Thursday, August 28, 2025

Ranking every episode of It's Always Sunny in Philadelphia - based on the how good the episode title is

Greetings, reader!


This week's post is another ambitious one. The record-breaking sitcom It's Always Sunny in Philadelphia aired its 17th season, as well as celebrating its 20-year anniversary, this month. Among its other strengths, I've always considered the show to have the single greatest knack for episode titles of all time - no one names their episodes like Rob Mac and company. So, to celebrate the show's legacy and recent milestones, here's a ranking of every episode in the series - based purely on how good the episode title is!


177. Sweet Dee's Dating a R*****ed Person (Season 3 Episode 9)

Yeah, it makes sense that the only one I had to censor is in last place. I get dark humor, and most of the time I consider the show to be on the okay side of things - but they definitely crossed the line a few times in their early years, and this is the most blatant example.

176. Charlie Gets Crippled (Season 2 Episode 1)

Another very borderline case. The episode itself is pretty good, with the point definitely being to make fun of ableist people instead of punching down at the disabled. But the title doesn't exactly convey that.

175. Psycho Pete Returns (Season 10 Episode 3)

To those wondering - no, Psycho Pete wasn't a beloved character from the show's past. Sometimes the very random episode titles work, but for whatever reason, this one didn't grab my interest at all.

174. Hundred Dollar Baby (Season 2 Episode 5)

Look, I love puns - but when it comes to IASIP episode titles, the ones with lazy puns are almost always worse than the classic "The Gang Something Something" ones. And this one is as lazy as you can get when naming a boxing episode.

173. The Gang Gets Invincible (Season 3 Episode 2)

Maybe if I had seen the movie Invincible, I would've felt more intrigued by this. As it stands, it's my least favorite out of the ones with the traditional "The Gang" format.

172. Frank Retires (Season 10 Episode 9)

This one is just boring. Especially in terms of a series where nearly every title grabs your attention and makes you excited to see the end result.

171. Dennis and Dee Get a New Dad (Season 2 Episode 10)

Again, pretty basic, especially for a season finale.

170. The Great Recession (Season 5 Episode 3)

I often like the more archetypical TV episode titles thrown in to balance out the more IASIP-y ones (for example, The Storm of the Century goes hard). But this is one of the less interesting ones.

169. The ANTI-Social Network (Season 7 Episode 8)

Again, a lazy pun, worthy of a polite chuckle at best.

168. Charlie Work (Season 10 Episode 4)

Funny how one of the show's greatest episodes, scoring a whopping 9.8 on IMDB, has one of the most mundane titles. It ends up being the right title for the episode, but I can't give it much points here, because it doesn't have distinct personality and could be the title for any number of episodes.

167. The Gang Goes Jihad (Season 2 Episode 2)

It's certainly borderline in terms of political correctness, which is why I've ranked it so low. I still rate it higher than some of the other poorly-aged ones, because I see what they were going for with the (surprisingly well-aged) episode and they almost hit the mark with the grey-area title.

166. PTSDee (Season 12 Episode 7)

Not quite the laziest pun title, but no points for creativity either.

165. Charlie Has Cancer (Season 1 Episode 4)

These ones are hard to rank - you could understandably be all "it's not a laughing manner", but then again, we all know what we're tuning in for with the famously dark-comedy series.

164. Charlie Got Molested (Season 1 Episode 7)

Much like the previous entry, this one depends on your own specific sensibilities. In a manner typical for the show's early years, the title is bold and reads almost like a "Can they really make a funny episode about this?" challenge.

163. The Gang Goes on Family Fight (Season 10 Episode 8)

The episode is actually really good, but I don't recall being very excited beforehand based on the title. A game show is a setting among the rest of them, and the name they chose is just Family Feud but a bit different.

162. The Gang Beats Boggs (Season 10 Episode 1)

Unless you're weirdly familiar with the lore behind third baseman Wade Boggs' drinking records, this title won't really tell you anything until you see the episode for yourself. So, as a title, uh, neutral.

161. The Gang Texts (Season 14 Episode 5)

A bit of a mixed bag - with the showrunners being generally savvy with their satire yet very middle-aged, an episode about texting sounds like it could be clever or it could be cringey.

160. Sweet Dee Has a Heart Attack (Season 4 Episode 10)

Much like Charlie Work, this is a below-average title that surprisingly makes for one the show's greatest episodes. There's definitely some correlation between the best titles and best overall episodes, but there are plenty of exceptions!

159. The Gang Gives Back (Season 2 Episode 6)

Doesn't really tell you anything, and is thus one of the least interesting ones with the "The Gang..." format.

158. The Gang Sells Out (Season 3 Episode 7)

Mildly amusing, but again, you don't really know anything about what the episode will be like, and it doesn't even do that in a cool/mysterious way.

157. The Gang Goes to a Dog Track (Season 17 Episode 5)

Like many others, but for whatever reason, I don't find 'dog track' to be as intriguing of a setting as many similar ones.

156. The Gang Gets New Wheels (Season 13 Episode 5)

Slightly curiousity-sparking, but in a quite tame manner by IASIP standards.

155. Dennis and Dee's Mom Is Dead (Season 3 Episode 3)

Feels like it should be better, but for whatever reason, this fairly big event doesn't raise as much eyebrows as many of the more mundane premises.

154. Mac's Banging the Waitress (Season 4 Episode 4)

You know it'll make for some amusing character drama, but still, there are plenty of better ones out there.

153. The Gang Gets Trapped (Season 7 Episode 9)

An entertaining title, but vague enough to not give any concrete expectations.

152. The Gang Hits the Road (Season 5 Episode 2)

As a promise of the episode to come, this one feels like it could be a classic (as it turned out to be), but could just as easily be a bit of a dud.

151. The Gang Recycles Their Trash (Season 8 Episode 2)

Definitely not bad, but a bit basic.

150. How Mac Got Fat (Season 7 Episode 10)

Much like the whole 'fat Mac' storyline in season 7, this episode and its title are quite borderline. At least it promises some narrative intrigue!

149. Dennis' Double Life (Season 12 Episode 10)

Not bad, but a tad tame especially for a season finale.

148. Mac & Dennis Move to the Suburbs (Season 11 Episode 5)

The episode turned out to be a modern classic, but you couldn't have known that from the title (this premise could've made for a boring, subpar episode just as easily).

147. Dee Gives Birth (Season 6 Episode 12)

Makes sense as the (sort of) conclusion to the season where Dee is pregnant. Predictable, but a nice bow on things, I suppose.

146. The Gang Gives Frank an Intervention (Season 5 Episode 4)

The funniest part about this otherwise-basic title is that due to the character's nature, first-time viewers have no idea what the intervention will be about, as there are countless options.

145. The Waitress Is Getting Married (Season 5 Episode 5)

Again, the episode is obviously an all-timer, but the title is weirdly average, promising little more than some sad-Charlie shenanigans.

144. Mac and Dennis: Manhunters (Season 4 Episode 1)

We're slowly starting to get to the decent ones. No masterstroke, but definitely seems to promise an alright time at the least.

143. Gun Fever (Season 1 Episode 5)

In the first few seasons (and season 1 in particular), every episode dealt with some social issue via satire. The gun episode isn't as creatively/chaotically titled as some of the better ones, but that doesn't even matter - based on the four episodes that came before this, you'll be dying to see how the series tackles guns, so the simple title works.

142. The Gang Gets Romantic (Season 14 Episode 1)

The wholesome-sounding titles are often funny for viewers accustomed to the show's nature, because you just know there's gonna be more to the story and some cynical twist. "The gang gets romantic"? I don't think they will, but I sure wanna see what this title is referring to!

141. The High School Reunion (Season 7 Episode 12)

A neat premise with potential for big entertainment, but slight minus points for being less characteristic for this show in particular (most of the titles have a distinctive IASIP personality to them, whereas this title could be from any given series).

140. The High School Reunion Part 2: The Gang's Revenge (Season 7 Episode 13)

The same, but gains a slight edge because a two-parter always adds a touch of intrigue.

139. The Gang Gets Cursed (Season 16 Episode 3)

Honestly, it doesn't hit my curiosity as much as one might expect from such a mystic title. It sounds like it'll be a amusing yet ultimately basic episode.

138. The Gang Gets Extreme: Home Makeover Edition (Season 4 Episode 12)

I like the idea of an Extreme Makeover: Home Edition -spoof, but what's up with the clunky wording? Is it on purpose or not?

137. Mac and Dennis Become EMTs (Season 17 Episode 3)

Promises a good time, but not an all-timer in terms of the title.

136. The Gang Hits the Slopes (Season 11 Episode 3)

Has a distinctive personality to it, but 'a skiing episode' isn't the most riveting pitch for this particular series.

135. Paddy's Has a Jumper (Season 14 Episode 8)

A promise of brutal gallows humor - almost a bit borderline as an overall theme, but then again, viewers know what show they're tuning in for.

134. Frank's Pretty Woman (Season 7 Episode 1)

Sometimes the movie reference titles are a bit lazy, but this one hits different by simply feeling like it'll be a funny misadventure.

133. The Aluminum Monster vs. Fatty Magoo (Season 3 Episode 5)

Certainly different, and enough to raise one's eyebrows (if not in the highest tier of the chaotic and norm-breaking titles).

132. Mac and Dennis Break Up (Season 5 Episode 9)

Knowing the character dynamic, this makes for a funny premise, although it can make cynical viewers worried if it'll just be "haha, let's talk about a male friendship as if it's a romantic relationship, no homo" jokes for 22 minutes.

131. The Gang Group Dates (Season 10 Episode 2)

Basic in just the right way - 10 seasons into the show, I definitely anticipated seeing how the series would tackle group dating.

130. Mac Bangs Dennis' Mom (Season 2 Episode 4)

Entertaining, but missing that specific touch that makes the very best titles really pop.

129. Charlie's Mom Has Cancer (Season 8 Episode 6)

It's hard to rank these ones - it's a hell of a bummer, but for a show priding itself in dark humor, you know there's a chance they'll make it work so you become morbidly curious.

128. Dennis and Dee Go on Welfare (Season 2 Episode 3)

If I were ranking these based on the transition-from-cold-open-to-episode-title-reveal jokes, this would be in the top ten. Purely as a title, it's good but a bit average.

127. The D.E.N.N.I.S. System (Season 5 Episode 10)

Compelling, but you wouldn't guess it to be such an all-time classic from its name.

126. Dennis Reynolds: An Erotic Life (Season 4 Episode 9)

There's a very specific subgenre of IASIP episode titles where they sound artistic and classy but still with a twist. This isn't one of the finest examples, but they're all pretty neat.

125. The Gang Goes to the Jersey Shore (Season 7 Episode 2)

Better than many of the "The Gang" ones, but not nearly among the best.

124. Hero or Hate Crime? (Season 12 Episode 6)

Doesn't really give you anything but a head-scratching "What the hell kind of scenario needs to happen in order to have this question as the title?". And honestly, sometimes that's more than enough.

123. The Gang Broke Dee (Season 9 Episode 1)

For whatever reason, this is much funnier than "The Gang Breaks Dee" would've been. It's the little things.

122. The Gang Goes Bowling (Season 16 Episode 7)

Basic, but still ranked relatively well because for whatever reason, the image of the gang at a bowling alley is instantly entertaining.

121. The Gang Escapes (Season 13 Episode 2)

The ambiguity of titles like this one are their biggest weakness and strength. On one hand, you don't know what sort of episode you're diving into, but on the other, you're lowkey dying to find out.

120. Mac's Big Break (Season 6 Episode 4)

Another decent example of the "sounds wholesome, but with the undertone that there's going to be some twist because it's IASIP" subgenre.

119. Mac and Charlie: White Trash (Season 6 Episode 5)

Honestly, this could be the the title for any number of episodes. But so what? It works.

118. The Gang Wrestles for the Troops (Season 5 Episode 7)

Again, you just know there'll be more to the story, some buffoonish selfish angle or something. These titles really hit different once you've understood what kind of show you're watching.

117. The Gang Finds a Dumpster Baby (Season 3 Episode 1)

Oh no. Poor baby. Beautifully morbid, especially for a season premiere.

116. The Gang Finds a Dead Guy (Season 1 Episode 6)

With the chaotic nature of the series being evident already in the first season, you don't know if you're in for a Weekend at Bernie's situation or a Stand By Me. Either way, you're tuning in.

115. Charlie and Dee Find Love (Season 8 Episode 4)

Haha, quite clever, as they do find love (sort of ) but not with each other as the title would have us thinking.

114. Bums: Making a Mess All Over the City (Season 3 Episode 14)

Every now and then, they'll throw in a title that reads like a an old-timey news headline to balance out the "The Gang..." ones, and it works like a charm.

113. Frank's Back in Business (Season 8 Episode 7)

Doesn't give you much to go on, but Frank is such an entertaining character with all his endeavors that it's pretty safe to reckon this episode won't be boring.

112. The Gang Buys a Roller Rink (Season 15 Episode 3)

Of course they do! But wait, why and how and what? Watch the episode to find out!

111. A Woman's Right to Chop (Season 14 Episode 9)

This episode is exactly what you'd expect from the title - satire on the abortion debate via a metaphor that is a bit clunky/lazy but still makes for decent laughs.

110. Making Dennis Reynolds a Murderer (Season 12 Episode 5)

Continuing on the play-on-words titles that aren't as lazy as the worst of them but still in the grey area between eye-rolling and an appreciative chuckle.

109. The Gang Spies Like U.S. (Season 10 Episode 5)

An otherwise fantastic title, but the grammatical error hurts my soul. Add a "the" and this would be in the top fifty.

108. Mac Day (Season 9 Episode 5)

When this episode aired, the concept of character theme days hadn't been introduced, so this title was just minding its own business in glorious ambiguity. Color me interested.

107. Thunder Gun Express (Season 7 Episode 11)

Same goes for this one, which first introduced the fictional Thunder Gun movie franchise. As a title with no pre-built context, it sure sounds like the episode will be fast and exciting.

106. The Gang Chokes (Season 14 Episode 4)

It's giving "Oh get the f**k outta here, HOW are they going to make an entire episode out of this?" - mind you, for a viewer like myself, that's a good thing.

105. Dee Made a Smut Film (Season 11 Episode 4)

It's not just the premise, but the specific wording. If it was "Dee made a porno", it wouldn't be nearly as high. IASIP just has a way with its raw, decadent dirtbag vibe.

104. Celebrity Booze: The Ultimate Cash Grab (Season 16 Episode 5)

The episode ended up being one of the show's lesser offerings, which is a shame - the title felt like there was potential for memorability, perhaps even greatness.

103. The Gang Buys a Boat (Season 6 Episode 3)

Mundane in just the right way. You immediately start to imagine all the different ways in which this could go wrong.

102. Waiting for Big Mo (Season 14 Episode 10)

Mysterious - especially for a season finale. Who or what is Big Mo, and why are we waiting for that?

101. The Gang Gets Held Hostage (Season 3 Episode 4)

The more panicked and claustrophobic the situation, the more hilariously entertaining the gang's behavior. So, a title like this will make you go "Bring it on".

100. Frank Is in a Coma (Season 17 Episode 2)

Again, the specific wording makes this one funnier. For those wondering, Frank was not in a coma before this episode started, and this timeless and factual vibe (as opposed to "Frank falls into a coma" et cetera) makes it much better.

99. The Gang Cracks the Liberty Bell (Season 4 Episode 11)

For a show as unhinged as this one, taking place in Philadelphia...it was only a matter of time, really.

98. The Gang Tries Desperately to Win an Award (Season 9 Episode 3)

The meta element that ended up making this episode one of the all-timers is brilliantly hinted at already in the title. Nice work.

97. The Gang Gets Whacked: Part 1 (Season 3 Episode 12)

Implies a clash between the gang and the mob - and that's an entertainment guarantee if I ever heard one.

96. The Gang Gets Whacked: Part 2 (Season 3 Episode 13)

The same, but even better because the existence of a part two (and the fact that sitcoms don't tend to kill off all their major characters) implies that they don't actually get whacked, which raises the delightful question of what exactly is the title referring to.

95. Charlie Rules the World (Season 8 Episode 8)

He sure does, man.

94. The Gang Gets Ready for Prime Time (Season 17 Episode 7)

Could mean so many different things, but one thing is for sure - an episode with this title can't possibly be bad.

93. The Gang Makes Paddy's Great Again (Season 13 Episode 1)

Yeah, the wording is as lazy of a joke as they come, but I'm still ranking it high because of what the title means - season 13 came out in early 2017, and the title of the season premiere promising that they'll tackle the Trump presidency head-on created some serious hype.

92. The Gang Dances Their Asses Off (Season 3 Episode 15)

Something so unserious is a fun move for a season finale, and again, the specific wording gives this one a classic IASIP vibe.

91. The Golden Bachelor Live (Season 17 Episode 8)

What? Live in what way? What's going to be going on here? A season finale, no less? I just knew I had to see it immediately.

90. Frank's Brother (Season 7 Episode 5)

The episode didn't end up being very good, which is a shame, because the title does some heavy eyebrow-raising. Frank is such a bizarre f**king character, that the idea of him having a brother we haven't met sounds like it has the potential for greatness.

89. The Gang Squashes Their Beefs (Season 9 Episode 10)

By the season 9 finale, the gang had beef with a lot of different recurring characters. This one promises some sweet follow-up to that, and once again, a viewer accustomed to the series can't wait to see just how it all goes to hell.

88. The World Series Defense (Season 5 Episode 6)

While the courtroom-style episodes were a relatively new thing when this episode rolled out, the show had dabbled with the genre enough for this title to give the expectation that the gang will be spinning some far-fetched bullshit.

87. The Gang Gets a New Member (Season 6 Episode 8)

Different enough to work. With this show, the question isn't even "ooh, I wonder what the new member will be like!", but more "oh no, I wonder how this poor soul will react to the gang".

86. Mac's Mom Burns Her House Down (Season 6 Episode 6)

Always up for a Mrs. Mac episode - such a brilliant recurring character.

85. Frank vs. Russia (Season 16 Episode 4)

Without any knowledge about why and on what front will Frank be facing off against Russia, this is still a hilarious mental image, what with Frank's old-school cold-war attitudes and all.

84. The Gang Reignites the Rivalry (Season 5 Episode 12)

What rivarly? No idea, but it's a season finale, so I'm guessing it'll be good. Nothing quite like the gang when they're petty and vengeful.

83. Mac Fights Gay Marriage (Season 6 Episode 1)

This one gains extra points due to the retrospective of Mac's character arch - knowing that he eventually realizes his identity and comes out as gay himself, it's extra funny that there's an episode with this title in the show's early years.

82. The Gang Dines Out (Season 8 Episode 9)

Simple yet effective. Sometimes all you need is the gang in a fancy enough setting that their inherent behavior reaches peak levels of inappropriate chaos.

81. Dennis Looks Like a Registered Sex Offender (Season 3 Episode 11)

An immediately amusing premise, that'll make you yearn to see what sort of dark-humor shenanigans such a scenario leads to.

80. The Gang Turns Black (Season 12 Episode 1)

This one had me stressed beforehand - "What are they gonna do? What lines will they cross? How mixed will my feelings be? Will the show be cancelled (in both senses of the word)?". In retrospect, the episode was surprisingly unproblematic, and the title quite a clever scare.

79. Mac and Dennis Buy a Timeshare (Season 9 Episode 4)

By this point in the series, you know that the episodes about the financial world are always a hoot, as the gang's ability to do the dumbest f**king things while fully convinced that they're ingeniously beating the system just never gets old.

78. Sweet Dee Gets Audited (Season 7 Episode 4)

Yet another promise of financial fun, with additional bonus points for the contrast in the faux-innocent "Sweet Dee" nickname and the bleak reality of being audited out of all things.

77. The Gang Saves the Day (Season 9 Episode 6)

Especially when taking into account that it's the show's 100th episode, this one creates brilliant anticipation. You know they won't actually be saving anyone's day, so what's really going on?!

76. The Gang Gets Quarantined (Season 9 Episode 7)

I remember my morbid chuckle, in the spring of 2020, when I remembered that an episode with this title exists, and it made for a hysterical re-watch. Aged like wine.

75. America's Next Top Paddy's Billboard Model Contest (Season 4 Episode 3)

This one is ranked well ahead many of the clunky pop culture reference -ones, because it's so chaotic and messy that it's gotta be purposeful and it honestly really works.

74. Paddy's Pub: Home of the Original Kitten Mittens (Season 5 Episode 8)

Home of the WHAT? Yeah, this has got to be good.

73. Flowers for Charlie (Season 9 Episode 8)

Full disclosure - I did not know about the book Flowers for Algernon (or its film adaptation) that is being referenced here. But honestly, the title works wonders without it, which is likely something the showrunners counted on, since the book and film aren't quite in the household name category.

72. Who Got Dee Pregnant? (Season 6 Episode 7)

Hell yeah - always up for an It's Always Sunny whodunit.

71. Mac Finds His Pride (Season 13 Episode 10)

No one could've predicted exactly how this season finale would turn out, but expectations were high regardless - the 'gay Mac' storyline had been expertly built little by little, and to culminate the thirteenth season with this title was a bold, fun move.

70. Frank Falls Out the Window (Season 11 Episode 2)

This is funny on both the "haha, sounds like quite the physical comedy incident, this I gotta see" level, and on the "HOW will the crazy bastards drag an entire episode out of this?!" one.

69. The Gang Inflates (Season 16 Episode 1)

Like I mentioned earlier, the financial episodes are always a riot - and so are the ones that take a jab at current events! Released in 2023 as the first IASIP episode after Russia's attack on Ukraine and the subsequent worldwide inflation, this was a real "yeah, they're coming out swinging right out of the gate".

68. The Storm of the Century (Season 7 Episode 6)

It's simple and not IASIP-specific, but it still somehow works really well. For whatever reason, this title thrown into the middle of a season with "The Gang this and that" and "Sweet Dee this and that" titles all around it, really sticks out with a vibe of its own.

67. Charlie Catches a Leprechaun (Season 11 Episode 8)

Of course he f**king does. To quote Troy Barnes from Community, "Can I sign up twice?".

66. The Gang Gets Analyzed (Season 8 Episode 5)

About goddamn time! You just know this can't be anything but a gold mine.

65. Underage Drinking: A National Concern (Season 1 Episode 3)

It's not the subject matter that makes this great - not to belittle the seriousness of underage drinking, but in a debut season that tackles guns, cancer and child molestation, it can't help but feel tame. Rather, it's the specific wording: this absolute classic walked so that Bums: Making a Mess All Over the City, Paddy's Pub: The Worst Bar in Philadelphia and Wolf Cola: A Public Relations Nightmare could run.

64. Dee Day (Season 14 Episode 3)

This one was released after Mac Day, so we were familiar with the theme-day premise and knew what to expect (in this case, Kaitlin Olson being the comedy goddess she is in her role of a lifetime).

63. Gun Fever Too: Still Hot (Season 9 Episode 2)

Yeah, I love a sequel. Season 1's Gun Fever was a classic, so this felt like a treat.

62. Thunder Gun 4: Maximum Cool (Season 14 Episode 2)

Like I said, I love a sequel. Couldn't wait to learn more of the fictional Thunder Gun franchise introduced in season 7's Thunder Gun Express.

61. CharDee MacDennis 2: Electric Boogaloo (Season 11 Episode 1)

Did I mention that I love a sequel? It makes sense that several of these are lumped together here. This one is slightly higher than its counterparts because the original CharDee MacDennis is a top 15 episode of the series for me, so the idea of more was extra-exciting.

60. The Gang Makes Lethal Weapon 6 (Season 9 Episode 9)

Okay, this follow-up is even better, because it's not just following up on an individual episode but rather a larger-than-life running gag. We knew how hilarious the gang's fan-made Lethal Weapon 5 had been (bar the poorly aged stuff), so this made for some serious hype.

59. The Gang Makes Lethal Weapon 7 (Season 15 Episode 2)

The more the better, if you ask me! This one also gets extra points because it had been such a long break, during which the showrunners seemed to have grown a lot in terms of their borderline humor - so the reveal of this episode title immediately begged a bunch of "HOW WILL THEY ADDRESS THE CONTROVERSY" speculation.

58. The Gang Runs for Office (Season 2 Episode 8)

After nearly two full seasons of satirizing individual political issues, the series decides to make fun of politics itself - you know that's gonna be fantastic TV.

57. Thought Leadership: A Corporate Conversation (Season 17 Episode 4)

What? That sounds like a whole bunch of filler-word jargon. OH, WAIT, I'M GUESSING THAT'S THE POINT, ISN'T IT! Man, this guys are good.

56. A Cricket's Tale (Season 12 Episode 9)

Twelve seasons into the show, it was due time for the beloved, tragic recurring character Rickety Cricket to get an episode focused on him. Once again, hype was in the air.

55. The Janitor Always Mops Twice (Season 14 Episode 6)

Otherwise I wouldn't rank this nearly as high, as it's once again a semi-clumsy and only kinda-funny play on several title archetypes. But it's still sort of a vibe, and the 'Janitor' implies that it's gonna be a Charlie-focused episode, and as someone who views him as the show's best character, that alone goes a long way.

54. The Gang Goes to a Water Park (Season 12 Episode 2)

In terms of everyday settings that are fun to imagine getting utterly ruined by the gang's presence, a water park is definitely even funnier than going bowling or dining out. There's so much potential chaos to have fun with.

53. The Gang Gets Racist (Season 1 Episode 1)

For the PILOT EPISODE?! Bold move, man. They really told us what kind of show this is going to be from the get-go, gotta respect that.

52. Overage Drinking: A National Concern (Season 17 Episode 6)

Ranked well above most of the other sequel episodes, because the wording is such a fun play on the original.

51. Risk E. Rat's Pizza & Amusement Center (Season 16 Episode 6)

It's not even the "Ah, I see they're doing a parody of the Chuck E. Cheese restaurant chain for some reason" for me, but again, the specific wording. "Risk E. Rat" is just so fucking dumb and hilarious.

50. The Gang Exploits the Mortgage Crisis (Season 5 Episode 1)

While I enjoy the faux-wholesome episode titles, there's also something to be said for the ones that straight-up remind you of the main characters being pieces of shit. An episode about the mortgage crisis alone is a promise of entertainment, but straight-up admitting the gang will exploit it is pretty hysterical.

49. The Gang Solves the Gas Crisis (Season 4 Episode 2)

Here we have the other side of the same coin, and you know what - this works just as well, or arguably even slightly better. You know they won't solve the gas crisis, but of course that's what they're telling themselves.

48. Mac and Charlie Write a Movie (Season 5 Episode 11)

Yeah, this is my most subjective ranking - it's not an objectively great or standout title, but I love the world of movies so much, that an episode about these two characters taking a jab at screenwriting is something I personally knew I'd love.

47. Dennis Takes a Mental Health Day (Season 16 Episode 8)

Something so mundane for a season finale means that there's gonna be an other shoe dropping beyond the initial premise - and that works. Also, for this particular character, the idea of trying a mental health day is inherently funny.

46. The Gang Exploits a Miracle (Season 2 Episode 7)

Ah, the original "The Gang exploits..." title. Hilarious in a very straight-forward way for an anti-sitcom.

45. Frank Reynolds' Little Beauties (Season 7 Episode 3)

While it's more vague than most IASIP titles, you can sort of guess that it might tackle the phenomenon of child beauty pageants - in which case, OH GOD. You know it will be horrible in just the funniest way.

Sidenote: whenever a washed-up loser comedian complains that "You can't do anything anymore because you'd get cancelled", I think of It's Always Sunny. These motherf**kers proved that you can make fun of anything, no matter how taboo, and still be going strong 20 years later. It's just a skill issue to not be a dick about it (for example, if Jerry Seinfeld made this episode, the jokes would just be about being attracted to underage girls in a creepy manner, without the vital extra step where the pedophiles are the butt of the joke instead of the goddamn target audience).

44. Ass Kickers United: Mac and Charlie Join a Cult (Season 10 Episode 10)

While the episode ended up being tragically underwhelming, the title absolutely feels like a promise of greatness.

43. The Gang Beats Boggs: Ladies Reboot (Season 13 Episode 3)

Again, I love a sequel - and bonus points for teasing an It's Always Sunny take on the discourse around the all-female reboot trend in Hollywood. (Also, just the idea of IASIP's major recurring female characters being up to hijinks in an airplane - you know it'll be amazing).

42. Who Pooped the Bed? (Season 4 Episode 7)

Ah - a whodunit, but make it silly and gross. Don't know how they come up with this shit (pun intended), but love 'em for it.

41. The Gang Misses the Boat (Season 10 Episode 6)

In all simplicity, this one works wonders somehow. With just a whiff of melancholia, you know it won't just be about the gang missing a boat, but about something broader.

But what?

And that's how they lure you in with these brilliant titles.

40. Old Lady House: A Situation Comedy (Season 12 Episode 3)

The WHAT now? Never mind, I'm in.

39. Being Frank (Season 11 Episode 6)

You couldn't guess the exact gimmick from the title (at least with complete sureness), but it tells enough to make you know it'll likely be bizarre and amazing.

38. Dee Reynolds: Shaping America's Youth (Season 6 Episode 9)

As a freshly graduated teacher - OH GOD. RUN, CHILDREN, RUN!

37. Mac Kills His Dad (Season 10 Episode 7)

Mm, this one hits at the very core of gallows humor. And it hits extra hard when you know the characters and their already-loaded relationship.

36. Dennis Gets Divorced (Season 6 Episode 2)

This one is infinitely funnier when you're starting season 6, and notice that this is the second episode's title (Dennis was not married or even engaged or even dating anyone as of season five).

35. The Maureen Ponderosa Wedding Massacre (Season 8 Episode 3)

Every f**king word is better than the last. That's how you do it!

34. The Gang Solves Global Warming (Season 14 Episode 7)

Now, to be fair - in all hilarity of this obviously ironic title, I believe that the five members of The Gang - even though they are A) evil and B) stupid and C) fictional - are still somehow more likely to solve global warming the real-world people running both of my home countries. Turns out present-day politics are the real anti-sitcom.

33. Time's Up for the Gang (Season 13 Episode 4)

Again, it's all about the timing - released in 2018, with #metoo and #timesup still breaking news, a fan of this particular series will be filled with mordbid hype to see how each and every one of the show's main characters meets the moment.

32. The Gang Solves the Bathroom Problem (Season 13 Episode 6)

Another season 13 episode, another promise to tackle a relevant debate we're having as a society. With this one in particular, you know the gang's takes will be hilariously dumb (and thus absolutely genius satire).

31. The Nightman Cometh (Season 4 Episode 13)

I've seen this absolute masterpiece so many times that it's exceptionally challenging to separate the title from the end result. But, thinking back, I do vaguely remember a time when I had started watching the series and hadn't yet arrived here. I remember opening IMDB and seeing that the fourth season ends in an episode with a 9.7 rating, titled The Nightman Cometh. I didn't know quite what to expect, but I seem to recall that the title gave me even bigger goosebumps than the rating.

30. Mac Is a Serial Killer (Season 3 Episode 10)

Raises some magnificent questions.

29. The Gang Does a Clip Show (Season 13 Episode 7)

Knowing how good a clip show parody can be from Community, my anticipation was sky-high for this one.

28. Charlie Wants an Abortion (Season 1 Episode 2)

They really managed to critique the inherent hypocrisy of the abortion "debate" with this genius title.

27. The Gang Tends Bar (Season 12 Episode 8)

For a show about people running a bar to suddenly have this title in the twelfth season is peculiarly hilarious. Like, are they finally going to do the thing they were supposed to be doing all along?

26. The Gang Goes to Ireland (Season 15 Episode 5)

To the motherland! Fifteen season into the series about running an Irish pub, it was about damn time.

25. Paddy's Pub: The Worst Bar in Philadelphia (Season 4 Episode 8)

I don't know why this one is so funny, but there's something simple yet effective here for my taste.

24. CharDee MacDennis: The Game of Games (Season 7 Episode 7)

It sounds like they're going to be playing a weird, made-up game, and with this particular cast, what could be funnier?

23. The Gang Wins the Big Game (Season 13 Episode 9)

Gets tons of extra points when you realize that this is the season released in the year when the Philadelphia Eagles won their first Super Bowl. Of course they were going to do an episode about that.

22. The Gang Gets Stranded in the Woods (Season 6 Episode 11)

Is sure to join Atlanta's Woods and The Sopranos' Pine Barrens in the hall-of-fame of stranded-in-the-woods TV episodes.

21. Charlie's Home Alone (Season 13 Episode 8)

Charlie is my favorite character in the series, and Home Alone was my favorite kids' movie growing up. So, this is a match made in heaven right here.

20. The Gang F***s Up Abbott Elementary (Season 17 Episode 1)

The very concept of this particular crossover had such comedic potential that it couldn't have gone wrong. Extra points for the extra-funny way of conveying just what makes this clash between worlds so funny in the title.

19. The Gang Goes to Hell (Season 11 Episode 9)

I'm sorry, they WHAT?! Sign me the f**k up.

18. The Gang Goes to Hell: Part Two (Season 11 Episode 10)

And of course there's a part two, and of course it's the end of the season. Chills.

17. Wolf Cola: A Public Relations Nightmare (Season 12 Episode 4)

Wolf Cola was such a hysterically funny obscure running joke already before this, so getting a full episode all about Frank's money-laundering scheme was a welcome treat.

16. A Very Sunny Christmas (Season 6 Episode 13)

I love it how they fused the adjective in the show's title into the "A very X Christmas" trope, not to mention the inherent irony in how a Christmas episode in this show is bound to be anything but sunny.

15. The Gang Carries a Corpse Up a Mountain (Season 15 Episode 8)

I'm sorry, they WHAT???!!! Yeah, this I gotta see.

14. The Gang Solves the North Korea Situation (Season 3 Episode 6)

A typical formula, but works extra well here, due to the combination of details like the promise to address North Korea, the hilarious idea of the IASIP gang "solving" it, and the wording of the geopolitical mess as a "situation". Five stars.

13. Charlie Goes America All Over Everybody's Ass (Season 2 Episode 9)

This is one of those titles where you don't know exactly what's going to happen or what it's gonna look like, but you just know it'll be funny as shit.

12. Mac & Charlie Die: Part 1 (Season 4 Episode 5)

I just can't with this one. THEY DIE?

11. Mac & Charlie Die: Part 2 (Season 4 Episode 6)

Out of all possible episode titles, this is perhaps the one where the inclusion of a "Part 2" is the funniest.

10. Dee Sinks in a Bog (Season 15 Episode 7)

I feel like this one shouldn't be this high, but I can't help it. The visual alone is funny, and for whatever reason, "bog" as a word is a million times funnier (in general, as well as in the IASIP context specifically) as "swamp" or another synonym.

9. Pop-Pop: The Final Solution (Season 8 Episode 1)

The Hitler reference is subtle enough to make this more clever than if it was just "Dennis and Dee's grandpa was a nazi" or something, but un-subtle enough to make you sure that it's gonna be a goddamn nazi episode.

8. The Gang's Still in Ireland (Season 15 Episode 6)

Out of all mathematically possible options, I can't think of a single funnier follow-up to The Gang Goes to Ireland than this one.

7. Frank Sets Sweet Dee on Fire (Season 3 Episode 8)

This promise of chaotic father-and-daughter fun is a true classic from the olden days.

6. 2020: A Year In Review (Season 15 Episode 1)

Otherwise this would be basic, BUT - do yourself a favor and remember just what a goddamn trainwreck of a year 2020 was. Now, think about It's Always Sunny and its way of satirizing current events. For the premiere of the season airing in 2021, was there anything greater that they could have promised than the mere addressing of the year from hell we had all experienced?

5. Frank Shoots Every Member of the Gang (Season 16 Episode 2)

Absolute brilliance. No notes.

4. McPoyle vs. Ponderosa: The Trial of the Century (Season 11 Episode 7)

By this point in the show's run, three things were clear: 1) the McPoyle clan was a collection of amazing recurring characters who make for fantastic episodes, 2) the Ponderosa siblings were a collection of amazing recurring characters who make for fantastic episodes, and 3) courtroom episodes in IASIP are always a riot. So, this one can't really be anything but the Avengers: Infinity War for fictional Philadelphia dirtbags.

3. Charlie Kelly: King of the Rats (Season 6 Episode 10)

It's hard to analyze just why I love this title so much - I just feel like it reached something deep in the very essence of Charlie's character. Perfection.

2. The Gang Replaces Dee With a Monkey (Season 15 Episode 4)

Sometimes they just strike pure gold.

1. Reynolds vs. Reynolds: The Cereal Defense (Season 8 Episode 10)

Many details come together to make this into just the perfect IASIP title. The Shakespearean dynamic of family members on opposing sides, the season finale being a courtroom episode in the vein of The World Series Defense, and something as mundane as cereal being implied to be the big plot device it all revolves around. Yeah, this is the shit right here.



Thank you for reading! Well, next week's post is a truly special one - my brother Ville is getting married next week, so my post will celebrate that as I rank the top 15 iconic TV weddings.

Friday, August 22, 2025

Top 10 TV Episodes Directed By Women

Greetings, reader!


Last week's post was a ranking of the best TV episodes written by women. This week, I'm following up with a post on a profession with an even worse equality track record - TV directors. For the longest time, female directors weren't given any opportunities in mainstream, prime time TV, and the learning curve from there has been painfully slow, with glaring disparaties still reigning between the opportunities that male and female directors get (not to mention directors belonging to gender minorities, which is a whole different rabbit hole). But, yeah - from the many great hours of television brought to us by female directors, these are my all-time favorites!


Here are my honorable mentions:

- Bryce Dallas Howard - Chapter 11: The Heiress (The Mandalorian, Season 2 Episode 3)

- Deborah Chow - eps1.5_br4ve-trave1er.asf (Mr. Robot, Season 1 Episode 6)

- Desiree Akhavan - Uncle Naseem (Ramy, Season 2 Episode 9)

- Maja Vrvilo - Children of the Comet (Star Trek: Strange New Worlds, Season 1 Episode 2)

- Runyararo Mapfumo - Episode 7 (Sex Education, Season 3 Episode 7)


20. Megan Ganz - The Gang's Still in Ireland (It's Always Sunny in Philadelphia, Season 15 Episode 6)

Megan Ganz is known best for her work as a screenwriter, penning some of the most hysterical episodes across Community, Modern Family and It's Always Sunny in Philadelphia (this combo means that Ganz is probably in the all-time top 10 of people who have made me laugh the most). More recently, she has also taken up directing, and from what I've seen so far, I'm dying to see more. The whole four-episode Ireland arch is probably the best thing It's Always Sunny ever did, and with this gem of an episode, Ganz does exactly what is required of a sitcom director - building an end product that elevates all the jokes and line deliveries into the funniest possible versions of themselves.

19. Kim Friedman - The Jem’Hadar (Star Trek: Deep Space Nine, Season 2 Episode 26)

When researching last week's post as well as this one, I was sad to see that Deep Space Nine, my favorite series in the Star Trek universe, hadn't given nearly as much space for female writers and directors as many of the other Star Trek shows. It's important to acknowledge this, as we nerds need to be just as critical of our favorite media as the media we don't like - and at least I still get to praise the franchise as a whole, because many of the shows (Voyager in particular) were very much ahead of their time when it came to equality in writing&directing hires.

Deep Space Nine still makes it onto today's list, because the relatively few episodes that were trusted to various female directors are quite excellent - in particular, the season 2 finale The Jem'Hadar. Without spoiling too much to people who haven't seen the show but might want to watch it sometime, this episode was surely a challenging one to direct, as it takes some major leaps into the unknown in terms of what we had seen so far in the series, and what its major long-term storylines were building towards. Kim Friedman really makes the most of this challenge, rising to the occasion and providing some well-built, great-looking science fiction, truly in the core of the franchise's "to boldly go where no one has gone before" thematics.

18. Jennifer Lynch - JSS (The Walking Dead, Season 6 Episode 2)

David Lynch's daughter proves that the apple didn't fall far from the tree. Now, with her old man gone, it really warms one's heart to know that a good degree of his genius was passed on to the next generation. In what is one of The Walking Dead's most intense episodes (and that's saying something), Jennifer Lynch does a brilliant job coordinating the sequence of the murderous 'Wolves' attacking the Alexandria safe zone, with the chaotic action taking up all of the episode's runtime while being so exciting that the relentless action never falls flat or starts to bore the viewer.

17. Pamela Fryman - The Final Page (How I Met Your Mother, Season 8 Episodes 11-12)

This used to be my #1 favorite How I Met Your Mother episode - and while that slot has been overtaken by How Your Mother Met Me (also directed by sitcom goddess Pamela Fryman), I retain that this two-parter is still the show's best-directed episode. I mean, the climactic scene where Barney's long-con marriage proposal is revealed - every detail is just perfect. The script itself might have made the moment come across as goofy and unserious, but Fryman's expert directing elevates it into its full potential, thus making it one of the most legen - wait for it - DARY moments in sitcom history.

16. Janicza Bravo - Juneteenth (Atlanta, Season 1 Episode 9)

If you're familiar with Jordan Peele's acclaimed film Get Out, you'll get why the subtlety of the uncomfortable atmosphere in its first act is one of its most praised aspects. But what if you took a similar milieu and made the anxiety and discomfort even more subtle?

That's what you get with this magnificent dose of social satire and dark comedy. In this episode, two Black characters are invited to a Juneteenth party, hosted by some well-intentioned but awkward white people, and as they mingle, they start to notice that some things are off. Janicza Bravo's directing is just right, with so much nuance creating the perfect balance between unsure feelings, painful cringe, clever hilarity, and dark undertones.

15. Hiromi Kamata - Ladies of the Willow World (Shogun, Season 1 Episode 6)

First of all - one of the many important jobs a director has is pushing their actors to be the best versions of themselves in their roles. Mariko, played by Anna Sawai, was most definitely the best and most intriguing character in last year's hit series Shogun, and Sawai does her very best work in her award-winning role in this episode. She's great in every episode, but clearly Hiromi Kamata said the exact right things to really channel her into even further greatness in Ladies of the Willow World.

Also, it's just a fantastic episode. The production values are high as they are throughout Shogun, but somehow the directing is the most impressive in this subdued hour - there aren't any major battle sequences or anything of the sort, but the slow-paced, dialogue-heavy episode just flows with a beautiful atmosphere, while looking absolutely mesmerizing.

14. Pamela Fryman - Something Borrowed, Someone Blue (Frasier, Season 7 Episodes 23-24)

Sitcom directors don't always get the love that drama directors do - but let's be real, it takes some serious talent and vision to pull off a classic like Something Borrowed, Someone Blue. In the two-part finale to Frasier's seventh season, a chaotic wedding takes place as emotions run high, meddling and misunderstanding is in the air, and a storyline built across all seven seasons comes to a climactic point of no return. Pamela Fryman's expert directing keeps the episode flowing in just the right style, keeping the comedic and romantic tension sky-high until the last seconds, making for one of the great episodes in the sitcom hall of fame.

13. Gabrielle Beaumont - Lower Decks (Star Trek: The Next Generation, Season 7 Episode 15)

This cult classic from The Next Generation's final season is so good that its premise inspired a whole other TV show (and a DAMN good one at that) decades later. In this concept episode, we take a break from the ship-running senior officers and bridge crew whose POV we had followed throughout the entire the series, and instead give the point of view to the low-ranking ensigns aboard the starship Enterprise.

This makes for a fascinating contrast, and Gabrielle Beaumont's magic touch really underlines how different life on the Enterprise is for those in the 'lower decks'. Beaumont's prolific career saw her become one of the grounbreaking, glass-ceiling-shattering directors of her generation, as she was one of the very first women to regularly direct prime-time TV episodes throughout the 80's and thereon out - and this gem has got to be one of the many high points in her career.

12. Amy Sherman-Palladino - Raincoats and Recipes (Gilmore Girls, Season 4 Episode 22)

It's the best, most iconic episode of Gilmore Girls for many reasons, and the directing by showrunner Amy Sherman-Palladino herself is among the big ones. Directing-wise, I'm guessing that the season 4 finale must have been the hands-down most challenging in the entire show; between the call for a truly magical feel as the Dragonfly Inn is finally opened after four seasons of build-up, the need for balance between characters as everyone in the main cast is under the same roof for once, and the task of conveying a large range of emotions due to the episode's roller-coaster story, it makes sense that a showrunner wouldn't trust the episode's direction to anyone but herself.

11. Gail Mancuso - Las Vegas (Modern Family, Season 5 Episode 18)

Sitcom directing at its finest. Las Vegas is the all-time great example of Modern Family's trademark episode archetype (the one where a fuck-bunch of misunderstandings are set up like tiny little threads, only for it all to pay off in a chaotic series of events where everything goes to hell in the most amusing manner). This is obviously thanks to the script as well, but directing plays a massive part in how funnily such an episode plays out - and this is perfection right here. All of the visual gags, from Rebarka the dog and the Scottish dancing troupe to the ex-boyfriend in the bathtub and the accidentally perfect magic trick, are set up like a series of Chekov's guns, only for them to go off in the most hilarious way one could imagine.

10. Susanna White - The Eye (Andor, Season 1 Episode 6)

In this season 1 gem from the greatest TV show in the Star Wars universe, Cassian Andor and his team of rag-tag misfits attempt to pull off a heist they've been planning for several episodes. Susanna White directs every little detail with aplomb, making for a thrilling, intense and thoroughly engaging episode to follow. With proper production values and grand visuals at her disposal, the director really leaves her mark on the franchise, producing moments that are as riveting as the best of them.

9. MJ Delaney - The Hope That Kills You (Ted Lasso, Season 1 Episode 10)

The season 1 finale of Ted Lasso is many things - an emotional roller coaster, a proper culmination of the debut season's many plotlines and character archs, and a high point for the football side of the show that is about a lot more than just football. All of this was thankfully trusted to the care of the brilliant MJ Delaney, who molded the premise and script into what I consider to be the best individual episode of the entire series.

First of all, the actual football scenes are at their best here - they're a bit corny and unrealistic throughout the series (which I don't mind - they had limited production values and the sport isn't the primary focus really), but never did they look as riveting, entertaining and close to real football as they do under MJ Delaney's vision. But more than that, it's the atmosphere that she creates into the episode's key moments - the Richmond squad getting fired up to do the 'Lasso special', the players reacting to the relegation, You'll Never Walk Alone starting to play as Jamie receives words of encouragement from Ted after being berated by his dad - that seals the deal.

Delaney's directing is especially world-class in my personal favorite moment: veteran player Roy Kent injures himself with a heroic, game-saving and career-ending tackle, and as he starts to get up and limp off the pitch, he hears fans of both teams chanting what used to be his fan song from his glory days in Chelsea. "He's here, he's there, he's every-fucking-where, ROY KENT, ROOY KEEEENT" - tears, man.

8. Beth McCarthy-Miller - Live from Studio 6H (30 Rock, Season 6 Episode 19)

When watching 30 Rock, a TV show about the people producing a fictional TV show, I kept thinking "man, it would be the coolest thing ever if they did an episode that is made as if it's an entire episode of the fictional show-within-a-show". And finally, they did - sort of, at least. The exact premise of Live from Studio 6H is a bit unclear due to how delightfully unhinged it is - but what we do know for sure is that it was filmed live, which is cool as f**k.

Essentially, the episode was written out and practiced like a play, and finally they preformed it at 30 Rockefeller Plaza, with the unadulterated end result becoming the episode we see in the show's sixth season. I'm guessing it was showrunner and comedy maestro Tina Fey who came up with the idea, but director Beth McCarthy-Miller sure sees it through, having so much fun with the premise and its implications. It must have been quite the hassle to put this episode together, but the end result is deliriously chaotic and hilariously entertaining.

In addition to Fey and McCarthy-Miller, the third woman who needs to be highlighted here is casting director Katja Blichfeld - the flashbacks to the young versions of the main characters are some of the funniest shit I've ever seen, thanks to the comedically genius casting. Donald Glover as a young Tracy Jordan was perfection, Jimmy Fallon showing up as a young Jack Donaghy worked on so many levels - and by the time we get to a young Liz Lemon just being Amy Poehler in a wig, the average fan is bound to be crying from laughter.

7. Michelle MacLaren - To'hajiilee (Breaking Bad, Season 5 Episode 13)

With expert skill and an eye for working with cinematic production values, Michelle MacLaren has brought us some of the better episodes across Game of Thrones, The Walking Dead, Breaking Bad and Better Call Saul. Out of her many masterstrokes, one that I'd single out in particular is To'hajiilee, the fourth-last episode from the mega-acclaimed final season of Breaking Bad.

I've always loved the type of TV episode in a plot-driven series, where a season is close to its end and the stakes reach an unprecedented high, leading to a full seeing-red panic and sense of chaos as shit starts to hit the fan. Y'know - 17 Seconds from Grey's Anatomy, the penultimate episode of every Dexter season, et cetera. And To'hajiilee is possibly the all-time great example of the archetype. After nearly five seasons of intricately built storylines, it all starts to come to a head, as the show's endgame kicks off with just the highest levels of intensity. The adrenaline rush in those last moments is relentless, as MacLaren really pours her heart and soul into the intense atmosphere of the closing sequences.

6. Jamie Babbit - HalloVeen (Brooklyn Nine-Nine, Season 5 Episode 4)

This is sitcom royalty right here. The reasons for HalloVeen being the best individual episode in Brooklyn Nine-Nine's eight-season run are twofold: A) it's the larger-than-life Halloween Heist tradition at its peak, and B) it culminates in (spoiler alert) Jake and Amy's engagement. Jamie Babbit's directing really helps sell both of these developments: the heist scenes are the funniest, most intricate and most over-the-top that they've ever been across the tradition that spanned throughout every season of the show, and the proposal scene is built in a manner where it's equal parts unexpected and heart-melting.

5. Lesli Linka Glatter - Demons (Twin Peaks, Season 2 Episode 6)

Quite often, an individual episode calls for a specific vibe, and the showrunners need the exact right director to make sure the need is met. For Demons, the criminally underrated Twin Peaks episode that aired a week before the notorious episode Lonely Souls changed television history forever, the vibe that was needed was 'calm before the storm'. Lesli Linka Glatter, who would go on to win Emmys for her work directing key episodes of Homeland and Mad Men, was the right person in the right place at the right time, took the assigment seriously and just f**king went places with it.

The scene where the one-armed man Mike is interrogated at the sheriff's station is just prime Twin Peaks, with Glatter's directing creating a haunting, heart-stopping and creepy-as-hell atmosphere. The episode is slow-paced in just the right way, with every little detail feeling like some big shit is about to go down, which makes the episode a perfect bridge into Lonely Souls.

4. Laura Innes - Let Bartlet Be Bartlet (The West Wing, Season 1 Episode 19)

Ah, I get shivers just thinking about this one. In one of the finest hours of The West Wing and a truly series-defining episode, Laura Innes brings the script by my all-time favorite screenwriter Aaron Sorkin into its utmost potential, truly showing what Sorkin at its Sorkin-est should look like, and it's heaven. We start off with a cold open that, while subtly setting up the episode's plotlines amidst the humor, is one of the best-constructed moments of comedy in TV history, even though it's a drama series. That cold open alone shows how perfect of a fit Laura Innes was for directing this series.

From thereon out, more TV history is made. Let Bartlet Be Bartlet is fantastic TV throughout its runtime, but it's rightfully best-remembered for those closing moments - the argument between President Bartlet and Leo, and the subsequent scene of the duo reaching an inspiring agreement and firing up their team with the next orders. Laura Innes' expert directing turns this series of events into absolute fist-pumping perfection - the pacing, the tension, the dynamics and every other detail are just right, making for a scene where the show's trademark idealism can be felt like a physical presence. Hell yeah.

3. Gabrielle Beaumont - Blink of an Eye (Star Trek: Voyager, Season 6 Episode 12)

This 45-minute episode of a Star Trek spin-off from the 90's is honestly a better standalone science fiction story than like 90 per cent of the sci-fi movies I've seen (and I love sci-fi movies). In Blink of an Eye, we follow the USS Voyager as it gets stuck in the atmosphere of a planet where time moves differently - and for the hours it spends there, decades take place on the surface of the planet, where the mysterious object they see in the sky becomes a mythical source of worship, something to inspire them to reach for the stars. Blink of an Eye is one of the finest hours in a beloved franchise, and it's Gabrielle Beaumont's directing that gives it such a peculiar atmopshere that the end result feels as clever and creative as it does beautiful and touching.

2. Chandra Wilson - Give Peace a Chance (Grey's Anatomy, Season 6 Episode 7)

I have to start out by pointing out an incredible fun fact - this episode, which I've ranked as my sixth-favorite Grey's Anatomy episode overall and would rank even higher when looking purely at the show's best-directed episodes, was Chandra Wilson's directorial debut. Not just the first Grey's Anatomy episode she directed, mind you - the first thing she directed, ever. I cannot emphasize enough how amazing that is - you see it time and time again, that even the best directors start out with small and unremarkable projects, before gaining the experience and expertise to try out some stuff and then start making their best work. Mind you, Wilson has kept her level and directed plenty of fantastic Grey's episodes after this one (season 7's White Wedding and season 8's Moment of Truth are some favorites), but I can't help but see her debut as her finest hour.

Well, finest hour in the director's chair at least - you see, for those who don't know, Wilson is known best for playing the role of Miranda Bailey, the show's hands-down best character if you ask me. Quite often, when an actor from a show's cast starts directing episodes, the first few tries are fairly unremarkable - but she struck gold from the get-go. I still can't fathom how good her directing was in her first try - Give Peace a Chance is one of my very favorite episodes specifically because of the directing, as the episode's atmosphere reads out like a piece of cinema when compared to the other, more procedural episodes around it. There's a real sense of magic throughout the episode, making the end result feel like a grade-A mini-movie.

1. Hettie Macdonald - Blink (Doctor Who, Season 3 Episode 10)

Two years ago, my fiancée Martta and I held a Halloween marathon. We watched all sorts of horror classics, from Frankenstein and Dracula to Night of the Living Dead and the original Halloween. But when the night was done, we were both in agreement that the single scariest thing we had watched all day was, in fact, this episode of Doctor f**king Who.

Mind you, Doctor Who is not a horror series - in fact, it's generally very family-friendly, to the point that it's often belittled as a 'kids' show' by people who take life too seriously and have forgotten the concept of fun. But, as a part of the show's chaotic recipe of mixing genres and utilizing its sci-fi premise so they can go bonkers in all sorts of directions from episode to episode, it has been seen from time to time that the show's creepier episodes are a lot creepier than they have any right to be. And Blink rules above all.

Now, Blink is the best episode in the show's over-60-year-old history and one of my all-time top 5 television episodes for many reasons. The horror aspect is the one I'm mainly focused on here, because it's a list about directors, and many of the other reasons have more to do with the episode's writing. But Blink would not be the masterpiece that it is if it didn't have the masterful Hettie Macdonald pulling the strings, intricately putting together a tapestry of pure intensity. I have seen the episode countless times (because again, it's one of the best pieces of media ever produced), and even though I know exactly what's going to happen, I still get swept up in the escalating intensity each time, because it all feels so real. Television history was made with this one, and it will always remain one of the all-timers.




Thank you for reading! Tune in next week as I celebrate the newest season of It's Always Sunny in Philadelphia, as well as the show's 20-year anniversary, by ranking the 20 best IASIP episodes.

Thursday, August 14, 2025

Top 20 TV Episodes Written By Women

Greetings, reader!


This idea was suggested to me by my fiancée Martta some time ago, after she read up on the important and under-appreciated work that comedy genius Megan Ganz had done across Community, Modern Family and It's Always Sunny in Philadelphia. As the entertainment industry continues to be a woefully sexist milieu, it's never a bad idea to highlight the work done by women, who often aren't given the same opportunities as their male counterparts, and whose value and contributions are often ignored in the media whenever they get and nail those opportunities. So, this week's post is a ranking of the best TV episodes written by female screenwriters, and I'll follow up next week with a post on the best TV episodes directed by women!


A note on the criteria: the episode has to be written entirely by a woman (or a team of women) in order to qualify, there's a maximum of one episode per series, and the exact ranking of the episodes isn't based on overall value of the episode but rather the script speficially, looking at just how well-written these gems are.


Here are my honorable mentions:

- Elizabeth Sarnoff - Chapter Seven: Loud, Fast and Keep Going (Barry, Season 1 Episode 7)

- Janis Hirsch & Lori Kirkland Baker - Visions of Daphne (Frasier, Season 6 Episode 22)

- Jennifer Crittenden - And Maggie Makes Three (The Simpsons, Season 6 Episode 13)

- Meredith Stiehm - The Weekend (Homeland, Season 1 Episode 7)

- Susan Soon He Stanton - Which Side Are You On? (Succession, Season 1 Episode 6)


20. Jess Dweck - Ding Dong (Brooklyn Nine-Nine, Season 7 Episode 7)

"Where were you? And why are you holding the mean yelling speech?"
"Because I'm gonna yell it, meanly!"

There were many good B99 episodes to choose from, which goes to show that showrunners Dan Goor, Michael Schur and Andy Samberg gave plenty of room for female writers - something that woefully many male showrunners have been known not to do. The one I went with is season 7's Ding Dong, in which Jess Dweck provides ultimate sitcom writing - the jokes come at you at a relentless, rapid-fire tempo, so much so that you have to watch the episode a few times to catch them all. The cold open alone is a masterclass on building comedic payoffs.

19. Laurie Nunn - Episode 7 (Sex Education, Season 2 Episode 7)

"You guys are such clichés. Except for you, Lily - you're genuinely weird"
"Thanks!"

Sex Education produced many awesome episodes in its four-season run, but season 2's penultimate episode takes the cake as the show's finest hour. While everything in Laurie Nunn's teleplay is gold, from the escalation of long-term storylines and character archs to the gradual setup for the season finale, the big thing that really sets the episode apart as the show's #1 episode is the storyline of the girls in detention, bonding over their shared experiences of sexual harassment. The characters sharing their stories is gripping to watch, and the way they decide to be there for each other from thereon out is incredibly moving. I cried my eyes out when watching the episode's well-built conclusion.

18. Rachel Kondo & Caillin Puente - Crimson Sky (Shogun, Season 1 Episode 9)

"You'd walk into a sword just to prove the blade is sharp?"

The finest hour of last year's breakout series is a nerve-wracking unraveling of plots within plots, schemes within schemes, and strategies that'll have you guessing beforehand and reeling afterward. I haven't read the original book so it's hard to estimate exactly what part of my love for this chapter of the story is thanks to the original author and what part is thanks to the adapted script - but in any case, screenwriters Kondo&Puente clearly understood the hell out their assignment, as the end result is so clever as it unfolds.

17. Sahar Jahani - Do the Ramadan (Ramy, Season 1 Episode 5)

"I know how the day goes, you're a busy guy, just throw one down for her. Real quick, okay? Come on, man, I know you're keeping Steve alive with all this shit, right? Nobody though he'd have all those birthdays! Don't break my balls. Do the Ramadan"

Many of the episodes in this brilliant comedy-drama about a Muslim family in New Jersey are written by showrunner Ramy Youssef himself - and that ones that aren't were clearly passed on to just the right writers, as it all feels so cohesive. Such is the case with the first season's Do the Ramadan, where the show's satirical elements and comedic fusion of Muslim traditions and modern American culture are - well - just as brilliant as you'd expect from the title. Sahar Jahani's script goes hard with the satire and humor, yet also leaves plenty of room for heart and depth.

16. Amanda Overton - Pretend Like It's the First Time (Arcane, Season 2 Episode 7)

"You ever wish you could just...just stay in one moment?"
"Sometimes taking a leap forward means...leaving a few things behind"
"I promise I'll never forget this"
"You better not"

In this widely acclaimed, highly conceptual episode of the brilliant Arcane series, the characters Ekko and Heimerdinger find themselves in an alternate future. I'm always a sucker for 'what if' -stories, and they're rarely written as spectacularly well as this one - the premise is used to invoke emotion, push character growth further, and build up the show's endgame all at once while feelings like its own, distinctive story-within-a-story. Great science fiction, and great TV screenwriting.

15. Melinda M. Snodgrass - The Measure of a Man (Star Trek: The Next Generation, Season 2 Episode 9)

"Now, the decision you reach here today will determine how we will regard this...creation of our genius. It will reveal the kind of people we are, what he is destined to be; it will reach far beyond this courtroom and this...one android. It could significantly redefine the boundaries of personal liberty and freedom - expanding them for some, savagely curtailing them for others. Are you prepared to condemn him, and all who come after him, to servitude and slavery? Your Honor, Starfleet was founded to seek out new life; well, there it sits!"

This episode is probably the most efficient way to shut someone up who thinks that sci-fi is only pew-pew laser fights. The android Data, played by Brent Spiner, was always one of the most intriguing Star Trek characters - and never more so than in this episode. When the Enterprise crew learns that Data is to be dismantled, they try to defend their friend and prevent this from happening, as the episode escalates into a dialogue-heavy courtroom drama with some of the greatest ethical-debate dialogue out there. Does an android as evolved as Data have human rights? A difficult question with fascinating implications, and one that gets thoroughly explored in this philosophical, engaging and ultimately heartwarming episode.

14. Stefani Robinson - Barbershop (Atlanta, Season 2 Episode 5)

"Did you see the news last night, them savages from Atlanta that went into that T-Mobile store, drove their car in there, got away about a 100 phones?"
"Yeah, man, it's crazy out here, man. It's that time of year though, I guess"
"Yeah, for real. Hey, yo, and that reminds me - listen, if you know somebody needs an iPhone, tell 'em to holler at me if they with T-Mobile. I got the hook-up for the low"
"Got you, man"

This entire Atlanta episode follows the character Paper Boi, who is just trying to get his hair cut, as his barber keeps interrupting the process by dragging the more and more reluctant client onto various sidequests. Every moment is absolutely hilarious, and the banter between the exasperated Paper Boi and the unforgettable Bibby the Barber is so good. Stefani Robinson's script really creates one of TV's finest parodies of what annoying people feel like with her depiction of Bibby, and the episode is easily one of Atlanta's greatest.

13. Wendy West & Melissa Rosenberg - The Getaway (Dexter, Season 4 Episode 12)

"He knows my name, occupation. He can find out about my family. My family. What the hell have I done?"

Those words, heard as protagonist Dexter Morgan's inner narration, serve as the bone-chilling opening lines to the season 4 finale of Dexter - one that scored a whopping 9.8 on IMDB, and is widely&rightly considered the crime drama's greatest episode. The acclaim is in no small part thanks to the teleplay by Wendy West and Melissa Rosenberg - season 4 had the show's greatest villain and many of its best story archs, and the bombastic script brings it to an incredible crescendo until it all comes crashing down. The Getaway is climactic, thrilling and tragic storytelling all rolled into one. I'd like to rank it even higher, but as you can see, there's a lot of godtier television written by brilliant women out there.

12. Kathryn Lyn - Wej Duj (Star Trek: Lower Decks, Season 2 Episode 9)

"Avoid death...and cower"

In the hands-down best episode of the brilliant Star Trek spin-off Lower Decks, a genius premise unfolds as we exit the show's core setting (the low-ranking ensigns of Starfleet's USS Cerritos) to follow how similar 'lower decks' operate for different alien species in the Star Trek universe. Following the differences and similarities between comparable officers within human, Vulcan and Klingon settings is as illuminating as it is amusing for nerds like myself. Kathryn Lyn's script is as full of clever humor as it is filled with neat worldbuilding and a deep understanding of the Star Trek universe.

11. Deborah Cahn - Impact Winter (The West Wing, Season 6 Episode 9)

"I'm not running for congress again, Josh. Now, you came a long way, I'm sorry about that. But it's just..."
"I'm not talking about congress"

Ah, shivers go down my spine whenever I merely think about that final scene in this midseason finale. With The West Wing, Aaron Sorkin did what a showrunner is supposed to - penning many of the important episodes himself, and trusting the rest of them to the very best writers possible. That is the case with the many legendary key episodes written by Deborah Cahn, out of which this is my undying favorite.

The midseason finale of the political drama's second-last season is a game-changing moment for the trajectory of the entire series. The show's trademark idealism is at its highest, as a seemingly hopeless situation takes a turn for the norm-defying and inspiring, and Cahn's script makes sure that it happens with the utmost narrative tension, intertwining character archs, multiple plot threads and real-world parallels while using clever misdirects to leave the 'big reveal' of the direction the story is taking for the very last seconds. Bravo.

10. Alexa Junge - The One Where Everybody Finds Out (F.R.I.E.N.D.S., Season 5 Episode 14)

"They don't know that we know they know we know! And Joey, you can't say anything"
"...Couldn't if I wanted to"

You know that female writers rule when the most legendary episode of the arguably most legendary sitcom is only at 10th place on today's list. But, yeah - I couldn't possibly say anything about The One Where Everybody Finds Out that hasn't already been said a million times. It's deep in the comedy hall of fame, and rightfully so - the mega-entertaining plot, the clever turns that it takes, and the scenarios escalating to just such an ultimate form of hijinks, it's all gold. Plus, it's not all hilarious schemes, ploys and mind games - the plot culminates in a legitimately heartwarming emotional payoff, just to show off Alexa Junge's screenwriting range. And then a beyond-hilarious cliffhanger ending thrown in for good measure.

9. Leann Bowen - The Diamond Dogs (Ted Lasso, Season 1 Episode 8)

"You know, Rupert, guys like you have underestimated me my entire life. And for years, I never understood why. It used to really bother me. But then one day, I was driving my little boy to school and I saw this quote by Walt Whitman, and it was painted on the wall there. It said, 'Be curious, not judgemental'. I like that. So I get back in my car and I'm driving to work, and all of the sudden it hits me. All them fellas that used to belittle me - not a single one of them was curious. You know, they thought they had everything all figured out...so they judged everything, and they judged everyone. And I realized that their underestimating me...who I was had nothing to do with it. 'Cause if they were curious, they would've asked questions. You know? Like, 'Have you played a lot of darts, Ted?'. To which I would've answered, 'Yes sir, everyday Sunday afternoon at a sports bar with my father, from age 10 until I was 16 when he passed away'"

I am not exaggerating when I say that the monologue quoted above is one of the greatest television moments of all time. Mind you, all of The Diamond Dogs is pretty great - but that monologue, man, that's all-time top 10 stuff right there. Sure, Jason Sudeikis' Emmy-winning delivery is a big part of why the scene works so well, but without Leann Bowen's script, he'd have nothing to work with. The words of wisdom quoted above have honestly helped me in life so much - whenever you deal with assholes, the 'be curious, not judgemental' sentiment is important and helpful to keep in mind.

8. Amy Sherman-Palladino - Raincoats and Recipes (Gilmore Girls, Season 4 Episode 22)

"...I think I'm dating Luke"
"What? How? Where?"
"Well, we went to his sister's wedding, and it was really nice, we had a really good time...we laughed a lot, and we ate, and then we danced..."
"Danced...how?"
"We pop-locked."
"Was it a fast dance, slow dance, group dance...?"
"It was a slow dance...what's a group dance?"
"The Hustle. The Hora"
"No Hustle, no Hora. It was a waltz. Luke can waltz"
"Luke can waltz?!"
"Luke can waltz"

The best individual thing about Gilmore Girls is the Seinfeldian-but-better-than-Seinfeld type of banter, written by showrunner Any Sherman-Palladino and delivered by Lauren Graham and Alexis Bledel in their roles as the titular Gilmore Girls, and no one will convince me otherwise. That fantastic dialogue aside, the season 4 finale Raincoats and Recipes is the show's most iconic episode, and rightfully so - a lot happens, and Palladino's script really ensures the episode's all-timer status.

For me, the biggest thing about this episode individually isn't even that the show's central will-they-won't-they couple, one of TV's greatest love stories, Luke and Lorelai, finally blurt out their feelings and kiss. Or the heart-wrenching, game-changing moment of insane drama that would have reprecussions for the rest of the series, as Douchebag Dean cheats on his wife with Rory. No, the best narrative in this series-high episode is the opening of the Dragonfly Inn. A storyline about the main character and her best friend making their dream come true was gradually built across four seasons, and when the moment finally arrives, the payoff is sweet. Everyone from the main cast is under the same roof for once, and Palladino's teleplay does a brilliant job balancing out the different characters and storylines with just the right pace. Raincoats and Recipes is a climactic, dramatic roller coaster of emotions.

7. D.C. Fontana - Journey to Babel (Star Trek: The Original Series, Season 2 Episode 10)

"Captain's log, stardate 3842.3. We have departed Vulcan for the neutral planetoid code-named Babel. Since it is in our sector, the Enterprise has been assigned to transport ambassadors of Federation planets to this vitally important council. The issues of the council are politically complex, the passengers...explosive"

A true trailblazer, D.C. Fontana got into the game in a time where female writers were overlooked, passed up and met with hostility. While most mainstream shows in the 60's wouldn't have dreamt of hiring women to write their episodes (which explains why most shows from the 60's aren't all that great, as they reached about 50% of their potential at best), the Star Trek franchise and its creater Gene Roddenberry were woke and ahead of the curve from the get-go. Fontana wrote the script for many classic episodes, starting from the very second episode to be aired (Charlie X, not to be confused with Charli XCX). She'd later go on to co-produce Star Trek: The Animated Series, write the pilot episode of Star Trek: The Next Generation, and even write an episode of my favorite Star Trek show, Deep Space Nine. But the single greatest achievement from this absolute legend has got to be Journey to Babel.

In the second season the the original series, Fontana's teleplay treated us to the kind of sci-fi story that is pure perfection for the kind of nerd I am. The intrigue of the franchise's fictional universe and worldbuilding hits an all-time high, as we learn about the inner machinations and complex politics of the Federation for the first time, and do so in such a cool manner. Diplomatic representatives from the Vulcans, the Andorians and the Tellarites are on board the Enterprise, being transported to an important summit, when various tension begin to flair. The complex and engaging fictional politics of Star Trek have always been one of the franchise's key strengths, and the way they've escalated and fleshed out over the decades is largely thanks to the blueprint set by this creative, groundbreaking and utterly fascinating classic of an episode.

6. Lisa Klink - Message in a Bottle (Star Trek: Voyager, Season 4 Episode 14)

"Stop breathing down my neck!"
"My breathing is merely a simulation"
"So is my neck, stop it anyway!"

Continuing with the Star Trek franchise, one could say that D.C. Fontana walked so that Lisa Klink could run. After breaking through by writing the brilliant episode Hippocratic Oath for Star Trek: Deep Space Nine, Klink became a regular writer for Voyager, creating the stories for many of its most memorable episodes. One especially noteworthy script of hers is Message in a Bottle, an episode that utilizes the show's imaginative and inherently sentimental premise for bigger feels than arguably any other. Through a creative chain of events, a brilliant connection of storylines leads to a breakthrough moment in the show's narrative, and the way it goes down includes humor, tears, and even some well-thought-out tie-ins to what was going on in the larger Star Trek universe at the time.

5. Hilary Winston - For a Few Paintballs More (Community, Season 2 Episode 24)

"Everyone! Look alive! Leonard, close enough. Greendale - it's been a pleasure fighting with you. Some of us won't make it, but there is a place where we will all see each other again. And that place is Denny's"
"Which Denny's?"
"...We'll figure that out later, Leonard"
"The one near the 15 exit, I'm banned"
"Then I guess I'll see you in hell"

There were so many Community episodes to choose from, between all the teleplays by sitcom mastermind Megan Ganz as well as individual masterstrokes from many other staff writers. The one I went with is the season 2 finale, For a Few Paintballs More.

As a high-concept escapade and the second part to a paintball extravaganza, it works absolute wonders with its fast-paced plot turns, entertaining balance between excitement in multiple storylines, and some insanely well-built payoffs. It also has some of the show's best banter dialogue (which is really saying something, as that's one of Community's biggest strengths in general), and Hilary Winston also makes time for it to work as a dutiful season finale, bringing the second season's integral character archs to a close amidst the paintball mayhem. One of the great sitcom episodes.

4. Moira Walley-Beckett - Ozymandias (Breaking Bad, Season 5 Episode 14)

"You're the smartest guy I ever met...and you're too stupid to see - he made up his mind ten minutes ago"

It infuriates me how Ozymandias, the most critically acclaimed TV episode of all time by most metrics (including being the only one to ever get a full 10.0 on IMDB), was written by a woman yet this hardly ever comes up in the male-dominated prestige TV fan circles who worship the series and the episode. The credit for Ozymandias is almost always assigned into two directions: showrunner Vince Gilligan, and the episode's director Rian Johnson. While both obviously did a great job and are responsible for a big part of the episode's success, I'd argue that screenwriter Moira Walley-Beckett should be just on the same level in acclaim, and the lack of recognition showcases both the lack of respect our society has for women as well as the lack of respect we have for screenwriters. Shame.

But, yeah. I've always considered Ozymandias just a tad overrated as a whole - but I still love it. It's just overrated in the "I don't think this should be the #1 highest-rated TV episode of all time as there's a handful or two of even better ones out there. It's still really f**king amazing" sense. Walley-Beckett's script is quite perfect for the ultimate dramatic turning point in the ushering in the show's endgame - after five season of build-up, (SPOILER ALERT) Walt goes on the run, Walter Jr. learns the truth about his father, Hank is killed off, and Jesse is sold out to his enemies in a heartbreaking betrayal. Fitting all of that into just one episode takes some serious pacing skill, but Walley-Beckett was up to the task, while also taking the time to write Hank Schrader just about the most cold, badass exit lines in TV history for his death scene.

3. Megan Ganz - The Gang Carries a Corpse Up a Mountain (It's Always Sunny in Philadelphia, Season 15 Episode 8)

"GODDAMMIT! I can't do this! I'm sorry, Dad, I can't do it. This isn't fair! I shouldn't have to carry you up a hill! You never carried me up a hill! You never picked me up from school, you didn't read me bedtime stories, you didn't carry me on your shoulders, you didn't bounce me on...you weren't there! AND I NEEDED YOU!"

It feels like Megan Ganz, who is probably my #1 favorite female TV writer (at least out of the ones who aren't showrunners), should be on this list more than once. But, as fate would have it, my list had to skip her contributions for Community because I went with a one-episode-per-series rule and the best individual Community episode written by a woman happened to not be hers, and I had to skip Modern Family as well, because her best episodes were written together with male writers so today's rules had them missing out. But, at least we got this sitcom all-timer from It's Always Sunny in Philadelphia to showcase what a force to be reckoned with Megan Ganz truly is.

The Gang Carries a Corpse Up a Mountain, my all-time favorite episode from It's Always Sunny's seventeen-season (and counting) run, isn't the most typical example of Ganz's work. Usually, her scripts are of the purely hilarious variety, having a special knack for dark comedy, satirical elements and clever plot turns. But with the Ireland arch in IASIP's fifteenth season, she got to showcase her range, and it culminated in an emotional powerhouse that I consider the show's finest hour. It takes some skill to make the audience legitimately moved in what is generally an anti-sitcom where you're not supposed to like the characters, but she sure did it. Mind you, the episode starts out typical and funny and it has plenty of grade-A laughs - but when things turn emotional, it goes to the extreme.

The scene where Charlie breaks down and opens up to his father's corpse made for one of the biggest crying fits I've gotten from any TV series - sure, it's Charlie Day's acting that really drives the scene home to all-time status, but the moment wouldn't be anything if he didn't have Ganz's script to work with. It's a different episode for IASIP, but an absolute masterclass at that.

2. Shonda Rhimes - Sanctuary / Death and All His Friends (Grey's Anatomy, Season 6 Episodes 23-24)

"I'll go get Altman"
"Altman's not down here"
"Go get Hunt then"
"They left"
"What, they left? Okay, you know what? Someone just shot Derek. He's got a GSW to the chest and he needs surgery right now. Tell me there is an attending on this floor"
"...April, in the OR behind there are two OR nurses and an anesthesiologist. Get them. Tell them to set up for a cardiac procedure"
"What...why? If we don't have a surgeon, what are we going to do?"
"We have a surgeon."

The greatest episode from the over-20-season run of Grey's Anatomy is, without doubt, the two-part finale of the sixth season, scoring two consecutive 9.7 ratings on IMDB. In what would be styled as "The One with the Mass Shooting" if the episodes were titled like F.R.I.E.N.D.S., the element that generally gets the most praise is the directing - but one cannot overlook the script by the trailblazing, cult-creating genius Shonda Rhimes. In the early seasons of the series, the showrunner did her job in a respectably hands-on manner, writing the scripts herself for all of the most important episodes - and this is the best out of that impressive bunch.

It's so much more than just an intense, claustrophobic mass shooting episode - the story escalates with just the right pace, putting everyone from the show's main cast into an interesting position, with suspense and chaos happening on all fronts as we follow the disaster from multiple viewpoints. The episode contains the show's hands-down best-written moment, which I quoted above: after six seasons of being the hospital's best intern and resident, Cristina Yang (Sandra Oh) is thrust into the most dramatic of situations. Her boss, who is also her best friend's husband, has just been shot, and because of the lockdown, there are no attendings on their floor - so she must perform the surgery. I can't begin to fathom how a storyteller can come up with such a tragic yet beautiful plot turn - it felt like everything that had happened in the last six seasons had built up towards this, this ultimate moment of character development and heroism under pressure. The moment is as cleverly conceived as it is deeply moving.

1. Denise Thé - If-Then-Else (Person of Interest, Season 4 Episode 11)

"It's a useful exercise. Through the years, many thinkers have been fascinated by it. But I don't enjoy playing...because it was a game that was born during a brutal age when life counted for little. Everyone believed that some people were worth more than others. Kings, pawns...I don't think anyone is worth more than anyone else...chess is just a game. Real people are not pieces. You can't assign more value to some of them and not others, not to me, not to anyone. People are not a thing you can sacrifice. The lesson is, anyone who looks on to the world as if it is a game of chess...deserves to lose"

Television as a form of art and entertainment is always improving - yet I am sure, in my heart, that there will never be another episode like If-Then-Else. I can't discuss my love for this narrative masterpiece in too much detail, because I don't want to spoil it - if you haven't seen the show (I'm guessing you haven't, since it's criminally overlooked), I plead you watch it, as getting to this episode in season 4 alone would make the journey worth it.

The concept of If-Then-Else alone is absolute genius, and the way in which Denise Thé's creative script ensures that the premise is utilized to full potential is mesmerizing. The story goes into all the right places, bringing just the right amounts of humor and levity into an overall intense and riveting episode. It's emotional at times, delightfully suspenseful at others, and incredibly imaginative throughout it all.



Thank you for reading! Tune in next week for the other side of the same coin - the top 20 TV episodes directed by women.

R.I.P. Tim Curry: Top 5 of his most unforgettable performances

Greetings, reader! First Dolly Parton, and then Tim Curry on the very next day...the giants among us have been dropping like flies this week...