Thursday, September 25, 2025

Ranking every episode of Black Mirror

Greetings, reader!


I finally caught up on the newest seasons of Charlie Brooker's Black Mirror recently. It's an amazing show, with episodes that feel even more ranking-prone than in other shows (there's just something about the anthology format, and how each episode has its own distinctive personality). So, here's my ranking of all 33 episodes across the show's seven-season run!


33. Mazey Day (Season 6 Episode 4)

As a sucker for all things different, I wanted to like Mazey Day from the moment that the "RED MIRROR" title card let us know that this is going to be something different. Having read many of the reviews for this generally disliked episode, I disagree with some of them, as they feel like they didn't give it a chance and hated it simply because it was so different.

Not to sound like an "I'm not like other wannabe critics" pick-me blogger, but - but I disliked the episode simply because it wasn't very good TV. I kept expecting another shoe to drop in terms of the underwhelming plot, and when it finally did, the big twist felt abrupt, unearned and wrong. If there was some deeper point behind the episode, I missed it, as it seemed very random and incohesive to me.

32. Arkangel (Season 4 Episode 2)

A lot of people dislike the newer seasons of Black Mirror, and especially the more far-out concept episodes that they feel to have strayed too far from the show's core premise. I disagree; I'm big on creative and groundbreaking storytelling, so the weird and imaginative episodes in the later seasons are among my big favorites. This also means that for me, the worst thing that a Black Mirror episode can be is unremarkable, predictable and too similar to previous episodes.

Thankfully, there aren't very many such cases, as Charlie Brooker found new innovations with each seasons. But one such misfore is Arkangel, where the premise is woefully similar to many we've seen before. It's one of the very few episodes in the show that don't really bring any new ideas to the table. The acting and story are alright, but even there it pales in comparison to most of the show's episodes.

31. White Bear (Season 2 Episode 2)

For whatever reason, this generally appreciated instalment from the show's early days never really spoke to me. It's not bad, but by Black Mirror standards, it's very subpar. Maybe it's because I don't feel as strongly about the subject matter as I do with many of the show's episodes, even though I do agree with the premise and see the story's point. At its best, this series can move me and cause some deeply resonating thought processes, but with an episode like White Bear, all I get is a semi-intrigued shrug or two.

30. Demon 79 (Season 6 Episode 5)

For the most part, Demon 79 just isn't all that special. I love the idea that Charlie Brooker wanted to try branching out from sci-fi to fantasy for a few episodes, but it just becomes painfully clear that he isn't nearly as good in the genre. The main story doesn't feel like it's really saying anything, and that's an immediate red flag when it comes to Black Mirror.

However, extra points for the storyline with the anti-immigration politician. While the main storyline didn't really have anything to say about society, that subplot certainly did, and hit very hard with the rapid rise of fascism we're seeing in the world. The scene where he convinces the racist voter to vote for him via charismatic innuendos is absolutely bone-chilling.

29. Bête Noire (Season 7 Episode 2)

The weakest episode of the newest season starts out pretty strong, with a premise that'll keep you guessing. Even when accepting the premise that you're watching a far-fetched dystopian sci-fi series, there's still a feeling of "WHAT, HOW IS THIS HAPPENING, I CAN'T THINK OF AN EXPLANATION" that you can't shake and that's pretty great. However, as is often the case with too-good-to-be-true mysteries, the eventual conclusion falls a bit flat. The last five minutes don't exactly ruin the episode (although several reviewers clearly think so), but they do drag the end result down a bit. Still, points for the strong first act and initially fascinating premise!

28. Loch Henry (Season 6 Episode 2)

Black Mirror is such a good show that we're already now getting to the ones that may be subpar by Black Mirror standards, but still very immersive television. Loch Henry tackles the ethical issues that come with the true crime genre and the broader themes around the conversation, and does so via a grounded yet imaginative story. While not as creative and/or powerful as most of the show's instalments, it's still a compelling story, with that one plot twist in particular being unforgettable in its sheer brutality.

27. White Christmas (2014 Christmas Special)

To this day, White Christmas remains the highest-rated Black Mirror episode on IMDB, which just goes to show what bullshit popular opinion can be. Don't get me wrong, it's an alright episode - but so, so far from the show's best offerings in my view. But, yeah, everything good I can say about this episode has been said a thousand times already - Jon Hamm's performance is admittedly excellent (though the series has a dozen even better ones that have found less acclaim), the contrast of a 'Christmas special' being so dark is kinda neat, and some of the fictional tech is quite imaginative.

Still, while there is potential to the anthological stories-within-stories premise, I personally found that a certain later attempt (more on that further down the list) nailed that idea much better, with this one feeling like it's still in training-wheels mode.

26. Playtest (Season 3 Episode 2)

Playtest is a decent episode by pretty much all merits, but not an especially remarkable one by hardly any. The directing in the horror sequences is skillful, Wyatt Russell's lead performance is solid, and the themes are semi-poignant while not hitting as hard as in the show's best hours. Your enjoyment of Playtest will likely depend on how strongly you feel about thrillseeking culture, and how much you enjoy watching horror.

25. Crocodile (Season 4 Episode 3)

The premise here isn't all that fresh (the eye implants are definitely the most used, and arguably over-used plot device in Black Mirror), but they still made it work. In the convoluted Black Mirror timeline, this one takes place in a time where footage from eye implants isn't yet available to everyone (like in The Entire History of You), but it has become available for the authorities to use. Essentially working as a sci-fi metaphor for the surveillance debate, Crocodile shows us what might happen when the police can access everything you've ever seen when investigating a crime.

At the same time, it's a psychologically interesting slippery-slope tale for the protagonist, as she tries to cover up her initial crime and it keeps getting worse. I like how the morals of the episode aren't as black-and-white as in some; whose side you're on depends on what part of the episode you're on, the blame lies partially with the main character but partially with the flawed system who is out to get her in bad faith, and the exact lesson is up for interpretation and discussion.

24. Hotel Reverie (Season 7 Episode 3)

Honestly, this one here is cool as shit. I'd like to rank it higher, but the bar is high with Black Mirror episodes, and Hotel Reverie isn't among the most flawless - the plot struggles with its pacing and conclusion, and the story isn't as powerful as many in the series ("Hollywood is remaking too many movies too fast, and cinema isn't what it used to be with all this new tech" is an interesting theme but doesn't hit as hard as "Social media is ruining us" or "AI is destroying us" or "What if there was fuck-bunch of mechanical killer bees sent to kill people?").

But still - I love the premise, where a clasisc old-time movie is remade using technology that inserts the modern actor right into the world of the film and the characters she interacts with are not-very-sentient projections who don't know they are fictional characters in a film. The concept is cool, its implications fascinating, and Emma Corrin's performance is utterly enthralling.

23. Beyond the Sea (Season 6 Episode 3)

This one is a success on all fronts, but never reaches full potential as an all-timer. For example, the setting is intriguing - every episode up until Beyond the Sea had taken place in the future (ranging from 'basically present-day' to 'very sci-fi and far out'), but this one takes place in the 1960's - yet the tech and other elements imply that it's an alternate history, where things happened a bit differently. It's a fascinating idea, but they never really do all that much with it - for all intents and purposes, the story could've just taken place in the future as usual.

Aaron Paul is brilliant in the lead role, and the story is vintage "using a creative sci-fi gimmick to tell a very human story". This time, the tech that Charlie Brooker came up with involves astronauts using replicas of their bodies, so that their consciousness can visit Earth while they're on a faraway mission. The plot really goes places from there, making for an ultimately tragic story that is just classic Black Mirror.

22. Rachel, Jack and Ashley Too (Season 5 Episode 3)

I remember when this episode came out - I wasn't caught up with the latest seasons then, but I carefully followed the discourse around the show while avoiding spoilers. Not only did Rachel, Jack and Ashley Too get terrible reviews - it got the specific type of terrible reviews that usually means that the episode is really good. The episode was ridiculed by toxic men ranging from whiny incels to conservative "alpha male tough guys" (not to mention that "No, I swear, I respect women - I just turn into a hypercritical dramaturgy expert whenever a piece of media has a feminist angle and I need to complain about it" type).

You got all the classics: "This isn't Black Mirror anymore, this is some ultra-feminist woke bullshit", "I need every episode to be dark and bleak, this episode being bright and colorful ruined my year", "This episode looks and feels like it was made for little teenage girls" et cetera. To no one's surprise, I really enjoyed the episode - my only problem was that based on the reception, I expected more. The picture you get when reading the reviews make you think the episode will look and feel like the Barbie movie - bubblegum colors, a fun and zany vibe, et cetera. I though that would be what I was walking into, and I was ready to enjoy the hell out of it, as such an episode would be a fresh idea and ultimately on-brand for a series always experimenting with new stuff.

However, the episode is much closer to a regular Black Mirror episode than I expected - it's still fairly dark, fairly dystopian, and not all that different. It just has strong young women as the main characters, it beats the Bechdel test, and the aesthetic isn't quite as gloomy as in most episodes. So, yeah, I definitely like the episode and hate how our society treats feminist media - it would just rank much higher yet if it was more of the bright-pink femcel-fun adventure that the idiot reviewers made it out to be.

21. Striking Vipers (Season 5 Episode 1)

While Striking Vipers doesn't have as much profound stuff to say about the world as many of the show's episodes, it's a pretty brilliant character drama with the sci-fi angle being just the right framework to fuel the narrative. Two guys, who are lifelong best friends, purchase a new cutting-edge virtual reality video game - and when they become immersed in its hyper-realistic feel, they quickly get tired of fighting each other as per the game's objective, instead finding homoerotic comfort in each others' simulated bodies.

It's a wonderful character study of pent-up sexual desires, male culture and communication issues, and the virtual reality game is such a cool narrative device to help the story unfold. It would be ranked even higher, but the conclusion is a tad flat - not bad or anticlimactic, but also not the big twist or memorable finale that we get with the best Black Mirror episodes.

20. Be Right Back (Season 2 Episode 1)

Some fans have this as their #1 favorite, and it's very possible that my ranking of it would improve upon re-watch (I've only seen it once, years and years ago). From what I remember, I wasn't as crazy about it as many fans, but I still really enjoyed it - well, "enjoyed" isn't exactly the right word for such a gripping episode. It's a sentimental story about love and loss, with the sci-fi premise being alarmingly accurate (very similar tech has been introduced in the last few years), yet ultimately feeling just like a vessel for the very human story.

19. Hated in the Nation (Season 3 Episode 6)

The third season ends with an ambitious runtime and equally ambitious production values. Feeling like a feature film, Hated in the Nation is paced just right, telling an immersive story where the plot ranges from down-to-earth crime drama to some far-fetched Charlie Brooker shit with mechanical killer bees. While the episode doesn't quite have what it takes to be among my biggest favorites (the story, while making some decent points, isn't on the profound level of the best of them), it's certainly a thrilling and memorable viewing experience.

18. Plaything (Season 7 Episode 4)

Ah, I have somewhat of a soft spot for this episode and would want to rank it even higher - damn you, Charlie Brooker, for making so many fantastic episodes! But, yeah - between Peter Capaldi's utterly captivating performance, the neat canonical connection to Bandersnatch and the contrast between the adorable Thronglets and the dark implications behind the endgame, there's a lot to love. Like I said, I'd like to rank it higher, but there's just no way around the fact there are somehow seventeen even better episodes out there.

17. Metalhead (Season 4 Episode 5)

Now here we have an episode that I appreciate in a very peculiar way. While not as thematically rich and complex as many Black Mirror episodes, this artistic and well-directed horror piece sticks out of the crowd in a cool, creative manner. While a full timeline of all episodes is very hard to piece out, one thing is clear - in any attempt to build a Black Mirror choronology based on what we know of the canon, Metalhead is the end of the road, the last piece of the puzzle.

Taking place in a post-apocalyptic wasteland, this episode is deliciously ambiguous - we don't know what caused things to go this bad, but knowing what the series has to say about the world and the implications of modern technology in the wrong hands, it's safe to say it could've been any number of things. I can't really imagine any future episode taking place after this one, and it makes the whole of Black Mirror a lot richer to know that no matter how the show eventually ends, this will always be the chronological and spiritual series finale, the final curtain where it's all headed. Dark as hell, but y'know - that's the point.

16. Fifteen Million Merits (Season 1 Episode 2)

As you're about to witness, all of the show's first season is lumped together quite closely, as I've always gone back and forth on how I rank those three episodes. Each one is brilliant in a very different way, and none of them are quite in the show's highest tier while still being very above-average television. After long consideration, Fifteen Millions Merits ended up barely losing to the other two, even though it seems like the most Veikko-coded one on paper.

I do appreciate the imaginative, far-out worldbuilding a lot, but I just never felt that the story got into its full potential. The critique of the capitalist hellscape we have by showing how ridiculous and bleak it would look if the same direction continues for long enough hits hard, but not quite as hard as the very best Black Mirror instalments. Also, Daniel Kaluuya's lead performance showcases some fantastic range.

15. The Entire History of You (Season 1 Episode 3)

Just a tad above Fifteen Million Merits we have the season one finale, which is one of the most classic, archetypical "watch this one episode to understand what the series is all about" episodes in the show's run.

We're introduced to a futuristic technology (eye implants that record what you see in everyday life), we see a brief glimpse of the fun potential and positive functions such an innovation might have on peoples' lives - and then, Charlie Brooker does what Charlie Brooker does, imagining all the frightening shit that could ruin peoples' lives if the technology is misused. Here, it's a couple going through a rough patch, and using individual memories to prove their points to the point of just being spiteful and vengeful. Quintessential Black Mirror, this one.

14. Smithereens (Season 5 Episode 2)

This utterly fascinating episode masquerades as a more-"basic"-than-average Black Mirror episode, with its lack of hi-fi sci-fi and essentially modern-day hostage thriller plot. Mind you, it's a damn fine hostage thriller, with Andrew Scott's lead performance being one of the most captivating roles in a series filled with great acting.

However, it also ends up being deeper than you'd think from the initial premise. The closing moments leave a lot up to interpretation in terms of the episode's themes and ultimate point, but there are many fascinating takeaways to be had, from "the constant overflow of terrible news has made us numb as a society, and we're in danger of starting to care less" to "who ended up dying doesn't even matter to the people in the fictional setting, because they didn't know the people involved, but we the viewers care deeply after spending just an hour with the characters, and it's a bit fucked-up that people need that personal connection in order to feel sad about a tragedy".

13. The National Anthem (Season 1 Episode 1)

What can I possibly say about the inaugural Black Mirror episode that hasn't been already said? Barely ranking above its impressive season 1 counterparts, The National Anthem is definitely the most bonkers way a television show has ever started its run. All gross-out aside, I can't help but love the episode - not just because of how objectively ballsy it was to kick the series off with "the one where the Prime Minister must f**k a pig on live television", but because it's just an exceptionally well-done hour of television.

While very present-day and un-sci-fi for Black Mirror standards (yet another reason why it was a weird-ass choice for the 1st episode yet still somehow works), the way The National Anthem follows the scandal unfolding while switching between perspectives of the politicians, the media, law enforcement and regular citizens following the news is enthralling, to the point of being downright addictive.

12. Eulogy (Season 7 Episode 5)

Oh man. Carried by a truly captivating Paul Giamatti performance, Eulogy is a wonderfully subdued and almost small-scale episode in the grand scheme of things - yet it still resonates with some large themes. There are no grand political dynamics or high-stakes doomsday prophecies about the direction of society like we're used to with this series, as we're treated to an in-depth character exploration about a man who learns of the death of a former girlfriend (very much "the one that got away" in this instance).

Exploring a complex, well-written relationship via memories, with the tech that takes you into an old picture to help relive the moment working as a brilliant plot device, is a clever way to tell this gripping and humane story. Giamatti's layered performance keeps you guessing, with your opinions of the two characters getting more and more complex as we learn about more and more baggage from the past. And of course, because it's Black Mirror, there's a genius ending twist that hits you right in the feels.

11. Shut Up and Dance (Season 3 Episode 3)

Here we have an episode that shouldn't be ranked nearly this high on paper, when you consider the elements that generally make Black Mirror great. The sci-fi/dystopian elements are pretty much nonexistent as the story uses modern-day technology, the narrative isn't especially clever or groundbreaking (bar the ending twist, but hey, they all have that), and for the 2nd episode in a row, the "profound thematic explorations about humanity and society" aspect is below-average for the show.

That being said, it's just a great episode of television on more typical merits.

Alex Lawther and Jerome Flynn are remarkable in their roles, and the exciting high-pressure plot will keep you guessing. While the episode doesn't feel like Black Mirror in many ways and feels like it could be a part of a different show or a short film, it's so enthralling that you hardly mind. And yes, while every Black Mirror episode has that sweet ending twist, the one in this episode goes into the ending twist hall-of-fame in terms of brutality, shock value and execution.

10. Men Against Fire (Season 3 Episode 5)

And here we have the exact opposite of the previous entry in terms of great Black Mirror - the episode's weakness (why it's only 10th and not even higher) is essentially everything that Shut Up and Dance does well, as the progression of the plot and acting performances aren't all that remarkable, and it's not an especially unforgettable TV production by such merits. Similarly, its strengths (why it makes it to my top 10 despite its weaknesses) are exactly where Shut Up and Dance fell short - theme-wise, this is as profound as it gets, and at the very heart of what Black Mirror is supposed to be about.

Throughout its 7-season run, the series has introduced many creative premises where futuristic technology is used a plot device to tell a cautionary tale with an important social message. But for a pacifist like me, hardly any of them have hit quite as hard as this one: in a futuristic war, British soldiers fight against inhuman mutant-monsters, but when the installed eye implant of one soldier starts to malfunction, he learns a horrible truth: the enemies they've been killing are humans just like them, but the implants make them look like monsters in order to sell a false narrative and make shooting them easier. What makes this especially powerful is that you just fucking know that institutions like the U.S. military would, in a heartbeat, employ tech like this the very second it would be available once they knew they'd get away with it.

Dehumanizing other cultures in order to justify slaughtering them has always been one of humanity's most consistent and disgusting tendencies, whether it's Nazi Germany spending millions on anti-Jewish propaganda in the 1930's or Israel spending millions on spreading false narratives about Palestinians to justify their genocide in the last two years. Men Against Fire is an episode very true to the show's title, as it holds a mirror to humanity's actions, and the image in that mirror is dark as hell.

9. The Waldo Moment (Season 2 Episode 3)

"Black Mirror predicted the future correctly with episode X" is something you hear all the time - many parallels between the show's episodes and real-life events after those episodes have aired have been found, ranging from broad (AI deepfake news from the last few years have had quite a few similarities to the concepts from season 2's Be Right Back) to hilariously specific (I originally thought that the "The British Prime Minister has sex with a pig" storyline from the pilot was a tongue-in-cheek reference to David Cameron's "pig-gate" incident, and was floored when I discovered that the episode predates the breaking of that news story). But I think we can all agree that the king of instances where a scenario dreamt up by Charlie Brooker came to life is The Waldo Moment - where an unserious, foul-mouthed TV celebrity runs for political office and actually wins.

Yeah, Brooker more or less predicted Trump with this episode, although there obviously are some differences (for example, the character Waldo is a cartoon, and the position he ends up in is much smaller-scale than "leader of the free world", because real life post-2016 has been more dystopian than anything Charlie Brooker could've imagined). In any case, The Waldo Moment is a brilliant satire, touching on the silliness of certain political systems and the symbiotic relationship between cynicism and populism.

8. Black Museum (Season 4 Episode 6)

Oh, hell yeah. I'm glad that the series never did a full "let's tie every separate story from the anthology together" episode, as it would inevitably feel cheesy and take away from the individual nature of the stories. But, as little easter eggs from early on have confirmed that these stories do have some relation to each other via interesting connections, it's neat that we got Black Museum, which will hopefully remain the closest we ever get to a 'crossover episode'.

While the main story is a thing of its own, the subplots and background imagery connects to almost every preceding episode, with many of these instances being wonderfully subtle and clever. It helps understand the timeline and relationships between all the fictional tech in the series a bit better. Still, the main star is the episode's main plot, spearheaded by Letitia Wright's sledgehammer performance and that unforgettable ending twist. This is the episode that the overrated White Christmas wishes it was.

7. Joan Is Awful (Season 6 Episode 1)

I have a passionate, undying love for movies written by Charlie Kaufman, so it tracks that the easily Kaufman-iest episode of Black Mirror is one of my big favorites. In Joan Is Awful, the plot starts out pretty crazy (a woman finds a new TV show that is somehow based on her life, with the pilot episode recounting stuff that happened to her that very day but just acted out by someone playing her) - and only escalates further and further into meta madness from there. I love every minute of this creative clusterfuck, down to the occasional absurd humor and the smart jabs at the way digital consent works in the post-post-information age.

6. San Junipero (Season 3 Episode 4)

San Junipero is many things - a clever and imaginative science fiction story, an artistic blend of stylistic music and visual choices, and a delightfully fresh escape from the general doom-and-gloom side of the show with its bright colors and ultimately wholesome plot. Above all else, however, it's a love story, and a damn great one at that. Whether you like the show otherwise or not, this electrifying blast of lesbian love is one Black Mirror episode that everyone could benefit from watching.

5. Hang the DJ (Season 4 Episode 4)

While I try to proudly own my opinions and not be an elitist, there are times when the opinion I'd like to have is slightly different from the opinion I do have. This is a prime example: one season after San Junipero, the show tried the "against-all-odds uplifting love story within a cool sci-fi premise" thing again, and this time the romance was about a straight couple - and, as much as I hate to admit this as a queer person with strong opinions about heteronormativity in Hollywood, I just can't help it. I like this one slightly more. Believe me, I'm more upset about it than anyone.

But, yeah. Hang the DJ is an ingeniously written episode, with a plot that keeps you guessing until we get to that sweet payoff of a culmination. It's some of the best-written sci-fi in the series, with the emotionally raw human story complementing the mind-bending elements with delight.

4. USS Callister: Into Infinity (Season 7 Episode 6)

Ah, I love me a blockbuster sequel. It fills me with joy that the one and only time that Black Mirror did a direct sequel to an earlier episode, it was for my (spoiler alert for the rest of the list) favorite episode of the series. Into Infinity's biggest strengths have hilariously little to do with what Black Mirror is all about: it's legitimately fun to see the familiar characters from USS Callister again, the story continues in an enthralling fashion, and the high-budget production values and gargantuan runtime make it feel like a large-scale blockbuster movie.

That being said, it's also pretty great by traditional Black Mirror merits - there's imaginative technology, cool science fiction elements, and some dark-as-hell messages about humanity and society amidst all the authentically fun fan service.

3. Common People (Season 7 Episode 1)

I surprised myself by ranking the premiere of the newest season this highly - it's such a typical Black Mirror episode that you'd think it would be outdone by many of the out-there unique ones. But, the thing is, Common People is for this show what The Gang Solves the Gas Crisis is for It's Always Sunny in Philadelphia or Stress Relief for The Office. It's not one of the best because it's groundbreakingly different within the show's mythos; it's one of the best because it's the archetypical episode for the series, the one that showcases what the series is about at its core the best. It does what every good Black Mirror episode is supposed to do, in a manner more flawless than hardly any.

The premise is relatively straightforward: a woman with a fatal illness signs up for a futuristic service called Rivermind, that uses technology to prolong her life by replacing her excised brain tissue with synthetic tissue powered by their server. She and her husband sign up, with the system working on a solid-sounding subscription basis. Then, in one of the most accurate, scathing bullseye critiques of capitalism that I've ever seen, the service starts to ramp up its prices in a thoroughly evil and depressingly realistic manner, introducing costly upgrades that become more and more mandatory as they deliberately make the un-upgraded version harder and harder to live with.

When you get to the point of in-human ads, the episode feels spooky and painful in just the most Black Mirror way, as the concept feels simultaneously wild and creative yet also very close to home in a "yeah, humanity will 100% be doing this fucking bullshit about 20 years from now" sense. Profound stuff, man.

2. Nosedive (Season 3 Episode 1)

Ah, the social media episode. Black Mirror is, more or less, always poignant with its cautionary tales about society's direction with regard to technology - but rarely has the target been hit and obliterated as thoroughly as in Nosedive. As a Community fan, I feel like I should call this episode overrated because (and this is true) Community did the concept first, which is pretty crazy. But, I gotta say - Black Mirror did it even better. Community may be my favorite series of all time, but with regard to the individual "what if we had a social media platform where we rate people, and your average rating as a person affects your social status" episodes, App Development and Condiments walked so that Nosedive could run.

I'm not as vehemently anti-social media as some people (hi, Dad!) - I think a lot of good comes with them, like an opportunity for lonely people to find communities, or a gateway for people with brainwashed upbringings to gain access to a broader worldview. However, I am very critical about the gazillions of downsides that social media admittedly has, from hate-feeding algorithms and addictive qualities to the downright pandemic of misinformation that's hurting our society in so many ways. Now, this episode only tackles a fraction of those problems with its concise story, but that's often the best strategy for socially poignant storytelling - with this individual example of social media going too far, Nosedive manages to say a lot about the broader subject, serving as food for thought for any given viewer. Truly important storytelling.

1. USS Callister (Season 4 Episode 1)

I know, big shocker - the Star Trek spoof/tribute episode is my favorite. I swear, that's not my primary reason - naturally, the familiar aesthetic and pop culture references do help, but really, that's a tiny part of what makes USS Callister into a masterpiece of television. When you peel back beneath the surface, you find more and more layers to why I love this episode so much - it's about the brilliant cast providing excellent acting performances even more than the Star Trek vibe, but it's about the insanely well-written characters even more than that, but if you go even deeper it's really about the creative and cleverly told story, but really it's about the genius sci-fi premise that allows that story to flourish.

And beyond all of that, you find the ultimate truth - while not the most typical Black Mirror episode, the season 4 premiere still is extremely Black Mirror at its core. Some dark truths about humanity are explored via the story of Robert Daly (played in a tour-de-force performance by Jesse Plemons), a complex, realistic and ultimately frightening character whose concept is so very Black Mirror - it's not that the futuristic technology in itself wrecks him, but rather he has the potential for evil deep within, and the use of futuristic tech is what assists to him getting there.

Therefore, the central theme can be seen as "power corrupts" or "we need to stop the incels" or "we need to figure out a way to prevent people from becoming incels in the first place" or any number of things really. In any case, it's a magnificent case of telling a deeply humane story with a lot to say about the human psyche via an imaginative sci-fi premise - and isn't that what Black Mirror is all about?



Thank you for reading! Tune in next week for a peculiar post: I'm ranking the same 33 episodes again, but by a different criteria. You see, my mom has a taste in movies&TV that is very different from my own: things she doesn't like include violence, overly dark/upsetting stories, complex sci-fi, and particularly weird/experimental narratives. So, I've often figured that she would dislike Black Mirror with an impressive passion, and this gave me a hilarious idea: ranking the episodes of Black Mirror by how much my mom would hate them. So, that'll be next week's post!

Thursday, September 18, 2025

RIP Robert Redford: My ranking of his most iconic roles

Greetings, reader!


Robert Redford, a true giant of cinema, passed away this week at the age of 89 years. On the big screen, Redford was a generation-defining leading man who starred in about half of the movies loved by my dad (and your dad, and everyone's dad), and behind the scenes, he was a man truly worth celebrating: in an industry filled with creeps and egomaniacs, he used his platform to speak out for the environment, while being a passionate ally for Native Americans, LGBTQ+ people, and other minorities. As a tribute to his great career, here is my personal ranking of his very best roles.


7. Narrator in A River Runs Through It (1992)

In addition to his prolific acting career, Redford also made a name for himself in the art of filmmaking, directing flicks such as Quiz Show (1994), The Horse Whisperer (1998) and his directorial debut Ordinary People (1980), for which he won the Oscar for Best Director. The only film I've seen from his directorial catalogue is the sentimental coming-of-age tale A River Runs Through It, in which he also voices the main character at an older age, serving as the tale's narrator.

Redford's gravelly and expressive voice is just right for the role. It's neat to think how it's the guy in the director's chair, with an undoubtedly personal relationship to the film and its story, setting the mood with his narration.

6. Alexander Pierce in Captain America: The Winter Soldier (2014) and Avengers: Endgame (2019)

It's a rite of passage for every acclaimed Hollywood actor - build a career doing small roles with a good work ethic, break through with big roles, star in films and win awards, and then in the 2010's, play the villain in a Marvel Cinematic Universe movie. Whether you're Guy Pearce or Tom Hiddleston, Hugo Weaving or Jude Law, Christopher Eccleston or anyone ranging from Lee Pace and Josh Brolin through James Spader and Mads Mikkelsen all the way to Cate Blanchett and Michael Keaton, that's just a rule of law no one can run away from. And the great Robert Redford proved to be an excellent addition to the tradition.

It's the classic bait-and-switch of a supposedly good guy, who (uh, spoiler alert) turns out to be corrupt in a big plot twist. It's debatable who the main villain of The Winter Soldier is, but a solid argument can be made for Alexander Pierce, the man pulling the strings. Redford is more well-known for his good-guy leading roles than villain performances, but his turn in the MCU showcased his range with style.

5. Jeremiah Johnson in Jeremiah Johnson (1972)

A part of me wanted to rank the title role from one of my dad's all-time favorite movies even higher, because it is admittely the perfect lead role for this film. But, as far as impressive acting prowess goes, Redford didn't show as much of it here as in many other roles - because he didn't have to. The script of Jeremiah Johnson doesn't call for Oscar-winning acting chops or wild range - it's a story about a guy wants to be closer to nature and moves into the mountains, and in many ways the true focal point of the film isn't the character but rather the great outdoors surrounding him.

Playing a lead role is like being a lead singer or a soccer team's striker, which most often means that you'll have to captivate everyone as the ultimate center of attention - but playing the lead in this specific movie is like being the lead singer for Free Bird or being the striker in a false nine formation. It requires giving space to other elements and doing your job in a subdued way, which would be a problem for a majority of Hollywood stars with their egos - but Redford, ever the team player, absolutely nailed the assignment.

4. The Sundance Kid in Butch Cassidy and the Sundance Kid (1969)

Ah, the role that was so fun to play that Redford later bought a ski area that he named after the character. He then started to host gatherings there to celebrate independent film - you may have heard of it, actually, y'know - THE SUNDANCE FILM FESTIVAL. Man, this guy's influence on cinema can't really be overstated.

But, yeah, this classic western was somewhat of a breakthrough role into superstardom for Redford. His chemistry with co-star Paul Newman is off the charts, so it's no wonder that they would go on to star in several more movies together. Speaking of which...

3. Johnny Hooker in The Sting (1973)

Yeah, this is the stuff. Here's another amazing anecdote I learned while reading up on Redford's legacy after his passing: apparently he really wanted to play the lead role in Mike Nichols' The Graduate, but Nichols wouldn't cast him because, and this is true, he deemed Redford to be so cool that he wouldn't be believable as a loser. No, really. Apparently Redford had a hard time taking the news and demanded an explanation, so Nichols asked him if he has ever struck out with a girl, and the poor stud had to ask what striking out means. To understand Mike Nichols' point, watch five seconds of Robert Redford in The Sting and you'll se what he was talking about - the dude was f**king hot.

But not only did he look the part - Redford plays the role of slick-talking conman Johnny Hooker with fantastic levels of charisma, more or less creating a whole-ass character archetype that Hollywood would try to replicate time and again because it's so good. While he got plenty of Oscar nominations (and even won one) as a director and/or producer, as well as getting a well-deserved honorary Academy Award for his lifelong body of work in 2002, The Sting remains the only film he ever got an acting Oscar nomination for. Makes sense, although I would've given nominations for today's top two as well.

2. Bob Woodward in All the President's Men (1976)

One of my favorite things about watching old movies is how you can see their influence on later cinema. Robert Redford has been cited as a major influence by many actors, and if you watch a film like this after becoming familiar with more modern Hollywood, you can just feel that. Watching the way Redford plays his role in All the President's Men, you can see a style of acting that was emulated by stars like Brad Pitt and Christian Bale, and you can just imagine how those actors grew up watching Redford flicks and picking up on his magnetic style.

Playing a real-life person is always an interesting challenge for an actor, and the shoes of the two legendary journalists who broke the Watergate scandal can't have been easy to fill - but Redford and his co-star Dustin Hoffman were so very right for the roles. Redford's captivating performance feels like a tribute to investigative journalism, best showcased in the masterclass scene where an uninterrupted five-minute take follows Redford's character as he switches between two phone calls with sensitive sources, as his intense facial expression make it clear A) how seriously Woodward took his work, and B) how he could feel that he was on the verge of finding that smoking gun.

1. Our Man in All Is Lost (2013)

It may be the least iconic film on today's list, and not as remarkable as an overall piece of cinema as many of the others. But, purely acting-performance-wise, All Is Lost was Robert Redford's finest hour. In this man vs. nature survival thriller, a sailor finds himself in the midst of a disaster while in the middle of the sea, having to think on his feet and be resourceful in order to survive the ordeal. The film's cast begins and ends with Redford, the only person we see on screen.

Pulling off what is essentially a one-man play on the big screen requires a very special actor - sure, the grand visuals and exciting survival plot help, but it would still become inevitably boring without the right actor. Most of Redford's most famous performances don't showcase a whole lot of range because the type of films he liked to do didn't require that - but here, at an older age, he showed what lengths he was capable of going to when needed. It's a real tour-de-force, feeling like the cherry on top for an already wildly impressive career.



Thank you for reading! Tune in next week for my ranking of all 33 Black Mirror episodes.

Thursday, September 11, 2025

Top 20 It's Always Sunny in Philadelphia Episodes

Greetings, reader!


Well, if ever there was a time to celebrate the record-breaking sitcom It's Always Sunny in Philadelphia, it's now - not only did the show wrap up its seventeenth season last week (and I swear to God, it's still good! No other series in the world could keep this level for 17 seasons!), but it also celebrated its 20-year anniversary this month. I was going to do a top 10, but it's so hard to limit myself to ten episodes, when a vast majority of the 179 episodes the series has produced are so awesome it hurts. So, in honor of twenty years of It's Always Sunny, here are twenty of the very best episodes!


Here are my honorable mentions: The Gang Hits the Road (Season 5 Episode 2), Reynolds vs. Reynolds: The Cereal Defense (Season 8 Episode 10), The Gang Goes to a Water Park (Season 12 Episode 2), Time's Up for the Gang (Season 13 Episode 4), Dee Sinks in a Bog (Season 15 Episode 7).


20. The Gang Buys a Boat (Season 6 Episode 3)

As the title suggests, the gang does indeed purchase a boat, and the shenanigans that follow are pure entertainment. The notorious "implication" scene alone makes the episode top-20-worthy; the dark comedy acting is outrageously good, as Glenn Howerton showcases the depths of Dennis' evil nature in a creepy yet hilarious way while Rob McElhenney portrays Mac's utter confusion with brilliance.

19. 2020: A Year In Review (Season 15 Episode 1)

I love it when It's Always Sunny, with its knack for dark comedy and topical satire, makes episodes and storylines of current events (especially ones relating to Philadelphia). I remember watching coverage of the 2020 Presidential Election with my dad and brother, when ballot-counting delays and disturbances in voting booth lines in Pennsylvania were being reported, and I said "haha, can't wait for IASIP to tackle this in their next season". And the bastards did it!

Not only that - in what has been described as the "anti-Forrest Gump", the season 15 premiere blends fiction and reality by showing what The Gang was up to throughout 2020, revealing that they were indirectly responsible for the vote delays in Philadelphia, the infamous Rudy Giuliani hair dye incident, and even the insurrection on January 6th. Brilliant.

18. Charlie's Home Alone / The Gang Wins the Big Game (Season 13 Episodes 8-9)

From one tackling of a relevant Philadelphia news story to another! The Philadelphia Eagles won the Super Bowl LII in 2018, and with The Gang being well-established fans of the Birds, it makes all the sense in the world that the season after this would have an episode just about that. In this hilarious two-parter, the first instalment focuses on Charlie who was accidentally left behind when the others went to see the game, leading to all sorts of "Home Alone, but make it goddamn brutal" shenanigans. The second part follows the rest of the gang as they travel to Minnesota to see the game live.

It's great fun, and the ending of the episode - where we see real footage of Philadelphia citizens celebrating after the game - is legitimately emotional. Amidst the end credits, we see footage of Rob McElhenney (creator and star of the show, and lifelong Philadelphian and Eagles fan), who saw the actual game live, celebrating just seconds after the victory was confirmed, and that's just such a heartwarming moment for a generally cynical anti-comedy series.

17. McPoyle vs. Ponderosa: The Trial of the Century (Season 11 Episode 7)

At this point in the show, the collection of beloved recurring characters had become a beautiful tapestry. The utterly chaotic McPoyle family and the hilariously messy Ponderosa family are among the big cult favorites, and the show had a tried-and-true track record of courtroom-style episodes being total home runs, so the episode title alone is essentially a promise of greatness. When you have the main gang, the full McPoyle clan, the Ponderosa siblings, Uncle Jack, the underrated recurring lawyer character known simply as "The Lawyer", and a judge played by Reginald VelJohnson going at it in the courtroom, the episode can't possibly be anything but magnificent.

And so it is! A personal highlight for me was finally seeing the show's best character Charlie Kelly practicing the art of 'bird law' - this running joke had been a favorite of mine for seasons upon seasons, and when we finally see what Bird Law is exactly, the payoff is certainly worth the wait. Dynamite comedy.

16. Mac & Charlie Die (Season 4 Episodes 5-6)

Yet another case where the episode title alone is nothing short of a promise of greatness (in my opinion, IASIP has better episode titles than any other series ever made, and that's why my post from 2 weeks ago was a ranking of every episode of the series based on how good the title is). But yeah, Mac & Charlie Die is exactly as hilarious as it sounds, which is saying something.

The fourth season is definitely the best season of the show's early years (and arguably the best one overall - I keep going back and forth between 4, 13 and 15, which are the high points of the three main eras in the show's trajectory). And this right here is just classic season 4 - crude, gritty and entertaining comedy mixed in with one of the better plotlines they've done.

15. The Gang Saves the Day (Season 9 Episode 6)

It's the show's 100th episode, and man, they celebrated the milestone with style. In a brilliant exploration of the inner workings of each major character's mind, we follow the imaginary scenarios playing out in everyone's head when the gang is stuck in the middle of a robbery. Every scenario is hilarious and a true testament to the character in question, gags such as Dee dying in every scenario are quite hysterical, and the way it all shakes out is just classic IASIP.

14. The Gang Misses the Boat (Season 10 Episode 6)

In an episode very similar to The Gang Saves the Day but even better in my opinion, the cold open sets the stage for what is sure to be an unforgettable character exploration. Behind-the-scenes conversations about the show's direction and future are adressed in a low-key meta, second-wall-breaking manner, as a seemingly mundane event makes every member of the gang reflect on their life and a need for change.

Every storyline in The Gang Misses the Boat is fantastic in its own way: Dennis' mid-life crisis is hilariously acted and an in-depth look at his character (it also gives us the legendary "I AM A GOLDEN GOD" monologue), while Charlie and Dee's short-lived romance is as intriguing of a plot turn as it is hilarious, and Frank's attempt of re-creating the 'glory days' with a new gang is amusing on so many levels.

13. CharDee MacDennis: The Game of Games (Season 7 Episode 7)

It's an untypical It's Always Sunny episode, especially for the early years: no political issue or relevant news story is satirized and tackled, no scheme is attempted, no major points-about-modern-life-via-dark-comedy are made. It's just the gang vibing around on a slow day, deciding to play a round of a board game they created. The episode makes it onto my list because, while it is less deep and clever than most of the show's episodes, it's magnificently, deliriously funny.

There are countless moments that'll make you laugh out loud, no matter what number of re-watches you're on. The chemistry between the main actors is at its best, and the line deliveries throughout are gold (I'm chuckling just thinking about the "BECAUSE DENNIS IS A BASTARD MAN" scene). Chaotic sitcom entertainment doesn't get much better than this.

12. Thunder Gun Express (Season 7 Episode 11)

You know the classic How I Met Your Mother episode Subway Wars, where everyone is racing to see who gets to the agreed-upon restaurant first? If you've ever watched that and thought, "this is all good but it would be so much funnier if they were all terrible people and went way over the line in their methods", then boy, do I have the episode for you. Every storyline here is pretty great, but I have to give a special shout-out to Frank hijacking a tourist boat. The character's trademark lack of situational awareness is at its very best as he recites funny old stories about his life via the loudspeaker, not realizing how utterly terrified the poor tourists are.

11. Charlie Kelly: King of the Rats (Season 6 Episode 10)

I love the deliciously rare instances where IASIP is wholesome for once - and this is the episode that walked so that a certain few (more on them later) could run. Playing out like a test run for the pitch "what if we tried an episode where, just for once, everyone isn't a complete asshole and there isn't some mega-dark ending twist", this episode works so well because at this point in the series, the first-time viewer is so accustomed to the anti-sitcom shenanigans that they keep expecting the other shoe to drop.

When the credits roll, you're almost confused - but when you re-watch the episode, you can fully appreciate how much of a breath of fresh air it is. It helps that it's not too different - it's still IASIP, so there's plenty of crude humor in the mix, and would be a less-wholesome-than-average episode for most other sitcoms. But for this show, it's just different enough to work - especially for viewers like me, who consider Charlie to be the show's best character. It feels sweet that they gave the poor guy a break for once.

10. The Gang's Still in Ireland (Season 15 Episode 6)

The multi-episode Ireland arch in the second half of season 15 is probably my favorite thing the series ever produced. It's hard to rate and rank its instalments as individual episodes, because the whole is even greater than the sum of its parts - but those parts are still pretty damn amazing. The writing by the MacElhenney-Day-Howerton trio is as sharp as ever, while the fantastic Megan Ganz's directing makes the end result the funniest possible version of itself. Every storyline is gold, every moment is entertaining to the maximum, and it leaves you begging for more.

9. Mac Finds His Pride (Season 13 Episode 10)

After the show dipped its toes in the water in terms of wholesome and unassuming episodes with Charlie Kelly: King of the Rats, it was a great many years before they continued on that path. Eventually, when us fans least expected it, they hit us with this emotional gut punch. No one was prepared for the season 13 finale, after one and a half decades of cynical anti-sitcom storytelling, to deliver a heartfelt, moving episode without a major rug-pulling twist at the end - and that's why it hits so hard.

I love that out of all the themes such a groundbreaking episode could've dealt with, they went with Mac's sexuality - apparently Rob MacElhenney, who is straight himself but grew up with multiple queer family members and has always strived to be a good ally, felt that he needed to do that to balance out what a pure joke the 'gay Mac' storyline had been up until that point. Mac Finds His Pride is, against all odds, a legitimately beautiful and even artistic piece of television, and one that truly showcases the show's range and depth.

8. The Waitress Is Getting Married (Season 5 Episode 5)

When I made the ambitious list of the 100 all-time greatest TV acting performances last spring, Charlie Day as Charlie Kelly was literally at #1 - ahead of Bryan Cranston as Walter White, ahead of James Gandolfini as Tony Soprano, all of 'em. And I stand by it. You'd have to watch the whole series to fully appreciate Day's unique comedic genius in the role, but if you want to get as much as possible from a single episode, you can't do much better than this one.

The character's chaotic nature, hilarious stupidity as well as his endearing underlying fragility beneath it all are on full display. I must have watched the scene where Mac and Dennis try to set up his dating profile tens (if not hundreds) of times, and it somehow still feels funnier and funnier each time, because that's how great the character is. The comedic timing and spectacular delivery of lines like "Oh, put milk steak! She'll know what it is" is phenomenal.

7. Sweet Dee Has a Heart Attack (Season 4 Episode 10)

Another big classic from the early days. What is an average premise for an IASIP episode turns impressively into one of its finest instalments, as the storylines blossoming from the initial narrative escalate into some wonderful entertainment, culminating in a truly iconic scene. If you ask me, Charlie's conspiracy rambling is up there in the sitcom hall of fame, standing tall next to Frasier and company in the ski lodge, Dwight Schrute's fire drill and George Costanza's "The sea was angry that day, my friends" monologue.

No other actor in the world could work the script of that moment to full effect like the great Charlie Day - and kudos to Rob MacElhenney as Mac balancing him out, as his reaction is almost as funny as the Pepe Silvia monologue itself. "Not only do ALL of these people exist - THEY HAVE BEEN ASKING FOR THEIR MAIL ON A DAILY BASIS" is perfection.

6. The Gang Tries Desperately to Win an Award (Season 9 Episode 3)

The meta layer defining this episode is just subtle enough to not feel out-of-character for the show, yet just heavy-handed enough to be utterly hilarious - a true breaking of the third wall if I ever saw one. Watching this episode, you can feel the thought process that must have gone into writing it:

"Man, I'm pissed off that we've done this for eight seasons and we keep getting snubbed at award shows"
"Yeah, it's so clear how they don't look at all comedy equally but rather prefer the bright-color banter-filled feel-good ones"
"How should we channel this rage?"
"I mean, we could do an episode about it"

And by God, they did. The jokes are delightfully clever, and Charlie's unhinged musical number is the ultimate cherry on top.

5. A Very Sunny Christmas (Season 6 Episode 13)

You know shit is about to get real when It's Always Sunny releases a Christmas episode. In what is undoubtedly the most batshit, dark-comedy Christmas special in the history of TV, we follow hilariously clever and brutally bleak storylines as the gang celebrates the holidays in true IASIP fashion. The visual of a naked Danny DeVito emerging from inside a couch is bested only by Charlie Day's delivery of "DID YOU FUCK MY MOM, SANTA CLAUS?!". No other series could've ever come up with this.

4. The Gang Solves the Gas Crisis (Season 4 Episode 2)

This right here is the archetypical IASIP episode. If you want to get what the show is all about from one episode, it's this stone-cold classic right here. The character dynamics at the core of the show are at their very best, with the dialogue being absolute gold throughout. The scheme at hand is a semi-basic premise, but one that utilizes each character and the show's style with perfection. And who could forget that iconic ending scene with Wild Card Charlie cutting the breaks? The stuff of legends.

3. The Nightman Cometh (Season 4 Episode 13)

Probably my most-rewatched episode of the series, and for good reason. The episode where Charlie writes and directs a musical is some of the all-time funniest shit ever seen on television, not to mention insanely creative and groundbreaking for the show's scale and direction. Every musical number is hysterically funny in its own way, following the chaotic production as it comes together is extremely entertaining, and the dialogue is some of the most quotable material found from any show. The Nightman Cometh became such a massive fan favorite that the cast eventually did a few high-demand live shows, and honestly, no wonder.

2. Charlie Work (Season 10 Episode 4)

Yeah, this masterclass earned every drop of its whopping 9.8 on IMDB. After countless re-watches and endless over-analyzing of what makes it so great - it's not even about the cinematography in the iconic tracking shot being outrageously good for a sitcom, or the timing and skill required by the cast to make the shot good, or the hectic Birdman-style drum soundtrack marking the atmosphere. Although those elements do help - coupled with the episode's plot (both the main thing with the health inspection and the hilariously unexplained side-hustle subplot), they help the chaos that has always been inherent to the series reach its peak form.

As conceptual and gimmick-y as Charlie Work is, it also feels like IASIP at its IASIPiest in some strange way, because the chaotic vibe we fell in love with all those years ago is just ultimate here. And, when really looking at what sells the end product, we find the same culprit as always with great It's Always Sunny episodes - Charlie motherfucking Day, in the greatest television acting performance of all time, just putting his heart and soul into his role, reaching unforeseen levels of hysterical comedy genius in the medium.

1. The Gang Carries a Corpse Up a Mountain (Season 15 Episode 8)

"GODDAMMIT! I can't do this! I'm sorry, Dad, I can't do it. This isn't fair! I shouldn't have to carry you up a hill! You never carried me up a hill! You never picked me up from school, you didn't read me bedtime stories, you didn't carry me on your shoulders, you didn't bounce me on...you weren't there! AND I NEEDED YOU!"

It took a solid while to think which way to put my top two, but I ended up listening to my heart. While it has its funny moments, this isn't a typical IASIP episode as the comedy element isn't the foremost element in why it's such a huge favorite for viewers like me. I know, it's terribly cliché - putting 'the emotional episode' from a sitcom as your #1 is like ranking the one acoustic ballad that a rock band does as your favorite song from them. These takes are often looked down on, as many fans view it as belittling the series (or band) for the core thing they're known from and what they do best. I hear that, but at the same time; trust me, I have the utmost appreciation for IASIP's humor. That being said, very few episodes from any TV series have made me feel as powerful emotions as The Gang Carries a Corpse Up a Mountain.

It's not just Charlie's monologue to his father's corpse, but everything around it - how the whole episode (and whole series, really) has built up to that point, as well as how it's followed up with those brilliant final scenes. The whole 22-minute runtime is perfect. But, yeah, obviously that scene is the individual highlight - when I made my ranking of the all-time top 100 TV acting performances, Charlie Day as Charlie Kelly would've been in the top 5 even without this episode, but he wouldn't have clinched that #1 spot without that moment. In that acting masterclass, the essence of Charlie's character is revealed with raw, vulnerable perfection.

No other actor has put as much creativity, passion and pure genius into a television role as him, and that's never as clear as it is when he's shouting the words quoted above to his dead dad. Charlie as Charlie is the funniest character performance I've seen in all the TV (and movies) I've watched, but he also goes beyond humor to make the character tragic, endearing and deeply amiable and humane beneath the layers of chaos. Actually, that may be a part of why he is so funny as well - as f**king bonkers as the character is, there's so much genuinity, so much heart.



Thank you for reading! Tune in next week for my ranking of every Black Mirror episode.

Thursday, September 4, 2025

Top 15 TV Weddings

Greetings, reader!


My brother Ville is getting married this week! With their wedding just two days away, I had just enough time in between fulfilling my duties as wedding band director to write an appropriate blog post for this week - the top 15 iconic TV weddings. Ranging from chaotic to elegant, small-scale to grandiose, and twist-filled to sweet, these are some of the most memorable wedding episodes from the world of TV.


A spoiler alert is in order, as many of these are couples who get together during the course of the series and whose eventual marriage might therefore be a big plot event!


Here are my honorable mentions:

- Andy & April (Parks & Recreation: Andy and April's Fancy Party, Season 3 Episode 9)

- Leida & Stekan (Andor: Harvest, Season 1 Episode 3)

- Miles & Keiko (Star Trek: The Next Generation: Data's Day, Season 4 Episode 12)

- The Doctor & River (Doctor Who: The Wedding of River Song, Season 6 Episode 13)

- Will & Mackenzie (The Newsroom: Contempt, Season 3 Episode 4)


15. Ellie & Vic (The West Wing: The Wedding, Season 7 Episode 9)

The characters getting married are recurring ones, and not among the show's most memorable (even though Ellie was always my favorite out of President Bartlet's three daughters). The episode isn't so much about the couple, but about the wedding in general, preparations and atmosphere and all.

Airing as the final season's midseason finale, The Wedding was the perfect injection of joy and lightness into what was a generally hectic and dramatic final season - although the upcoming election and other big storylines are on everyone's mind, it's a great breath of fresh air to spend this episode celebrating love, with the White House all decorated for the happy couple's union. It's cute, and creates a nice contrast to the more stressful narratives happening around it.

14. Mike & Susan (Desperate Housewives: Getting Married Today, Season 3 Episode 23)

There were many good weddings to choose from when it came to Desperate Housewives - one of the more lavish and all-out ones might have been more obvious, but I'm a sucker for the unconventionally romantic. So, I went with Mike and Susan - and just to be clear, I'm referring to the first of the two times they got married.

After their original plan is derailed, a postponing of the nuptials seems inevitable - until, in the closing moments of the season finale, Mike receives a late-night 'work call'. When he arrives on the site, he's greeted by a reverend, who leads him to Susan, waiting in the woods with a white dress. With Susan's daughter Julie as their witness, the show's best couple gets married under the stars. It's a touching moment, and an ultimately very appropriate way for them to tie the knot.

13. Shirley & Andre (Community: Urban Matrimony and the Sandwich Arts, Season 3 Episode 11)

Now, there are many kinds of good TV weddings, and a variety of them made it onto today's list. Shirley and Andre's re-marriage ceremony might not be the most romantic, but as a TV wedding, it's among the most entertaining ones. Every storyline going on throughout the reception (that takes place in Greendale Community College's study room, because of course it does) is gold, from Jeff struggling with his toast to Troy&Abed being weird as hell by being normal. Also, Shirley and Andre do have their sweet moments amidst the episode's chaos!

12. Glenn & Maggie (The Walking Dead: This Sorrowful Life, Season 3 Episode 15)

There's something profound about this one. Getting married might not be the first idea that crosses your mind when you're out there surviving a zombie apocalypse, but that's precisely what makes it hit hard. With the world forever changed and marriage/weddings seeming like one institution among the rest that would be a thing of the past, the show's best couple goes "F**k that - we love each other, and want to get married".

For the penultimate episode of season 3, with many long-term plotlines simmering and everyone's life in danger as two survivor communities are at war in addition to the ever-present danger of walkers, this provides an excellent moment of levity. Maggie's dad Hershel, a true man of faith, officiates, which definitely adds to the moment's emotional power. A wedding in the midst of all the post-apocalypse chaos might seem silly as an idea, but it plays out as a nice reminder about what really matters in life, and what it is that motivates people like Glenn and Maggie to keep on trying even in such dire times.

11. Monica & Chandler (F.R.I.E.N.D.S.: The One with Monica and Chandler's Wedding, Season 7 Episodes 23-24)

It was a challenge in itself to pick which F.R.I.E.N.D.S. wedding to go with, as all of the main ones have their strengths. Ross and Emily are obviously the most eventful and dramatic occasion, while Phoebe and Mike had an adorable wedding that really looked like them - yet in the end, I had to go with this one. It may be conventional, but there's nothing wrong with conventional - Monica and Chandler got married in a romantic ceremony that made for a fantastic season finale.

Of course, in sitcom wedding tradition, some things had to go wrong and keep us on edge, so we got absolute gems like Joey officiating in a World War I uniform and a pregnancy-scare whodunit storyline in the midst of it all. Still, the main focus throughout the two-parter is where it should be - in the couple tying the knot, and their genuine love for one another. The scene with the vows is among the show's most touching moments.

10. Worf & Jadzia (Star Trek: Deep Space Nine: You Are Cordially Invited, Season 6 Episode 7)

Ah, nothing like Klingon wedding traditions. If you think you've been to some over-the-top bachelor parties, you should know that we humans have it easy - in this episode, we follow Worf and some of his closest work friends as they embark on Kal'Hyah, which is roughly the Klingon equivalent of a bachelor party. Essentially, it's a four-day ordeal marked by physical trials from fasting to bloodletting.

Once all of that is resolved, the actual wedding takes place, to the backdrop of some classic Star Trek drama. As outlandish as the culture clashes between the Klingon Worf and the Trill Jadzia Dax may seem, it turns out to be a classic example of the sci-fi genre using creative premises to ponder some very real-life themes. As the child of a multi-cultural marriage, I find the episode's portrayal of two people trying to fit their cultural heritages together when planning their union to be fascinating - there are some struggles, but the end result is quite beautiful.

9. Daphne & Donny (Frasier: Something Borrowed, Someone Blue, Season 7 Episodes 23-24)

This was an interesting one to rank - it's a wedding gone wrong, yet it's probably the most romantic happy-ending episode of the entire series. The entirety of the two-part finale to the show's seventh season follows the wedding ceremony of Daphne and Donny, and, well - if you've seen the show, you know how it all goes down. It's not a successful wedding by any conventional merits, but what does go down is the ultimate turning point for the show's best love story.

I watched Frasier from start to finish for the first time last year with my fiancée Martta (it's one of her favorite shows), and as fate would have it, this was the episode we watched on the night we got engaged. And even though the episode is about a wedding gone wrong, it still felt incredibly appropriate, because in the bigger picture, it is about the right love story happening.

8. Edmure Tully & Roslyn Frey (Game of Thrones: The Rains of Castamere, Season 3 Episode 9)

Haha, another classic TV wedding-gone-wrong! I'm hoping Ville&Nelli's wedding goes over more smoothly than this chaotic series of shenanigans. What fans refer to as "The Red Wedding" serves as a good reminder to avoid any classic wedding faux-pas, like guests wearing chain armor under their garments, or the organizers forgetting to vet the wedding band for crossbows. As you can guess, mayhem ensues!

7. Lily & Marshall (How I Met Your Mother: Something Borrowed / Something Blue, Season 2 Episodes 21-22)

Classic, classic stuff. The unforgettable imagery of Marshall chaotically shaving his hair, which would be flashed back to about 3 000 times later in the series due to how funny the visual is, is reason enough to put this wedding onto the list. But it's a lot more than that as well. Sure, it's one of the biggest clichés in modern sitcoms - "the couple plans a big conventional wedding, but changes their plans last-minute and actually get married in a more intimate setting" - but it's a cliché for a reason, and this right here is one of the better examples.

The secret official ceremony, with just the main friend group present, is cute and feels thoroughly appropriate, and the 'fake wedding' after-party that follows is a nice follow-up. The end result is just the right type of nuptials for the couple in question, and certainly one of the show's most romantic hours.

6. Liz & TJ (Gilmore Girls: Last Week Fights, This Week Tights, Season 4 Episode 21)

It's objectively funny that from all the legendary couples that get married over the course of Gilmore Girls, my favorite (in terms of the actual wedding) would be Luke's silly sister and her loser-with-a-heart-of-gold husband. There were obviously many great weddings to choose from - I appreciate the poetry of Sookie&Jackson getting married at the inn, the weddings-within-weddings layers of Lane and Zach's ceremony, the chaotic drama throughout Richard and Emily's vow-renewal, and the romantic payoff of Lorelai and Luke finally tying the knot in A Year in a Life. Yet still, I had to go with this one - Liz and TJ have a reneissance-themed wedding in the Stars Hollow town square, and it's just the most delightful occasion.

With beautiful costumes, impeccable decorations and just an ultimate vibe, the wedding ceremony becomes one of TV's most memorable ones. It's easy to be happy for the couple - as big of a joke as TJ is, his heart is in the right place, and the couple is clearly so very right for each other. The wedding also works wonders in furthering an even greater love story - who could forget Luke and Lorelai dancing to Reflecting Light, on what could be seen as their first date? Swoon-worthy stuff right there.

5. Jake & Amy (Brooklyn Nine-Nine: Jake & Amy, Season 5 Episode 22)

Ah, this is the stuff. The fifth season of Brooklyn Nine-Nine concludes with the wedding of the show's central couple (and one of TV's finest love stories), Jake Peralta and Amy Santiago. It's about as classic as sitcom weddings get: there's a plan that goes wrong in about a million different ways, but after a whole bunch of improvisation, they manage to pull off a very sweet and legitimately moving end result.

4. Watson & Mary (Sherlock: The Sign of Three, Season 3 Episode 2)

On paper, "a 90-minute episode that technically consists entirely of a best man's speech" is a risky pitch. But man, they pulled it off. This delightfully gimmick-y episode starts and ends with Sherlock Holmes' speech at John Watson and Mary Morstan's wedding, but the multitude of anecdotal flashbacks keeps things innovative and entertaining.

As one can expect from such a premise in this particular series, the protagonist stumbles onto - and solves - a major mystery all during the course of the speech. While it occasionally drifts quite far from the context of the nuptials at hand, the speech always finds a way to circle back, making sure that it's a pretty great wedding episode even if the union of John and Mary isn't the main focus of the episode despite its setting.

3. Mitch & Cam (Modern Family: The Wedding, Season 5 Episodes 23-24)

If you don't shed a tear when watching this, I don't trust you as a human. Plenty of things go wrong in sitcom wedding tradition, with the happy couple's happiness being tested as they go from plan B to plan C, then D, and so on. This keeps the viewer on their toes, while providing many laughs with the episode's eventful nature and plenty of shenanigans. But man, when it's all said and done - the actual moment when Mitch and Cam finally tie the knot is probably the best individual moment in the show's 11-season run.

I dare you to name a better feat of character development than Jay Pritchett, after dealing with his product-of-his-time attitudes and mixed feelings for five seasons, being the unexpected hero who salvages the wedding by having it at his country club. Very few moments from any TV show touch my heart as much as the one where Jay walks Mitch down the aisle, with the voiceover of Claire's sweet 'best person' speech starting to play over the visual of the ceremony going down.

2. Jim & Pam (The Office: Niagara, Season 6 Episodes 4-5)

Leave it to The Office to produce a two-part wedding episode that is mega-entertaining, providing laugh after laugh with every major character having some hilarious subplot going on on the eve of the big day - only for things to take a turn for the ultimately heartstring-tugging by the end. Jim and Pam are one of the greatest love stories, not only in TV but in all fiction, and their wedding episode is truly appropriate for their romance's larger-than-life nature.

It's not just how it happens, but the specifics of how the moment is written and directed that truly make the moment the best possible version of itself. The wedding guests pull a very in-character move of making things silly and embarrassing with their dance surprise - and as the scene goes on, short flashbacks are interspersed throughout it, revealing to the viewer what happened in the hour leading up to the ceremony: Jim and Pam, running off, getting officially married in secret, intimately on a boat, before they joined their friends and colleagues at the planned event.

The moment is incredibly touching, with John Krasinski and Jenna Fischer's acting performances really selling the feelings of true love and passion. Jim's facial expressions have always been the backbone of the show's humor, and while they often take place in awkward and cringy situations, my #1 favorite instance of Jim looking at the camera is when he does so while holding his new wife in his arms, smiling a magnificently genuine smile that really says it all. As does his voiceover to the cameras: "I knew we needed a backup plan. The boat was actually plan C; the church was plan B...and plan A was marrying her a long, long time ago. Pretty much the day I met her".

1. Alex & Izzie (Grey's Anatomy: What a Difference a Day Makes, Season 5 Episode 22)

The main reason why I limited this list's entries to one per series is that otherwise it would've been, more or less, a list of the best Grey's Anatomy weddings with maybe one or two entries from other shows in the mix. Seriously, no one does TV weddings like Shonda Rhimes and company, as was proven by my thought process when considering which one to choose for this list.

My mind went first to Callie and Arizona in season 7 - they're such a great couple, and while the wedding was so drama-free that it could be considered mundane, it was extremely heartfelt and moving. But then I remembered Derek and Meredith, and figured that of course it's got to be them, because what could ever beat the legendary and unconventional post-it marriage? But THEN, I remembered the wedding of April and Matthew, and how it (spoiler alert) turned into the wedding of April and Jackson, in what was the ultimate romantic turning point for my #1 favorite love story in the series. So, surely, it's got to be them, right?

Nope, it turns out. Because after all of that, I remembered one wedding more, one that trumps them all. Alex and Izzie may not have had the chemistry of Callie and Arizona, the compatibility of Derek and Meredith, or the amount of this viewer's emotional investment in the love story of Jackson and April. But, with this particular case, it's all about the context of the wedding. It takes place in the show's 100th episode, and without spoiling too much from people who haven't seen the series but might want to watch it some day, there are things going on in the characters' lives that gives the moment a massive, massive emotional core. One can't help but cry when watching those events unfold, as the end result is a truly tear-jerking testament to true love, not to mention character growth. Can't really imagine a TV wedding better than this one.



Thank you for reading - and congratulations to Ville and Nelli! Here's hoping their big day is as laughter-filled as Jake&Amy's and as sweet as Jim&Pam's, while avoiding the chaotic twists from some of the other entries. Tune in next week for my ranking of the greatest It's Always Sunny in Philadelphia episodes, to celebrate the show's 20th anniversary.

R.I.P. Tim Curry: Top 5 of his most unforgettable performances

Greetings, reader! First Dolly Parton, and then Tim Curry on the very next day...the giants among us have been dropping like flies this week...