and Matt Smith stepping in as the new Doctor, making for what I consider the show's peak era - and the Doctor's companions Amy (Karen Gillan) and Rory (Arthur Darvill) were an essential part of this run.

The thing with Amy and Rory is that they went through so much together. The only thing greater than their friendship with the Doctor was their love for each other, which was tested again and again yet always came out on top. Especially evident in heartstring-tugging episodes like the bombastic season 5 finale The Big Bang, sentimental season 6 episode The Girl Who Waited and the couple's swan song The Angels Take Manhattan, this love story was touching and powerful from beginning to end.

#5 in friendships: Nick and Andrew from Big Mouth

This might seem like an odd choice at first glance, because the friendship between the two main characters of this animated coming-of-age sitcom is much more full of drama and fights than many more 'pure' fictional friendships. But the thing that really gets me about Nick (Nick Kroll) and Andrew (John Mulaney) is that it's a pitch-perfect, realistic representation of the friendship between two dumb kids.

The series is written by Nick Kroll and Andrew Goldberg, and many of its themes are based on their own puberty-age struggles and their true childhood friendship. Nick and Andrew might get into stupid fights and hate each other occasionally, but they always find a way to make up and be best friends again, just like kids are bound to do, and the ups and downs of such friendships unique to that stage in life are portrayed beautifully in Big Mouth.

#4 in love stories: Leslie and Ben from Parks & Recreation

One cool thing about the romance between Leslie Knope (Amy Poehler) and Ben Wyatt (Adam Scott) is that it's not too obvious from the beginning. While it doesn't exactly come out of the blue, it also isn't laid out in a clearly foreshadowed fashion, as is the cliché with each sitcom's 'biggest' love story. When Ben and his buddy Chris joined the main cast at the end of season 2 (also known as the moment Parks & Recreation got about five times better, going from 'The Office rip-off' to 'one of the greats'), Ben immediately had good chemistry with Leslie, but it wasn't obvious that they were going to end up together.

However, throughout the third season, things started to slowly point towards such an outcome. The series built their relationship in just the right tempo when compared to the first-time viewer's feelings - just when you start to feel like something should happen, something does happen, and the storyline gets better! Once they did end up together, Ben and Leslie had an abundance of great romantic moments throughout the rest of the series. Parks & Rec probably has more awesome love stories than any other series (April & Andy, Ron & Diane, Chris & Ann, Tom & Lucy, Donna & Joe...), but the best out of the bunch is a clear choice.

#4 in friendships: Liz and Jack from 30 Rock

Most of television's greatest friendships are ones between two peers, more often than not of the same gender, who are generally roommates or classmates or childhood buddies. Therefore, television's great friendships aren't often ones between a strictly Republican, grey-haired corporate big-shot boss-man who wears suits and plays golf, and a young, awkward and liberal smart-ass female TV writer who gets into fights over people cutting in line to the hot dog stand.

Liz Lemon (Tina Fey) and Jack Donaghy (Alec Baldwin) are polar opposites in so many ways, that it's absolutely hilarious and weirdly heartwarming how they end up becoming such good friends. Mind you, about 83 per cent of their conversations are bickering and debating about typical workplace issues like "What should we do about our environmental superhero mascot who has spiraled out of control?" or "How should we fake an outer space mission to trick our main star into thinking he went to outer space?". But beneath it all, it's clear how much the two really care for each other, especially in the later seasons as their friendship grows and they start to have more and more actually nice moments with each other amidst all the bickering.

#3 in love stories: Lorelai and Luke from Gilmore Girls

This larger-than-life romance might be ranked even higher if it wasn't for the fact that the later seasons of the series unveiled some unfortunate imperfections in Lorelai Gilmore (Lauren Graham) and Luke Danes (Scott Patterson) as a couple, although I might attribute this more to inconsistent writing than the essence of the characters. Whatever the case may be, there's no denying that these two characters were soulmates in an unconventional yet ultimately right and powerful fashion. When first watching Lorelai's bubbly&babbly energy contrasted with Luke's grumpy and reclusive demeanour, first-time viewers might not think them to be a perfect couple-to-be right away. But their unique chemistry, as well as their insane levels of caring for each other, slowly grow on the viewer and eventually melt their heart.

I promised not to do any 'hard spoilers', but let's just say that the road of these two unlikely lovers ending up together was not very straight-forward, but all of the long build-up made the eventual payoffs all the more worthwhile. Eventually their love story feels like something large in scope, even epic, which is quite something for a quirky 2000-2007 comedy-drama.

#3 in friendships: Ted and Marshall from How I Met Your Mother

It was surprisingly difficult to choose the very best friendship from How I Met Your Mother, as there are many good ones - especially the subtle and underrated friendship of Ted (Josh Radnor) and Lily (Alyson Hannigan), which I came close to picking. It's amazing how their friendship is so deep but so between-the-lines that you only start appreciating how well the two know each other and how big of a connection they have on your second or third re-watch (other examples of the fascinating category of "strong but low-key TV friendships" include Jake and Rosa on Brooklyn Nine-Nine and Jim and Kevin on The Office).

Still, I had to go with the more obvious and even greater pick in the end - Ted's friendship with Marshall Eriksen (Jason Segel). The two have great chemistry together, an abundance of iconic shared adventures and lovable inside jokes, and it's clear that both individuals would follow the other through the gates of Hell. As someone who often finds Ted Mosby relatable to a worrying degree, it's nice to see that he always has Marshall to act as a moral compass and give much-needed words of wisdom whenever he's screwing things up, and seeing friendships like this on television makes me very grateful for the real-life Marshall Eriksens I have around me.

#2 in love stories: Jake and Amy from Brooklyn Nine-Nine

One of the best things about Brooklyn Nine-Nine has always been that it doesn't repeat the mistakes that similar sitcoms before it have made. One great example is the sweet love story between goofball Jake Peralta (Andy Samberg) and the incredibly driven Amy Santiago (Melissa Fumero), and how healthy it is. When looking back on the 'biggest' and most central romances from past sitcoms, like Ross and Rachel from Friends or Ted and Robin from How I Met Your Mother, one notices that those relationships are unhealthy as hell. The couples seem caught in a vicious cycle of breaking up, getting back together, re-breaking up and so on, while also constantly fighting, lying, miscommunicating and cheating on each other to the point that it's really more about keeping viewers on edge concerning "will they or won't they", and at this point the more important question becomes "...should they???!".

Enter Brooklyn Nine-Nine. The love story between Jake and Amy doesn't have a fracture of over-romanticizing unhealthy and toxic relationships in it - mind you, there are moments and storylines of disagreements and arguing and drama just like there are in any relationship, but they are always ultimately dealt with in a healthy manner. It was so refreshing to see a sitcom where, after originally getting together, the 'main couple' actually stays together instead of breaking up over and over again each season. In addition, Samberg and Fumero simply have brilliant chemistry together, and following the characters gradually fall in love throughout the first seasons will tug at your heartstrings.

#2 in friendships: Charlie and Hurley from Lost

Nothing like being stranded on an island to forge unforgettable friendships. Lost has some of the most interesting and well-written characters and character relationships in television history, from the heartbreaking love story of Desmond and Penny (I'm not crying, you are, shut up) and the adversarial animosity between Jack and Locke to the father-and-son bond between Michael and Walt and the actually very well-done triangle drama between Jack, Kate and Sawyer. But the best character relationship in the series is, by far, the friendship of Charlie (Dominic Monaghan) and Hurley (Jorge Garcia).

The characters themselves are humongous favorites of mine - the flawed-but-lovable rock n' roll energy of Charlie and the goofy optimism in even the direst circumstances that Hurley brought to the series were absolute staples of Lost. It's a delight to see these two slowly become friends, to the point that the highlight of many episodes is a scene where they indulge in any number of shenanigans, from solving mysteries together and opening up to each other to helping one another become better people or just having a ball during their "downtime" on the island. The friendship between Charlie and Hurley was the greatest source of comic relief to this survival drama, but it also brought a lot of heart and eventually heartbreak - when tragedy eventually befell one of these two characters, the saddest part was his friend's reaction when finding out.

#1 in love stories: Jim and Pam from The Office

Didn't have to think twice about this one - Jim (John Krasinski) and Pam (Jenna Fischer) is roughly what you get if you combine the powerful moments of Amy and Rory, the chemistry of Leslie and Ben, the epic build-up of Lorelai and Luke, and the healthiness of Jake and Amy. The love story between Jim and Pam is one of the absolute best things in The Office, as witnessed by the fact that their wedding episode, their engagement episode, the episode with their first kiss and the episode where they become a couple all made it into my top 15 favorite episodes of the series. The highlights of their romance are some of the biggest highlights of the whole series.

The story of Jim and Pam can be roughly divided into three distinct phases. The first phase is everything from before they ended up together, which is some of the very best flirtatious chemistry ever seen on the big or small screen. It's quite obvious from the first few episodes that those two should be together even though they were a long way from getting there, and watching them interact with each other with such impeccable chemistry and feeling brought a lot of heart into the otherwise quite cynical and distant first season. The second phase is them being together, which makes for a multitude of payoffs and joyful moments, as watching TV's greatest couple get married and raise a family together is just so endearing - and it's nice to see that their chemistry stayed intact even after finding a nice status quo and not being a budding "forbidden romance" anymore.

And then you have the third phase - the marital problems they face in the final season. Not to spoil any specifics, but Jim and Pam undergo their share of troubles in the show's 9th and last season, and this storyline was a stroke of genius from the writers. Simply keeping them happily together forever after would've been a bit 'boring' from a writer's perspective, and a complete lack of problems would've been a bit unrealistic for a romance that started as one of the most realistic depictions of falling in love that I've seen on any series. But, having them break up or go through the general Ross&Rachel drama would've been equally bad. So, instead, the writers kept the couple together but created some dramatic stakes by having them go through problems larger than they had faced before, and just the kind that many married couples surely face in real life and can relate to. At its toughest moments, this storyline was gripping and hard to watch, but ultimately it gave so much more meaning to Jim and Pam's love story, and following them overcome their issues made their romance more powerful than ever.

#1 in friendships: Troy and Abed from Community

I really didn't have to think twice about this one. I was probably 14 or 15 years old when I watched my all-time favorite sitcom for the first time, and it was at the end of the second episode of season 1 when Troy (Donald Glover) and Abed (Danny Pudi) burst into a wonderful freestyle rap while studying Spanish, when I thought: "This looks like it's gonna be the coolest bromance in any TV show ever". And boy, was I right.

One could argue that the platonic chemistry between Glover and Pudi is even greater than the romantic chemistry between any of the couples on today's other top five. The actors play so well off each other, with the inherent weirdness, nerdiness and goofiness of both characters bouncing off the other in a way that really resonated with the weird, nerdy and goofy kid discovering the series in his teen years and feeling represented. Troy and Abed's friendship is hilarious, when looking at running gags like "Troy and Abed in the morning" and the vast amount of hijinks that they get into, but it is also incredibly heartwarming and touching.

For example, look at the season 1 episode Environmental Science, where Troy has to let go of his "cool guy" image and own fears when he realizes that helping Abed deal with his problem means more to him. Or Abed's facial expression when watching Troy sail away in the character's farewell episode being the most heartbreaking part of Troy's departure from the series (seriously, how can one facial expression convey so powerfully that the character is hurting because his friend is leaving but also that he has accepted the situation and knows that he'll survive, AND HOW DID DANNY PUDI NOT WIN AN EMMY??).

The power of their friendship, and the show's overall balance of over-the-top silliness and real, hard-hitting emotions, is perhaps best described by the season 3 episode Pillows and Blankets. Over the course of a few episodes, differences between Troy and Abed have emerged to the point that they turn against each other - this makes for a gripping episode, but because it's Community, the rift takes place during a campus-wide pillow fort vs. blanket fort battle. As hilarious as the episode is with its civil war documentary -style and Dean Pelton's (Jim Rash) iconic line "Do people even go to classes?", it doesn't keep the episode from also being one hell of a tear-jerker - no matter how silly the setting, my heart still breaks every time Troy reads Abed's letter about his former friend's weaknesses and retaliates with a text message on how betrayed he felt after years of being the only friend who truly understood Abed.

And maybe that is the exact reason for why Troy and Abed's bond means so much to a viewer like myself - the feeling of being understood. I've never related to a fictional character as much as I do to Abed Nadir, and watching such an oddball befriend someone who truly gets him in ways that others never have is so powerful because I've experienced the exact same thing with my best friend, and I can tell you that it means everything to have someone like that in your life. Throughout the series, Troy and Abed help each other overcome their challenges and become better people, and they do it with smiles on their faces while bringing the show its greatest comedic moments as well as the most heartfelt ones.


Thank you for reading! Next week's post celebrates Black History Month, as I rank my 10 favorite films by Black directors. See you then!

Wednesday, February 2, 2022

My Best of 2021 Winners

Greetings, reader!


Last week I released the nominees for my personal 'Best of 2021' awards in movies, television and music. This week, I'm revealing the winners!


Movies

Best Picture

Winner: Dune
Hytti Nro 6
The Many Saints of Newark
tick, tick...BOOM!
Zack Snyder's Justice League

Best Director

Winner: Dune (Denis Villeneuve)
Hytti Nro 6 (Juho Kuosmanen)
The Many Saints of Newark (Alan Taylor)
The Suicide Squad (James Gunn)
tick, tick...BOOM! (Lin-Manuel Miranda)

Best Screenplay

Don't Look Up (Adam McKay)
Winner: Dune (Jon Spaihts, Denis Villeneuve, Eric Roth)
Hytti Nro 6 (Andris Feldmanis, Juho Kuosmanen, Livia Ulman)
Spider-Man: No Way Home (Chris McKenna & Erik Sommers)
The Many Saints of Newark (David Chase & Lawrence Konner)

Best Leading Actor

Don't Look Up (Leonardo DiCaprio as Dr. Randall Mindy)
Dune (Timothée Chalamet as Paul Atreides)
Hytti Nro 6 (Yuriy Borisov as Ljoha)
Spider-Man: No Way Home (Tom Holland as Peter Parker)
Winner: tick, tick...BOOM! (Andrew Garfield as Jonathan Larson)

Best Leading Actress

Don't Look Up (Jennifer Lawrence as Kate Dibiasky)
Dune (Rebecca Ferguson as Lady Jessica Atreides)
Winner: Hytti Nro 6 (Seidi Haarla as Laura)
The Harder They Fall (Zazie Beetz as Mary Fields)
The Many Saints of Newark (Vera Farmiga as Livia Soprano)

Best Supporting Actor

Don't Look Up (Mark Rylance as Peter Isherwell)
Dune (Oscar Isaac as Duke Leto Atreides)
No Time to Die (Rami Malek as Lyutsifer Safin)
The Harder They Fall (LaKeith Stanfield as Cherokee Bill)
Winner: The Many Saints of Newark (Leslie Odom Jr. as Harold McBrayer)

Best Supporting Actress

Don't Look Up (Meryl Streep as President Orlean)
Winner: Dune (Zendaya as Chani)
The Harder They Fall (Regina King as Trudy Smith)
The Many Saints of Newark (Michela De Rossi as Giuseppina Moltisanti)
tick, tick...BOOM! (Vanessa Hudgens as Karessa)

Best Score

Winner: Dune (Hans Zimmer)
Halloween Kills (Cody Carpenter, John Carpenter, Daniel A. Davies)
Spider-Man: No Way Home (Michael Giacchino)
The Harder They Fall (Jeymes Samuel)
tick, tick...BOOM! (Jonathan Larson; Nancy Allen)

Best Cinematography

14 Peaks: Nothing is Impossible (Chris Alstrin)
Winner: Dune (Greig Fraser)
Hytti Nro 6 (Jani-Petteri Passi)
The Many Saints of Newark (Kramer Morgenthau)
tick, tick...BOOM! (Alice Brooks)

Best Visual Effects

Winner: Dune
Godzilla vs. Kong
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
The Suicide Squad

Best Editing

Dune
The Many Saints of Newark
The Suicide Squad
tick, tick...BOOM!
Winner: Zack Snyder's Justice League

Best Sound

Winner: Dune
F9: The Fast Saga
Godzilla vs. Kong
tick, tick...BOOM!
Zack Snyder's Justice League

Best Production Design

Winner: Dune
No Time to Die
Spider-Man: No Way Home
The Harder They Fall
The Many Saints of Newark

Best Costumes and Makeup

Winner: Dune
The Harder They Fall
The Many Saints of Newark
The Suicide Squad
tick, tick...BOOM!

Total Wins:

Dune - 10
Hytti Nro 6 - 1
The Many Saints of Newark - 1
tick, tick...BOOM! - 1
Zack Snyder's Justice League - 1

Television

Best Television Series

It's Always Sunny in Philadelphia
Sex Education
Squid Game
Winner: The Beatles: Get Back
The Falcon and the Winter Soldier

Best Directing

Hawkeye (Bert & Bertie, Echoes)
Squid Game (Hwang Dong-hyuk, Kkanbu)
Winner: The Beatles: Get Back (Peter Jackson & Michael Lindsay-Hogg, Part 3: Days 17-22)
The Walking Dead (Greg Nicotero, On The Inside)
WandaVision (Matt Shakman, Filmed Before a Live Studio Audience)

Best Writing

Arcane (Ash Brannon, The Base Violence Necessary for Change)
It's Always Sunny in Philadelphia (Megan Ganz, The Gang Carries a Corpse Up a Mountain)
Saturday Night Live (Michael Che, Colin Jost, Kent Sublette & Anna Drezen, Jason Sudeikis / Brandi Carlile)
Sex Education (Laurie Nunn & Alice Seabright, Episode #3.3)
Winner: Squid Game (Hwang Dong-hyuk, Kkanbu)

Best Leading Actress

Hawkeye (Hailee Steinfeld as Kate Bishop)
Loki (Sophia Di Martino as Sylvie)
Winner: Sex Education (Emma Mackey as Maeve Wiley)
Squid Game (Jung Hoyeon as Kang Sae-byeok)
WandaVision (Elizabeth Olsen as Wanda Maximoff)

Best Leading Actor

Winner: It's Always Sunny in Philadelphia (Charlie Day as Charlie Kelly)
Loki (Tom Hiddleston as Loki)
Sex Education (Asa Butterfield as Otis Milburn)
Squid Game (Lee Jung-jae as Seong Gi-hun)
The Falcon and the Winter Soldier (Anthony Mackie as Sam Wilson)

Best Supporting Actress

Saturday Night Live (Kate McKinnon as Various Characters)
Winner: Sex Education (Gillian Anderson as Jean Milburn)
Squid Game (Kim Joo-Ryung as Han Mi-nyeo)
The Walking Dead (Cailey Fleming as Judith Grimes)
WandaVision (Kathryn Hahn as Agnes)

Best Supporting Actor

Arcane (Harry Lloyd as Viktor)
Loki (Owen Wilson as Mobius)
Sex Education (Ncuti Gatwa as Eric Effiong)
Winner: Squid Game (Oh Yeong-su as Oh Il-Nam)
The Walking Dead (Jeffrey Dean Morgan as Negan)

Best Episode

Arcane (The Base Violence Necessary for Change)
It's Always Sunny in Philadelphia (The Gang Carries a Corpse Up a Mountain)
Rick and Morty (Rickmurai Jack)
Squid Game (Kkanbu)
Winner: The Beatles: Get Back (Part 3: Days 17-22)

Best Score

Winner: Loki (Natalie Holt)
Squid Game (Jaeil Jung)
The Falcon and the Winter Soldier (Henry Jackman)
The Walking Dead (Sam Ewing, Bear McCreary)
WandaVision (Christophe Beck, Alex Kovacs)

Best Cinematography

Hawkeye (James Whitaker)
Loki (Autumn Durald)
Winner: Squid Game (Lee Hyeong-Deok)
The Beatles: Get Back (Anthony B. Richmond)
WandaVision (Jess Hall)

Best Editing

Sex Education
Squid Game
Winner: The Beatles: Get Back
The Falcon and the Winter Soldier
WandaVision

Best Visual Effects

Hawkeye
Winner: Loki
The Falcon and the Winter Soldier
The Walking Dead
WandaVision

Best Animation

Winner: Arcane
Big Mouth
Rick and Morty
What If...?

Best Sound

Arcane
Winner: Hawkeye
Squid Game
The Beatles: Get Back
The Walking Dead

Best Set Design

Hawkeye
Loki
Winner: Squid Game
The Walking Dead
WandaVision

Best Costumes and Makeup

Saturday Night Live
Sex Education
Squid Game
Winner: The Walking Dead
WandaVision

Total Wins:

Squid Game - 4
The Beatles: Get Back - 4
Loki - 2
Sex Education - 2
Arcane - 1
Hawkeye - 1
It's Always Sunny in Philadelphia - 1
The Walking Dead - 1

Music

Best Album

Winner: Adele - 30
Brandi Carlile - In These Silent Days
Iron Maiden - Senjutsu
Silk Sonic - An Evening with Silk Sonic
Ursus Factory - Onnellinen Sukupolvi

Best Song

ABBA - Don't Shut Me Down
Adele - Hold On
Iron Maiden - Senjutsu
Winner: Silk Sonic - Leave the Door Open
Ursus Factory - Portilla Pastoriopiston

Best Music Video

ABBA - I Still Have Faith in You
John Mayer - Wild Blue
Winner: Rise Against - The Numbers
Silk Sonic - Skate
Ursus Factory - Mimosa

Best Composition

ABBA - Don't Shut Me Down (Benny Andersson & Björn Ulvaeus)
Brandi Carlile - Broken Horses (Brandi Carlile, Phil Hanseroth & Tim Hanseroth)
Iron Maiden - The Time Machine (Janick Gers, Steve Harris)
Winner: Silk Sonic - Leave the Door Open (Bruno Mars, Brandon Anderson, Dernst Emile II, Christopher Brody Brown)
Ursus Factory - Portilla Pastoriopiston (Jussi Pelkonen & Aleksi Ripatti)

Best Lyrics

ABBA - Keep an Eye on Dan (Benny Andersson & Björn Ulvaeus)
Winner: Adele - Hold On (Adele Adkins, Inflo)
Rise Against - Monarch (Tim McIlrath, Zach Blair, Joe Principe, Brandon Barnes)
Silk Sonic - Leave the Door Open (Bruno Mars, Brandon Anderson, Dernst Emile II, Christopher Brody Brown)
Ursus Factory - Miettusen Paku (Jussi Pelkonen & Aleksi Ripatti)

Best Mixing and Production

ABBA - Voyage (Bernard Löhr, Benny Anderson, Björn Ulvaeus, Björn Engelmann)
Adele - 30 (Shawn Everett, Ludwig Göransson, Inflo, Tobias Jesso Jr., Greg Kurstin, Max Martin, Shellback, Randy Merrill)
Iron Maiden - Senjutsu (Kevin Shirley, Ade Emsley)
Winner: Silk Sonic - An Evening with Silk Sonic (Serban Ghenea, Randy Merrill, Bruno Mars, D'Mile)
Ursus Factory - Onnellinen Sukupolvi (Väinö Karjalainen)

Best Vocal Performance

ABBA - Voyage (Agnetha Fältskog & Anni-Frid Lyngstad)
Winner: Adele - 30 (Adele Adkins)
Brandi Carlile - In These Silent Days (Brandi Carlile)
Iron Maiden - Senjutsu (Bruce Dickinson)
Silk Sonic - An Evening with Silk Sonic (Bruno Mars & Anderson .Paak)

Best Guitar Performance

Brandi Carlile - In These Silent Days (Tim Hanseroth)
Dream Theater - A View from the Top of the World (John Petrucci)
Foo Fighters - Medicine at Midnight (Dave Grohl)
Iron Maiden - Senjutsu (Dave Murray)
Winner: John Mayer - Sob Rock (John Mayer)

Best Bass Performance

Dream Theater - A View from the Top of the World (John Myung)
Foo Fighters - Medicine at Midnight (Nate Mendel)
Winner: Iron Maiden - Senjutsu (Steve Harris)
Rise Against - Nowhere Generation (Joe Principe)
Silk Sonic - An Evening with Silk Sonic (D'Mile)

Best Piano/Keyboard Performance

ABBA - Voyage (Benny Andersson)
Adele - 30 (Erroll Garner)
Winner: Dream Theater - A View from the Top of the World (Jordan Rudess)
Silk Sonic - An Evening with Silk Sonic (D'Mile)
Ursus Factory - Onnellinen Sukupolvi (Antti Vuorenmaa)

Best Drum/Percussion Performance

Dream Theater - A View from the Top of the World (Mike Mangini)
Foo Fighters - Medicine at Midnight (Taylor Hawkins)
Iron Maiden - Senjutsu (Nicko McBrain)
Winner: Silk Sonic - An Evening with Silk Sonic (Anderson .Paak)
Ursus Factory - Onnellinen Sukupolvi (Aleksi Ripatti)

Best Performance, Other Instrument

ABBA - Voyage (Jan Bengtson, Baritone Saxophone)
Winner: Adele - 30 (David Campbell, Various Strings)
Foo Fighters - Medicine at Midnight (Jacob Braun, Cello)
Kanye West - Donda (Brandee Younger, Harp)
Rise Against - Nowhere Generation (TJ Wessel, Violin)

Best Opening Track

ABBA - Voyage (I Still Have Faith in You)
Winner: Adele - 30 (Strangers by Nature)
Brandi Carlile - In These Silent Days (Right on Time)
Iron Maiden - Senjutsu (Senjutsu)
Ursus Factory - Onnellinen Sukupolvi (Rakkauttasi Tarvitsen)

Best Closing Track

ABBA - Voyage (Ode to Freedom)
Winner: Adele - 30 (Love is a Game)
Rise Against - Nowhere Generation (Rules of Play)
Silk Sonic - An Evening with Silk Sonic (Blast Off)
Ursus Factory - Onnellinen Sukupolvi (Vielä Yksi Päivä)

Total Wins:

Adele - 6
Silk Sonic - 4
Iron Maiden - 1
Rise Against - 1
Dream Theater - 1
John Mayer - 1



Thank you for reading! Next Thursday is the last Thursday before Valentine's Day, so this old romantic will be sharing his lists of the top 5 romantic love stories (and top 5 platonic friendships!) from television shows.