Thursday, October 30, 2025

Ranking the birthday episodes from Modern Family

Greetings, reader!


Well, my fiancée Martta turns 23 years old TODAY! With her exact birthday falling on a Thursday for once, I had to do something with that, and the answer was obvious: Modern Family is her favorite TV comedy, and the series has many legendary birthday episodes. So, I'm sharing my ranking of them so that the mega-fan of the hour can read it, be amused, and then school me on how the real ranking should go. I hope you enjoy!


11. Clash of Swords (Season 9 Episode 22)

Not only is the last episode of season 9 underwhelming as a season finale - it's also underwhelming as a birthday episode! I ranked these more based on how good the episode is as a birthday episode instead overall episode value, but in either case, Clash of Swords would've come last. Gloria is upset when Joe's dinosaur-themed party is upstaged by a cooler party next door, and her attempt of salvaging Joe's party leads to a by-the-numbers miscommunication with strippers and whatnot appearing. It's okay, but nothing too remarkable.

10. Under Pressure (Season 5 Episode 12)

If I ranked the 11 episodes from today's list as overall episodes, this classic would make the top three. I had to rank it low here because the birthday element isn't all that important, and mainly just the initial plot device to kick the episode's Alex-centric plot off. While the birthday-party-gone-wrong is far from being the episode's main focus, the infamous cake incident does still make for some memorable imagery in the show's canon.

9. Playdates (Season 7 Episode 10)

Okay, this one takes place sometime after Mitchell's actual birthday, but I'm still counting it as a birthday episode. In Playdates, Mitch cashes in on a coupon for a fun day that he had gotten as a present from the Dunphy kids - who had very much pulled that idea out of their asses at the last minute on his birthday, and had forgotten all about it by the time he showed up at their door asking for said fun day.

The ensuing improvisation is very amusing, if not quite the stuff of legends. Pairing Mitch up with his nieces and nephew isn't the most typical character combo, and those are always a breath of fresh air!

8. Princess Party (Season 2 Episode 15)

This one is a tad basic when compared to the very best birthday episodes, but still solid and fun enough to make it well ahead of the slightly subpar ones. Lily's princess-themed birthday party gets upstaged by all sorts of drama, with Cam being very Cam about Mitch dis-inviting Fizbo the clown in lieu of having a princess. Nothing about the episode is hysterical or unforgettable, but everything is run-of-the-mill amusing and on par with the very strong early seasons of the series.

7. Game Changer (Season 1 Episode 19)

Ah, 'The One Where Phil Really Really Wants An iPad". A funny and memorable episode, even though the birthday boy is a bit of an ass in this one.

6. Party Crasher (Season 4 Episode 12)

This is definitely the show's least typical birthday episode, as the birthday in question isn't a celebration of an already-existing character getting older but rather the actual birth of Fulgencio Joe Pritchett. The episode is a full-on classic for many reasons, some of which have to do with other storylines (which is why this is only at sixth place and not higher). But, yeah - Joe's entrance into the world is certainly a special occasion, and his zero-year birthday fully deserves a solid placement here.

5. Manny Get Your Gun (Season 2 Episode 8)

A birthday episode can only be as good as the character being celebrated - and say what you will about how badly he's ruined in the later seasons, but Young Manny is gold. His birthday episode in season 2 is full of Vintage Manny moments, and while there are all sorts of subplots, every single thread in the episode does tie into Manny's birthday in an appropriate fashion. One of the better birthday episodes in the show, and honestly, one of the best Manny episodes overall in terms of character depth and development.

4. Leap Day (Season 3 Episode 17)

Cam was born on a Leap Day, because of course he was - and the party celebrating his 10th birthday here is pretty hilarious. It's definitely one of those cases where it's even better as a birthday episode than as an overall episode. There are questionable elements in the other storylines, but all of the material surrounding Cam's fourtieth/tenth birthday - the Wizard of Oz gag, the constant inner-child stuff, the "Follow the birthday flag" / "What did you call me?!" dialogue - is pure gold.

3. The One that Got Away (Season 2 Episode 24)

The season 2 finale sees Jay Pritchett wanting nothing but a quiet day on the lake for his birthday. As an episode, it's classic Modern Family. As a season finale, it's un-dramatic and understated, but in a way that works weirdly well. And as a birthday episode, it hits all the stops - it feels like a character-defining testament to the character being celebrated, it pulls off many misunderstandings and other moments of pure comedy in the context of his birthday being celebrated, and the conclusion after everything has gone wrong is heartwarming. Also, who could forget Luke's botched editing job of the hastily-put-together birthday video?

2. A Year of Birthdays (Season 10 Episode 22)

Of course this mega-spectacle had to be ranked high. The penultimate season of the series concludes with flashbacks to the birthdays of each major character during the past year, while in the present, Haley goes into labor. This ends up tying the birthday-flashbacks into a whole new birth taking place, as Haley and Dylan's twins are welcomed into the world. The end result reads like a tribute to the birthday episode format, and just a blast of fun with each character getting their moment in the spotlight.

1. Fizbo (Season 1 Episode 9)

Can't beat the original. In this season 1 classic, the birthday party isn't a subplot or a mere plot device for stuff to happen around, but rather it's all about the birthday party. Every character's storyline ties into Luke's big hullabaloo, and the plot threads clash together in an amusing fashion, making the party into an ultimately unforgettable fiasco. The big punchline that concludes the mystery of the 'what went wrong' flash-forwards amidst the many, many potential Chekov's guns throughout the party is one of the best jokes in the show's run; there's just something unspeakably funny about Claire's comb sheath station, out of all things, being the source of injury.



Thank you for reading! Well, tomorrow is Halloween, and we're doing our traditional Halloween marathon for the third year in a row. As is tradition, tune in next Thursday for my ranking of every item we watched in this year's marathon!

Thursday, October 23, 2025

Ranking every car incident from Desperate Housewives & Lost

Greetings, reader!


Yeah, this is a niche one, but let me explain. I recently watched Desperate Housewives for the first time, right after re-watching Lost. I noticed that these two shows have one thing in common: there's a fuck-bunch of car-related incidents. In Desperate Housewives, any given storyline has the chance to either escalate or be wrapped up via a car crash, hit-and-run or drive-by, and the same is weirdly true for Lost (yeah, they're stranded on an island, but pretty much everyone's backstory features at least one car accident flashback). So, I gathered all of the car-related incidents from both shows, and ranked them based on how memorable, impactful for the plot, creative and iconic they are!


A major spoiler alert is in order, as some of these incidents have to do with major character deaths and other big plot events in both shows!


As today's list is limited to cars, here are some honorable mentions for the most iconic incidents from the two shows that have to do with other vehicles:

- The original plane crash from Lost (Pilot, Season 1 Episode 1)

- The OTHER plane crash from Lost (316, Season 5 Episode 6)

- The goddamn plane crash from Desperate Housewives because that happened (Boom Crunch, Season 6 Episode 10)

- The shipwreck flashback from Lost (Ab Aeterno, Season 6 Episode 9)

- The time Orson crashed Andrew's scooter (If There's Anything I Can't Stand, Season 4 Episode 4)


36. Kate's flashback plot is resolved by a car crash for the third goddamn time (Lost: What Kate Did, Season 2 Episode 9)

For the most part, the car crash lore on Lost got better and better, as the viewer starts to realize that they aren't just random incidents but rather a part of the show's mysterious supernatural mythos with some deeper purpose. But I'm making an exception when it comes to Kate's storyline, because HOW F**KING LAZY is it to always resolve her flashback storylines with a conventient car crash? Seriously, no matter how you look at it, three times for the same character is too damn many.

35. Ralph is run over by a truck (Desperate Housewives: Remember, Part 1, Season 2 Episode 23)

Low points for memorability, as I had no recollection of this happening until I did some background research for this list. But, yeah, that was apparently the end of the short-lived gardener of the Solis household in season 2 (not to be confused by their original gardener John Rowland - that storyline was less "car crash" and more "trainwreck").

34. Gabby and Bree's lucky carjacking (Desperate Housewives: Secrets That I Never Want to Know, Season 8 Episode 1)

Barely counting as a "car incident" for the purposes of today's list, this is the time when Gabby and Bree while trying to get rid of a car as a part of the final season's How to Get Away with Murder plot and it got conveniently carjacked. A bit of a deus ex machina perhaps, but it was definitely entertaining to follow.

33. Rose's automobile is stuck in the snow (Lost: S.O.S., Season 2 Episode 19)

This one barely qualifies, as it's probably the least dramatic/consequential car 'incident' out of all thirty-three on this list. But still - as we see in a season 2 flashback, Rose once got her old-timey car stuck in the snow, and Bernard was there to help. No major inconvenience or dramatic twist, but still a cute moment that helped flesh out their love story.

32. Al Kaminsky's car bursts into flames mid-tornado (Desperate Housewives: Something's Coming, Season 4 Episode 9)

This one feels like it should be higher - but, the thing is, I didn't remember it at all when I stumbled upon it when researching this list. The tornado episode Something's Coming is obviously the stuff of legends and one of the show's finest hours, but there are so many more memorable moments in the episode that this moment somehow became a bit forgettable. Still, I'm sure it adds to the ramp-up of the episode's chaotic nature as a whole!

31. Anthony Cooper's off-screen car crash (Lost: The Brig, Season 3 Episode 19)

I know that an off-screen car incident seems inherently less interesting than the ones we see, but I'm still ranking this higher than the very worst ones. You see, this one furthers the show's lore in an interesting way, fleshing out the mystery that so much in everyone's backstory has to do with similar patterns. Out of all the possible explanations for John Locke's father suddenly being on the island, "I was in a car crash and then I just woke up here" was the absolute Lost-iest one they could've gone with.

30. MJ Delfino's soapbox car is run over by a real car (Desperate Housewives: Lost My Power, Season 8 Episode 20)

Yeah, this one counts - it may be one of the lower-stakes ones, but still. The moment in itself might be a bit inconsequential in the grand scheme of things, but bonus points for leading up to one of the most touching moments in the entire series.

29. Locke's getaway on wheels comes with some bruises (Lost: Meet Jeremy Bentham, Season 5 Episode 7)

This one barely qualifies as an 'incident', - nothing all that major actually happens as Locke does end up getting away. But, while being a car chase sequence above all else, I'm still counting it here because Locke's car does hit (and get hit by) several cars in the process. Damage is caused, but Locke isn't stopped, so while I do count it as an 'incident', it's a very small-scale one.

28. I didn't even remember that Kate and Sawyer crashed into each other because that's how convoluted the plot of Lost is (Lost: Recon, Season 6 Episode 8)

You'd think that "the two major characters whose will-they-won't-they dynamic colors the entire series actually existed in a parallel timeline or whatever the f**k the flash-sideways storyline of the final season is, and they ran into each other in that timeline, via a car crash" would be, like, one of the biggest moments in the series. Turns out, it's such a minor plot point that you kind of forget about it until someone reminds you. That's season 6 of Lost for you. Still, cool stuff, albeit a bit run-of-the-mill.

27. Bree's mom's off-screen death (Desperate Housewives: Come in, Stranger, Season 1 Episode 5)

This one feels like it shouldn't be ranked so high, but it's actually a very interesting one - just for very different reasons than most of today's list. Yes, we don't see the crash as it happened years before the show's events, so there's no real shock/entertainment value. But, the way that Bree tells the story to Zach Young is utterly fascinating, and this piece of lore is crucial for Bree's character development and the viewer's understanding of her as a character.

26. Claire was also in a car crash! (Lost: Par Avion, Season 3 Episode 12)

Pretty run-of-the-mill "Oh, this person also has a car accident in their backstory, how spooky!" stuff for Lost. Bonus points for directing: the episode opens with a flashback to the moment just after the crash has happened, and the atmosphere is very intriguing and thriller-like.

25. Bree acidentally hits Juanita with her car (Desperate Housewives: You Must Meet My Wife, Season 7 Episode 2)

Yeah, this one is pretty funny (I mean, as funny as hitting a kid with your car can be). It's all about the underlying context, and the fact that Juanita thankfully survives the incident without any major damage.

24. Felicia Tilman dies...maybe...I think? (Desperate Housewives: And Lots of Security..., Season 7 Episode 22)

Yeah, we never got a confirmation for Felicia's fate - but it doesn't look great for her. It's hard to pinpoint how I feel about this one: from a writer's perspective, it does feel like a bit of a "Oh shit, how do we tie up this loose end? F**k it, let's do the thing we always do", but on the other hand - if it ain't broke, don't fix it. It was quite a memorable twist.

23. Michael is randomly hit by a car (Lost: Special, Season 1 Episode 14)

While it isn't quite the first car incident in Lost, it is the OG in terms of the classic formula where a mysterious car-out-of-nowhere incident dramatically changes the course of a major character's backstory. In that sense, it does hold quite a special place (y'know...'cause the episode's name is Special) in the show's lore.

22. We find out that Martha Toomey lost her leg in a car accident (Lost: Numbers, Season 1 Episode 18)

One of the most obscure and niche instances on today's list, but I gotta rank it high because the Lost numbers are my favorite TV mystery of all time, and every detail in its convoluted lore is a building block into something perfect.

21. Michael drives full speed into a cargo container; lives (Lost: Meet Kevin Johnson, Season 4 Episode 8)

This one is pretty interesting, because it escalates the supernatural curse element of season 4's Kevin Johnson storyline into further madness. What won't that poor tortured soul survive?

20. Bob and Lee's car is stuck amidst a riot (Desperate Housewives: Down the Block There's a Riot, Season 7 Episode 10)

This one would be ranked much higher if they were ranked as overall moments and plot turns, as it's a dramatic addition into the big moment of one of the show's best episodes. But, the thing is, it just doesn't feel like a "car incident", so I can't rank it too highly on this specific list. Still, it's an emotionally charged moment and it objectively does qualify for the list.

19. Kate drives through a police barricade (Lost: Born to Run, Season 1 Episode 22)

Ah, the second time Kate's flashback storyline culminates in a car incident! Points for dramatically killing off the love interest, minus points for the trope starting to feel a bit repetitive in Kate's flashback storyline specifically.

18. Locke isn't hit by a car (Lost: Deus Ex Machina, Season 1 Episode 19)

This one might feel like it's ranked too high - but it's just such a fun misdirect! Back in late season 1, the reasons for why John Locke is in a wheelchair was still a big mystery, so when an intense moment in a flashback sequence sees him frantically running without noticing the car that's headed his way, it gives a sense of "ah, of course, this is it". But it's a goddamn red herring, as he swerves to avoid damage at the last second.

17. Nadia is fatally struck by a car (Lost: The Incident, Season 5 Episode 16)

We already knew she'd die, due to the convoluted jumping narrative of the fourth and fifth seasons. But the exact manner of Nadia's death was left open, until it hits us, just like that particular vehicle hit her - of course it's a hit-and-run.

16. Susan Mayer drives her car into a lake because of course she does (Desperate Housewives: Liaisons, Season 3 Episode 18)

When I was researching every possible incident for this list and trying to make sure that I won't forget anything, I had just finished watching Desperate Housewives. I wrote down all the most obvious car incidents, sent them to my fiancée to ask if there's something I'm forgetting...and before she had time to answer, I added: "Wait...did Susan, like, drive her car into a lake at some point or did I just have a really strange dream?". That tells you all about what a beautifully convoluted series Desperate Housewives is, as well as the amount of chaotic messes that Susan gets herself into.

15. The writers throw Juliet's ex-husband under the bus - literally (Lost: Not In Portland, Season 3 Episode 7)

This one feels extra-magical when compared to many otherwise similar incidents in the Lost lore. I mean, earlier in the episode's flashback storyline, Juliet's antagonistic husband Edmund actually says "I will never let you go, and short of being hit by a bus, you are bound to me" - now, that foreshadowing should immediately ring some alarm bells, but as a first-time viewer, I hadn't yet fully realized the connection between the interspersed car incidents in different backstories, so I didn't make much of the line. However, it leaves a subliminal trace, because the instant that it happens, you remember the line and suddenly the moment feels profound. Some larger forces were at work there.

14. Kate and Ray swerve off the road (Lost: Tabula Rasa, Season 1 Episode 3)

Yeah, they ended up going to the car incident well a bit too much with Kate's storyline - but the first time rocks. It's the first car incident in the series (according to the viewing order, that is - figuring out the chronologically first one might get messy), and thus sets the stage for what would be a grand tradition throughout Lost. It's a good moment, not just in a thrilling car incident fashion, but from a character development standpoint as well: Kate would have the chance to get away, but gets caught because she stays behind to save Ray, and this shows to Marshal Jennings that no matter how much of a monster he considers Kate to be, there clearly is some good in her.

13. Rest in Hell, Chuck Vance (Desperate Housewives: Putting It Together, Season 8 Episode 9)

I could've ranked this one even higher due to its dramatic nature, but honestly - at this point in the show, the car incidents had become such a commonplace narrative item that they just couldn't catch you off guard and shock you in the same way, so you kinda see the moment coming. Despite that, it's still ranked high for a variety of reasons: it's kind of a payoff to see such a heinous villain killed off, the death leaves implications that blow the main storyline of the final season wide open for its second half, and the identity of the person who ran him over remains a delightful mystery for several episodes and the eventual reveal is pretty neat.

12. The drive-by shooting that pierced the heart of every viewer (Desperate Housewives: You Take for Granted, Season 8 Episode 16)

Yeah, I'm still too emotional to talk about this one. Rest in peace, Mike.

11. Hurley's car chase ends in mayhem (Lost: The Beginning of the End, Season 4 Episode 1)

This sequence is well-directed, whimsically chaotic, and a narratively brilliant way to open the fourth season. "I'm one of the Oceanic Six!" in the flash-forward context went so f**king hard.

10. Desmond runs over Locke because of course he does (Lost: Everybody Loves Hugo, Season 6 Episode 12)

I'd imagine that showrunners Damon Lindelof and Carlton Cuse had a bucket list of everything they need to accomplish with the final season, and one of the item was "once more for the road" in terms of completely unhinged car incident storylines. In the notorious flash-sideways narrative of the final season (that was a whole thing), shit really hits the fan when Desmond enacts his chaotic-good plan of setting forth a chain of events in order to reunite everyone and help them remember, in the most Lost way imaginable. You just have to see it to believe it.

9. Edie crashes into a utility pole and f**king dies (Desperate Housewives: A Spark. To Pierce the Dark., Season 5 Episode 18)

Among other things, this one is definitely one of the most consequential ones from both shows combined. The chain of events leading up to this moment is chaotic as all hell, and the fact that it actually leads to the death of one of the show's most important characters is pretty bonkers. RIP legend.

8. Two characters from different storylines run into each other - with their cars (Lost: Abandoned, Season 2 Episode 6)

This one is pretty neat - as a part of slowly building towards the big "they were all connected" lore that would escalate into a whole thing with the candidates and other Jacob stuff in the final season, this season 2 episode treated us to one of the first (and coolest) connections between the backstories of different Oceanic 815 survivors. We knew that Shannon had been in a car crash, and we knew that Jack had met his wife Sarah by having to operate on her after her spine after some near-fatal incident. But when it's subtly revealed that these two incidents were the same, as the car with Shannon and her dad in it crashed into Sarah's car, it's a wild and eyebrow-raising twist.

7. Jack's life-changing moment (Lost: Through the Looking Glass, Season 3 Episode 22)

The all-time best episode of Lost opens in a profound manner (only to get much better yet from thereon out). In a flashback (that we would later find out to be, SPOILER ALERT, very much not a flashback at all), we see Jack Shephard on a bridge, contemplating suicide, when he sees a car crash take place right behind him. This makes him change his mind, as he rushes to help the victims. Powerful imagery, and highly intriguing stuff.

6. Dave Williams orchestrates a dramatic car crash recreation (Desperate Housewives: If It's Only in Your Head, Season 5 Episode 24)

In the climax of the show's fifth (and arguably best) season, the unforgettable villain Dave Williams attempts to recreate the tragedy that radicalized him (more on that later), but with Susan's family being the victims this time. In the end, he does the right thing at the last minute, showing mercy to little MJ and getting hit himself. It's all pretty exhilarating.

5. Andrew runs over Mama Solis (Desperate Housewives: Anything You Can Do, Season 1 Episode 7)

Ah, the OG Desperate Housewives hit-and-run. In a true showcase of how crazy the series can get in the early days, an argument in the Solis households ends with Carlos' mother storming out, into the street - and getting hit by a car...being driven by Bree's son Andrew. Needless to say, the secrets involved in this shocking incident became a fountain of drama for years and years to come.

4. The DHARMA van saves the day (Lost: Through the Looking Glass, Season 3 Episode 22)

For once, the car incident is a fun one, as it's the bad guys being the situation's victim! Things look dire in the season 3 finale, as the terrifying Others are holding many of the main characters hostage at the beach camp and are about to kill them.

But, as fate would have it, the day is saved by the only car incident out the show's tens and tens of car incidents that takes place on the island instead of people's pre-island backstories / post-island flash-forwards / whatever the f**k the flash-sideways in season 6 were. Earlier in season 3, there was a fun little subplot of Hurley and company finding and repairing the old DHARMA Initiative van, and here, it becomes an ultimate deus ex machina as Hurley drives it right into the camp to the Others' great surprise. Fantastic stuff.

3. Of course the origin story of the best Lost character is a f**king car crash (Lost: Cabin Fever, Season 4 Episode 11)

This one is downright profound, and hits so hard especially when re-watching the whole series. The penultimate episode of season 4 opens with a flashback to a mysterious woman, who gets into a car crash that triggers premature labor. She gives birth right there, on the side of the road, and the exact context of why we're seeing this is a mystery - until she utters the name John. Learning how the life of the show's most complex and engaging character was dramatically complicated from the very beginning was powerful as hell, in a specific way that is hard to put to words. But, yeah, of course it's a fucking car crash that starts it all.

2. Mike is hit by a car DRIVEN BY GODDAMN ORSON (Desperate Housewives: Remember: Part 2, Season 2 Episode 24)

This one is as classic as it gets. In the season 2 finale of Desperate Housewives, Mike Delfino is on his way to a romantic dinner with Susan (with a potential marriage proposal in the works) - and just then, when you least expect it, a car runs over the poor guy. That moment is enough to have the first-time viewer absolutely reeling, but it only gets better than there: we see that it was the new character Orson Hodge, played by national treasure Kyle MacLachlan, who very purposefully ran him over. Just why the hell he would do such a thing is a damn good question, and one that would ignite many fantastic storylines to come in the following season.

1. Of course the origin story for Desperate Housewives' best villain is a f**king car crash (Desperate Housewives: You're Gonna Love Tomorrow, Season 5 Episode 1 / A Vision's Just a Vision, Season 5 Episode 10)

I was going to put the Mike-Orson case at #1 due to its sheer insanity, but I eventually realized that I do like this one even more, due to its, well, different sort of insanity. In the impressively well-written catalyst for the show's acclaimed fifth season, a fuck-bunch of context comes together to create the perfect season-long villain arch - and it's all centered around a life-changing car crash.

To fully understand how hard the previously mentioned recreation in the season 5 finale hits, you have to understand how hard the big reveal in the midseason finale hits. And to fully grasp how that plot twist goes harder than any other in the show, you have to understand the context of the fifth season's opening scene contrasted to the sheer mystery around Dave Williams and his motives throughout the season's first half. And to understand that, we really have to go all the way back to the infamous time-jump at the end of the season 4 finale.

Only with all of this context put together, the genius plotline can be fully appreciated: we jump ahead five years in time, we learn that Susan and Mike are shockingly not together anymore and that their guilt over a dramatic car crash was a big reason for this, we sort of forget about that while getting to know the new mystery villain of the fifth season - and then, at the very end of the midseason finale, it's revealed that it was Dave's family in the other car, so he blames Susan and Mike for the death of his wife and child. Bone-chilling stuff, and easily the world record for how much character drama, psychological warfare and intense storytelling can stem from one car crash.




Thank you for reading! Tune in next week for a post that - well, I don't want to give too much away.

Friday, October 17, 2025

Top 10 Desperate Housewives villains

Greetings, reader!


I recently finished watching Desperate Housewives. In addition to ranking my favorite episodes in last week's post, I made this list specifically requested by my fiancée (and Desperate Housewives mega-fan) Martta - the greatest villains from the show's eight-season run.


The trickiest part of this process was drawing the line on who is a villain and who isn't - the show's morals are so grey on all fronts that the disctinction is hard to make. I couldn't just go based on "is a bad person", because then I'd have to include main characters like Susan and Gabby and pretty much everyone except for Mike Delfino on the list. But I also couldn't go purely on "is written to be in the crosshairs of the main characters", because then I'd have to include characters like Edie Britt - and while she's an antagonist in the dramaturgical sense, I honestly found myself on her side like half the times, and the four main characters by average are at least as terrible people as her. So, in order to qualify for the list, the character has to fill at least one of the requirements properly, while preferably also dabbling in the other. I hope you enjoy!


Here are my honorable mentions: Art Shepherd, Carolyn Bigsby, Chuck Vance, Gloria Hodge, Wayne Davis.


10. Alejandro Perez

If I were to rank these villains purely based on how evil they are, Gabby's rapist stepfather would obviously rank even higher. As an overall villain, Alejandro isn't quite as interesting as the very best of them, but still an above-average TV antagonist by most merits. The lore we learn about him throughout the series (while being lead to think he's dead) is heartbreaking stuff, and the reveal near the end of season 7 that he's alive - and coming for revenge - is one of the more chills-down-your-spine moments in the series.

His death in the season 7 finale is a well-deserved one, and I'm giving the writers extra points for having Alejandro cause his share of harm from beyond the grave as well, as the getting-away-with-murder drama is the main plotline of the final season.

9. Felicia Tillman

Felicia was one of those gray-area characters that I went back and forth on, when considering who is eligible for this list - in many ways, it's hard to think of her as a villain, as her motives are so understandable. If someone killed my brother and got away with, I'd probably dedicate my life to ruining that person's life with elaborate fuckery as well.

Still, Felicia is just unhinged enough (and, in quite a few storylines, written more as an antagonist than as someone you're supposed to relate to), that she does make the cut - she's not a villain first and foremost, but rather a villain among other things. I still don't know whose side I was on for a majority of season 7, but watching Paul Young and Felicia Tillman try to one-up each other was extremely entertaining and they both resorted to such low shenanigans (using your own daughter as a long-con bait is f**king raw, man) that there were no real winners.

Whenever Felicia was being an antagonist, she was an entertaining and particularly resourceful one, and probably more skilled at being a villain than any othe others on today's list. You wouldn't wish this delightfully diabolical mastermind on your worst enemy.

8. Betty Applewhite

Alfre Woodard is a national treasure, and her acting chops really carry this character to levels that the script alone wouldn't have accomplished. Mrs. Applewhite is a fine villain already on paper, but it's Woodard's enigmatic performance that really sells it - the mysterious yet expressive facial expressions, the ice-cold line deliveries, the magnetic presence, it's just so brilliant.

Even though Betty's son Matthew turns out to be the 'big bad' of the season in the end, it's his mother who is made to feel like the major villain for a majority of the season, and when all is said and done, she was just questionable enough to be qualified as a villain but definitely complex and humane enough to be a more interesting villain than her son.

7. Patrick Logan

Once again, a semi-average villain concept is amped up to greatness thanks to the casting of just the right actor. The notorious Patrick Logan was talked about a lot throughout the show's sixth season, and when we finally see him as the season reaches its endgame, it makes SO MUCH FUCKING SENSE that he's played by John Barrowman out of all possible actors.

No stranger to villain roles, Barrowman really brought out the character's evil and frightening side with ease, yet his effortless charm and undeniable attractiveness help it make perfect sense that Angie Bolen used to be deeply in love with him. All in all, Logan is just the right villain for season 6, and his presence on Wisteria Lane creates an intense sense of panic for the final set of episodes.

6. Orson Hodge

It's really damn hard to rank Orson as a villain specifically - as the possibly only fictional character of all time to to check all nine boxes of the alignment chart depending on which season you're on, this man is a true puzzle box. On one hand, he's one of the show's greatest overall characters and a lot of this is thanks to likable, non-villainous stuff, but on the other, there are storylines where you can't really argue with him being an antagonist (seasons 5 and 6 go into this grey area, and season 8 is a whole other thing). The internet seems divided on this, as some fan had included Orson in their villain ranking but another had commented "ORSON ISNT A VILLAIN HES JUST SILLY", which is such a great comment that I'd like to agree just out of principal...


...yet here we are. Don't get me wrong, I love the guy, and that complex love includes the times when he's written to be a hammy, mega-entertaining bad guy (especially in season 8). Orson's villain moments are only a small part of what makes the character great, but they're enough to rank him as the show's sixth-best antagonist. Kyle MacLachlan is brilliant in everything he does, and that very much includes the moments when Orson goes all macchiavellian in a delightfully fun fashion.

5. George Williams

Credit where credit is due - this villain arch would've been fantastic TV regardless, but my awesome fiancée made the viewing experience so much better with her manipulation. You see, the thing with George Williams is that he's introduced as this sweet local pharmacist, and his creepy side is slowly uncovered throughout the first season. When I watched the series through with Martta, a mega-fan who has seen the show countless times, she made sure to comment stuff like "Aww, isn't that guy so sweet?" et cetera in George's scenes, acting so authentic that I figured that this really is a character that she deems to be likable. Therefore, many of the first and most subtle instances of red flags in George's behavior either flew over my head or caused a "Hmm - that's probably nothing, because he's gotta be a good guy since Martta likes him" reaction. This made it all the more shocking when the character's dark side is truly uncovered - Martta, well played, I salute you.

Roger Bart is dynamite in the role throughout it all, and I really love how the character is written. It makes an important statement about how predatory men aren't exclusive to the "alpha male" stereotype, and how a manipulative creep hiding under a whiny, faux-sensitive persona can be just as (or even more so) dangerous.

4. Kayla Huntington

No, I'm not exaggerating with this ranking. I believe to this day that Kayla is the hands-down most evil character in the show. As a teacher, I'm supposed to give every kid a chance and believe that no kid is corrupt beyond redemption - but that's real life, and this is fiction, and in fiction there are monsters like Kayla. Kudos to the writers and the child actress for creating something that truly scared the living hell out of me.

3. Eddie Orlofsky

I discussed this case in detail in last week's post about the show's best episodes, as the Eddie-centric Epiphany from season 6 is one of my big favorites and definitely the deepest episode the series ever did. A villain like Eddie is a rare thing: usually, if your villain is enough of a monster, you don't feel any sympathy for them, and if your villain is made to have sympathetic side, they won't end up being all that terrifying but rather seen as an antihero of sorts. It's hard to nail the "two things can be true at once" element when attempting to write a villain that you care about yet who also reaches the evils of a proper antagonist, but that's exactly what Eddie Orlofksy is.

The murders he commits are a dark, violent part of the show's sixth season - but when we learn his backstory, one can't help but feel sorry for the guy, with a strong sense that he would've turned out very different if he had been brought up different and gotten a fair shot at life. Mary Alice's narration of monsters being created by other monsters is a hard-hitting testament to some grim truths about the world, as the episode and Eddie's whole storyline leave the viewer pondering some important questions. A tragic, complex character, this one.

2. Dave Williams

Ever since my days of watching Arrow as a teenager, it was clear to me that Neal McDonough was born to play charming, enthralling and utterly frightening villains in various TV shows. The guy never misses, always delivering just the hammiest and most entertaining antagonist performances - and his very finest work can be found from the fifth season of Desparate Housewives.

Dave Williams checks all the boxes of a great villain for this specific series. A magnetic on-screen presence, a long-winded mystery riddled with red herrings and misleads as the viewer tries to figure just what he's up to, a tragic backstory and psychologically complex motives once they're eventually revealed, a nefarious master plan that'll make you genuinely scared for the fate of the characters he's after, and still a humane side deep down that'll make you care for the guy on some twisted level. And, of course, an unforgettable acting performance to back it all up.

1. Paul Young

Yeah, can't beat the OG. Although, to be fair, you very nearly can - when I was five seasons into the show, I had Dave ranked as my #1 villain thus far, surpassing the magnificent Paul Young from the show's iconic debut season. As much as I loved the Paul storyline, with his mysterious motives and dark backstory and just everything about him being positively intriguing, I had to admit that Dave Williams was an even better villain.

Then came the final seconds of season 6.

In one of the most epic-feeling, shivers-down-your-spine moments of the entire series, the sixth season concludes in a moment where the season's plotlines have been resolved and its bad guys defeated, as Mary Alice's narration and Steve Jablonsky's score suddenly make it feel like a massive other shoe is about to drop in the final seconds. We find out that Lee has found a buyer for Susan's house after she and Mike moved out, and the cinematography takes its delicious time showing us who this mystery guy is - and there he is, cold as ice, the man who stirred the pot for a majority of the first season and had been out of the picture for years. There's something about the moment that makes it feel like more than a typical dramatic-character-return trope, and rather something deeper, as the viewer sees this antagonist so intertwined in the show's lore and essence after being sure that his story had concluded a while ago. In that final shot, you can tell from the look in Paul's eyes that he's up to some next-level shit.

Then came season 7, one of my favorite seasons, in which the hands-down best element is Paul's villainy. When compared to the dark and brooding season 1 Paul, season 7 Paul feels almost cartoonish at times - in the best way possible. His antics are extremely entertaining, and it feels like the writers and the actor knew that they have such a 10/10 villain on their hands that they can just more or less base the season on having Paul scheme, looking like the world's most nefarious motherf**ker while working on the next manipulations and double-crosses. And yet, at the same time, the character is somehow even more tragic than he was in the first season, as he honestly becomes one of the more tragic characters I've seen in any show.

Yeah, he does some terrible and inexcusable stuff, but when you look at the trajectory of his life, you can't help but feel for the guy. Just think about moments like his son Zach telling him that no one could ever love him, and how later in the same episode, his wife legitimately wants to make things right but Paul pushes her away because Zach's words cut him so deep that he believes himself to be unworthy of love and therefore thinks she's just playing him. Or how Paul is just about to murder Felicia, when Susan tries talking to him and manages, barely in the nick of time, to get through to him and reach the man who once was happily married to Susan's friend Mary Alice, still existing deep behind the cold shell of a man that the subsequent events molded him into. Jesus, what a complicated and utterly fascinating guy.



Thank you for reading! Tune in next week for a delightfully absurd post - after noticing that there are two great TV shows that share the trope of having weirdly many car crash / hit-and-run storylines in their plot, I ranked all 36 car incidents from Desperate Housewives and Lost combined.

Thursday, October 9, 2025

Top 10 Desperate Housewives Episodes

Greetings, reader!


Well, I recently finished watching eight seasons of schemes, affairs, breakups, fires, hostage situations, murders, and about 20 different hit-and-run incidents taking place on peaceful suburban cul-de-sac - needless to say, it's one of the greatest TV shows ever made. Scoring literally full points for entertainment value in my books, Desperate Housewives also took time off the soap opera thing to be intense, clever, tear-jerking and a shit-ton of other stuff in between. Out of the many amazing episodes in the 180-episode run, these are the very best ones.


Here are my honorable mentions: Pilot (Season 1 Episode 1), One Wonderful Day (Season 1 Episode 23), My Husband, the Pig (Season 3 Episode 16), City on Fire (Season 5 Episode 8), I Guess This Is Goodbye (Season 6 Episode 23).


And a spoiler alert is in order!


10. Give Me the Blame (Season 8 Episode 22)

"Let me tell you something about neighborhood. It's not just a bunch of houses in the same place. It's a community. It's lives that are connected, people who care about each other..."
"That's great. Now, back to Mrs. Perry..."
"I know it sounds sappy but dammit, it's true. And these wonderful people I've lived beside...well, they're my family"

The structure of the show's final season is quite brilliant: the second-last episode feels like the true finale to season 8 specifically, tying up many loose ends and thus leaving room for the series finale to feel like a closing chapter for the whole series. The penultimate episode Give Me the Blame works as a fantastic culmination to the How to Get Away with Murder -plotline that dominated the final season, as the courtroom drama keeps you guessing with the stakes higher than ever.

The eventual conclusion is the stuff of legends: Mrs. McCluskey (Kathryn Joosten), the absolute guardian angel of Wisteria Lane, saves the day with a monologue that is part selfless sacrifice, part calculated risk, part love letter to the show's core themes, and all heart.

9. Look Into Their Eyes and You See What They Know (Season 5 Episode 19)

"As I looked down on the world, I began to let go of it. I let go of the white picket fences, and cars in driveways, coffee cups and vacuum cleaners. I let go of all those things that seemed too ordinary, but when you put them together they make up a life...a life that really was one of a kind. I'll tell you something: it's not hard to die when you know you have lived. And I did. Oh, how I lived!"

It sucks to read up on the behind-the-scenes drama that lead to Nicollette Sheridan's departure from the show - her character Edie Britt was such a magnificent dose of pure chaos into the show's dynamics throughout the first five seasons, and it sounds like the actress was really done dirty. Thank God that they did the bare minimum and gave her a dynamite exit episode (I'd be so mad if they hadn't).

In a swan song that pulls out all the stops, we follow the aftermath of Edie's untimely death, while flashbacks shed light on the specific individual relationship that each of the four main characters had with her. It's a touching send-off, and an appropriate testament to what a great character you can lose by being a jerk showrunner.

8. Epiphany (Season 6 Episode 20)

"There is a house in the town of Fairview. Inside this house lives a monster - the kind who kills women. You may wonder how a monster like that came to be. The answer is simple: monsters are created by other monsters"

Oh man, this one hit me right in the feels. It's a hellishly impressive feat for a screenwriter to make viewers feel any degree of sympathy for a character who *checks notes* STRANGLES WOMEN, but somehow, they pulled it off. Writing a complex villain is extremely difficult, as attempts to give a degree of humanity to an otherwise evil person often end up either A) not doing enough and thus making the villain nothing but evil in the viewer's mind, or B) going too much overboard and making the villain into an antihero that the viewer might accidentally support despite the storyteller's intention of just fleshing out their villains. Eddie Orlofsky (Josh Zuckerman) is one of the rare cases where a storyteller manages to convey how two things can be true at once: he's a frightening antagonist doing horrible things, AND he's a victim who could've turned out very different if he had been brought up in a different environment.

As a teacher, I firmly believe that no one is born to be a bully or any other sort of scoundrel, and more often than not, it's something like neglectful and/or unloving parental figures that affect a person becoming the way they are. Epiphany, the hands-down deepest episode that the generally entertainment-first series did in its 8-season run, shows us Eddie's heartbreaking backstory, and while its exact themes and takeaways could be endlessly analyzed and debated, one thing is clear: no matter what you think of Eddie in a nature-vs-nurture, victim-vs-perpetrator sense, the true monster is the mother who wasn't cut out to be a parent, didn't show him love, and set him up for failure.

The entire endgame of season 6, but this episode in particular, poses some profound questions: how much of all that happens is Eddie's fault, when it's so clear that he would've turned out very different if he had had a parent like Lynette instead of the crappy hand he was dealt? Deep down on the level of the soul, can he be said to be any different than the Scavo kids, any of whom might have turned out horrible if the places were swapped? There's no easy answer to such questions, but it's important and fascinating to ponder such things in a world that needs more nuance, and it was a pleasant surprise to have a chaotic soap opera prompt such trains of thought.

7. Remember (Season 2 Episodes 23-24)

"The trick is to keep moving forward, to let go of the fear and the regret that slow us down and keep us from enjoying a journey that will be over too soon. Yes, there will be unexpected bends in the road, shocking surprises we didn't see coming...but that's really the point, don't you think?"

I felt bad writing the descriptions for places #8 to #10, as they were in many ways quite untypical episodes in the series, and having so many outliers in the top ten with reasonings like "This one is good because it provoked philosophical questions about human nature" or "This one made me cry like a baby" felt like I'm praising Desperate Housewives for elements that aren't really what the show is about first and foremost, which felt unfair, as I absolutely love the show at its core despite the amount of 'different' episodes in my top ten. That's where today's #7 comes in: the two-part finale to the second season is as Desperate Housewives as it gets, as you can gather for the quote I chose above, where Mary Alice basically breaks the third wall and deadass says what the series is all about and why it kicks so much ass.

Yeah, Remember is a pretty perfect encapsulation of the series. You get romantic intrigue and relationship drama, moments of silly humor interspersed betwixt a dramatic and suspenseful conclusion to the season's villain arch, answers to mysteries that pose further questions, a minor character getting randomly hit by a car, and a completely separate incident where a very major character is ran over by another major character in a moment of pure mystery-cliffhanger chaos that would have ripple-effect consequences for years and years to come.

And, most importantly, you have the show's most unique character (as well as one of the best), Mary Alice Young, doing her thing as narrator and endless source of emotionally charged lore. It's always a treat to see Mary Alice in addition to hearing her, and this episode is one of the best, most heartstring-tugging utilizations of her character, as flashbacks show how each of the four main women first met her once they moved to Wisteria Lane. Beautiful stuff.

6. Bang (Season 3 Episode 7)

"I'm having a really bad day. Is a little cooperation too much to ask?"

It's the highest-rated episode of the series on IMDB with an impressive 9.5, and no wonder why. The "chaotic disaster episode" archetype would prove to be so popular that the series would go on to try and replicate its glory in many delightful attempts, but it's hard to beat the original. In Bang, a high-stakes hostage situation unfolds as emotions run high, and the whole thing manages to be chaotically entertaining while still feeling legitimately intense, to the point that the first-time viewer is fully invested and full-on panicing. It's great TV.

5. The Little Things You Do Together (Season 3 Episode 15)

"I can't believe you bagged another neighborhood kid!"
"Where are you going?"
"To warn the Scavo boys!"

I have a massive soft spot for this episode, which feels like the de-facto finale of the third season as many of the season's central mystery storylines are resolved and there's no clear and cohesive endgame for the rest of the season. The show's writing is at its absolute best, as the subplot follows some mega-entertaining and whimsically unserious character drama unfolding at Scavo's Pizzeria, while the main plot brings one of the show's better storylines to a hectic, dramatic conclusion.

Andrew Van De Kamp and Orson Hodge are among the show's best characters, and both of them have moments of heroism that had me weeping as they rush against time to save Bree's life. It's an emotionally charged, truly climactic and quite unforgettable 45 minutes of television.

4. Something's Coming (Season 4 Episode 9)

"Is that the tornado?"
"Worse, it's the Scavos"

Ah, the legendary tornado episode. You know you've done something right when both my fiancée Martta and her sister Iida, both of whom are die-hard Desperate Housewives fans, consider this midseason finale to be the show's #1 best episode. While it is barely outdone by three even better episodes in the humble opinion of this Desperate Houswives newbie, I do see where they're coming from; it's a damn great episode.

Out of all the disaster episodes the series did, this one is probably the most random conceptually, yet it still feels more real and serious than any of the others. The escalation is done so well, as the approaching disaster can be seen and felt in little ways, and the directors and set designers did a fantastic job gradually ramping up the wind from scene to scene, making it truly feel like the moment of absolute devastation is slowly but surely getting closer and closer. All of the character drama that unfolds throughout that unforgettable day is quite perfect for the episode as well, and those final moments are just so damn intense.

3. Down the Block There's a Riot (Season 7 Episode 10)

"This is all on you, I hope you know that!"
"Me? Those are your friends out there, Lynette. The solid citizens of Fairview! Tell me again why you think they're better than a bunch of ex-cons"

This one could be counted as one of the disaster episodes, but the calamity element itself isn't why it beats out its counterparts (in terms of creativity, "a riot" isn't quite up there with "nightclub fire", "tornado" and "a goddamn plane crashes onto Wisteria Lane because of course it does"). Naturally, the well-directed chaos sequences throughout the climactic riot do help, but more than the directing, it's the writing - Down the Block There's a Riot is some of the best storytelling the series ever delivered.

In a series full of great villains, Paul Young is more or less in a league of his own. He was brilliant as the mystery antagonist (with an ultimately humane motive behind all the horrors) in season 1, and after a long break, the final seconds of the season 6 finale brought us a chills-down-your-spine return for the show's OG villain. Paul is the hands-down best part of season 7, as his arch manages to be even more psychologically complex and emotionally gripping than before (all villainy aside, you can't help but feel for the guy), yet he simultaneously manages to escalate to an almost cartoonish (said with the utmost respect) level of entertaining villainy. His scheming antics throughout the season are an absolute joy and thrill to follow, and never more so than in this episode.

Watching his nefarious master plan unfold, causing chaos of the utmost degree across the episode, is just perfection. And the dialogue quoted above hits so goddamn hard because, well, the man has a point. The episode holds a mirror to the show's main characters and their supposed values, making the viewer ask who the real bad guy is in a situation like that. All in all, the episode is thrilling and intense, emotionally charged, impressively thought-provoking and just a masterclass of television.

2. Finishing the Hat (Season 8 Episode 23)

"As Susan left her driveway, she had a feeling she was being watched. And she was"

Ah - no notes. The series finale leaves nothing to be desired, no plot threads unwrapped, and just nothing less than absolute poetic satisfaction. As I mentioned above, the most intense plot-heavy drama of the final season got its conclusion in the penultimate episode, and this was a brilliant choice as it allowed for the very last episode to feel like an epilogue. Saying goodbye is a bittersweet thing, and this episode absolutely f**king nails the emotion of saying goodbye after a bunch of good times - an emotion that comes with events such as moving out from a neighborhood where you lived for years, or a great television series coming to its final episode.

The balance of 'bitter' and 'sweet' is delicious throughout the episode - Susan is moving away, everyone has exciting new opportunities in their love lives and/or careers, there's a wedding because of course there is, but Susan's daughter Julie gives birth on the same day because of course she does - and Mrs. McCluskey makes the big move from Wisteria Lane to the great neighborhood in the sky. All of this happening simultaneously makes for the utmost flow of tears, especially when knowing that McCluskey's actress (national treasure Kathryn Joosten) was very ill at that point, barely being able to film those final episodes, and she ended up passing away just weeks after the series wrapped up. This makes it all the more touching when the characters say their last words to the characters, as the actors were clearly having to prepare to say a difficult goodbye in real life as well.

When all is said and done in this emotional rollercoaster, the final scene follows Susan driving off as she leaves Wisteria Lane for good - and as the show's final emotional gut punch, every goddamn actor who had their character killed off throughout the show's eight seasons appears as a ghost watching her drive away. I remember how my heart jumped to my throat when I saw Mike, and the emotions only got more intense with the additions of McCluskey and her late son. After a fuck-bunch of more obscure side characters are seen, the very last ghost couldn't have possibly been anyone else than Mary Alice Young, and her last look as Susan leaves is simultaneously haunting yet also restful - maybe now she'll finally get to exit the purgatory of omniscient narration and enjoy the afterlife.

1. The Best Thing That Ever Could Have Happened (Season 5 Episode 13)

"Eli Scruggs sat in his truck for almost an hour, devastated that he had done nothing to save me. He then made a quiet vow to God: from that moment forward, he would do what he could to help people...to help them fix their lives. And for the rest of their life, that's exactly what he did"

For a viewer like me, this is a clear and easy #1 pick. The show's one hundredth episode reads like a charming, beautiful love letter to the series, while touching some larger-than-life themes. The narrative framing of the episode is an untypical and immediately fascinating one: we begin with the death of a handyman we've never seen before, and we then spend a majority of the episode seeing flashbacks of this handyman interacting with the show's main characters.

In just one 45-minute episode, Eli Scruggs (played by Beau Bridges) finds his way into all of our hearts. The flashbacks showcase many ideas worthy of the show's 100-episode milestone: how someone like a trustworthy handyman can give the perfect viewpoint to the various secrets and drama going on around the neighborhood, how all of the four main characters needed a helping hand to get through some tough times, and how those helping hands in one's life can often be unseen, unsung heroes stemming from unlikely places. It's touching to see how important Eli was to the main characters, helping each one during a pivotal moment in their lives, and how fondly they remember him when paying their respects.

This becomes especially evident in that heart-wrenching ending: after having our Susan, Bree, Gabrielle and Lynette storylines, we flash back once more, to the show's most profound character: Mary Alice Young, the woman whose suicide kicked off the entire series. Her interaction with Eli took place just moments before her death, and it was that ever-so-human sense of "I should have done more to help" that made Eli the man he became, one who doesn't look the other way but rather has to intervene when he sees someone suffering. That's a beautiful way to look at life - God knows how we need people like that in real life. I know plenty of real-life Elis (I'm even engaged to one), and they're the very best people I know. It's funny how a show so often delving into cynicism and purposefully unlikable lead characters managed to produce an episode that is one of the most touching testaments to kindness that I've seen in movies and TV. An unforgettable episode, and a brilliant roadmap on how to treat other people.



Thank you for reading! Tune in next week as I continue my Desperate Housewives posting with a list of the show's greatest villains.

Thursday, October 2, 2025

Ranking every episode of Black Mirror - based on how much my Mom would hate them

Greetings, reader!


Last week, I shared my own personal ranking of the 33 episodes in Charlie Brooker's Black Mirror. This week, I'm ranking the same 33 episodes, but by a different criteria - how much my mother, Tiina Hoffman, would hate them. You see, our family has watched a lot of TV and movies together, so I've learned a lot about everyone's taste, including the wild differences between my mother's taste in TV shows and my own. These differences are amusingly striking with Black Mirror; while she hasn't seen a single episode, I keep thinking "man, she would hate this show so much" when watching it. Between the brutally dark stories, instances of gross-out violence, and convoluted sci-fi weirdness, the series just seems like the worst possible thing for her taste in TV - which is why I though it'd be funny to rank the show's 33 episodes based on my prediction on how much she'd hate each one. I love you, Mom!


33. Hang the DJ (Season 4 Episode 4)

Starting with the ones my Mom would hate the least, season 4's Hang the DJ is one of the very few Black Mirror instalments that she might actually enjoy. One wouldn't guess that based on the bleak-sounding title, but really, this episode is one of the more cute and uplifting ones. While the sci-fi element is one of the more imaginative ones, I'm guessing that it would be easier to follow for non-sci-fi-buffs (also known as people with lives) than many other episodes. More than anything else, Hang the DJ is a love story, and quite a sweet one at that - and that's a genre my mom can definitely get behind.

32. San Junipero (Season 3 Episode 4)

First of all, I can be proud of my mom - many parents from her generation might have San Junipero among their most disliked episodes, because of homophobic attitudes. My mom is definitely enough of an ally (and, like, generally good-hearted person) that the lesbian love story at the center of the episode wouldn't be an issue with her. The sci-fi premise is wild enough to probably give her a bit of a headache when watching, but that's the only reason why it's ranked above Hang the DJ. Other than that, it has the same strength - it's one of the more uplifting instalments despite some heavy moments, and it's about the genuine love story more than anything else.

31. Eulogy (Season 7 Episode 5)

The show's newest season is quite sharply divided into episodes that my mom would (somewhat) tolerate, and ones that would make her absolutely livid. Chief among the first group is Eulogy, a character-driven story starring Paul Giamatti in one of the best performances of his career. The sci-fi side of things is among the show's more simple and easy-to-follow ones, and the story is about such humane themes that you don't need to be a sci-fi geek in order to become sucked into it.

It's also less dystopian than many of the episodes - while the premise relies on a fictional and futuristic invention, a big part of the story is about relatable real-world stuff with a clear emotional core. Don't know if my mom would particularly enjoy this one, but she'd get through it without major issues and enjoy parts of it, and that's definitely more than I can say for a vast majority of these episodes.

30. The Waldo Moment (Season 2 Episode 3)

Like most Black Mirror episodes, this one is fairly dark, but still not among the very darkest ones. My mom would get through it no problem as long as she's in the right mood. What would make this into one of her overall least-hated episodes, though, is the setting - it's more or less present-day, with no mind-boggling sci-fi tech, and it follows the world of politics. My mom loves The West Wing, and this isn't all that different from that (except that it totally is). Additionally, while some Black Mirror episodes deal with themes that she might not feel mega-strongly about, this one is all about the dangers of populism (fans often joke that this is the episode that 'predicted Trump'), and that's a message she'd definitely get behind.

29. Nosedive (Season 3 Episode 1)

This is one of my favorite Black Mirror episodes, as well as a big favorite of my dad's. Knowing my parents, I'd estimate that mom wouldn't be as fanatical about the show's social media episode as dad, because she isn't nearly as up-in-arms passionate about the dangers of that world (there are few who are). But I'm sure that she, as a professional wellbeing expert, has thoughts on the negative effects of social media - so chances are that this cautionary tale, where people in the near future are obsessed with an app where you rate people and your own average affects where you stand in life, would resonate with her as well.

Still, I'm not rating it too highly, because I've watched the Community episode that has the essentially same premise with her, and she didn't like it nearly as much as most viewers. Too weird, I guess. Although, if she were to watch all of Black Mirror (which I definitely don't recommend), it might be toned down by the fact that it isn't nearly as weird as many of the other episodes.

28. Common People (Season 7 Episode 1)

As far as Black Mirror episodes go, the season 7 premiere is still among the ones that would cause the least distress in my dear mother - the sci-fi elements aren't too out there, the themes are quite relatable on a grounded human level, and there might even be parts she'd find amusing and entertaining (the whole "in-human ads" thing really works in being simultaneously frightening yet silly). It also helps that the episode stars Rashida Jones - my mom is a sucker for familiar actors, and I seem to recall she enjoyed her character in Parks & Rec. Still, the episode's grim conclusion would probably be a bridge too far, thus leaving a bit of a sour taste.

27. Smithereens (Season 5 Episode 2)

On one hand, this could be ranked even lower, as there would be potential to be my mom's #1 favorite. She likes crime shows, and this episode veers far from Black Mirror's more sci-fi side to essentially become a grounded crime thriller, one that could take place in the present day. But it's the level of relentless intensity that makes me a bit iffy about the reception - my mom likes suspense, as long as it doesn't go too far into panic mode. She likes action flicks like Speed, but she hates it when the suspense becomes too hectic and unbearable.

I think Smithereens would be a bit borderline for her - she'd probably be all hooked for the first act, but as the situation continues to escalate, it might become a tad too stressful at times for the poor woman. I know I make fun of my mom's picky taste in movies and TV a lot, but really, I gotta admit - not wanting any extra stress and panic from your entertainment because real life offers plenty of it sounds extremely healthy, and sometimes I wonder what's wrong with me when I choose to watch stuff that tends to have viewers all sweaty with unease.

26. Hotel Reverie (Season 7 Episode 3)

My mom loves Casablanca, so she'd find a lot to enjoy in this tribute to classic old-school movies and that movie in particular. I considered ranking this one even further near the bottom, but then again, the sci-fi aspect of Hotel Reverie is quite out there.

If Community gimmicks like Dean Pelton exploring the world of VR or Abed making a meta film about himself making a meta film were too weird for her taste, I can only imagine the reaction to this story where Hollywood uses futuristic tech to remake an old film by sending a modern-day actress into the film, where she lives as one of the characters while grappling with the partial sentience of the people within the film who think they are real. So, it would likely be a mixed bag, with mom rolling her eyes at the experimental narrative while still enjoying the Casablanca aesthetic.

25. Arkangel (Season 4 Episode 2)

My mom wouldn't find all that much to enjoy in Arkangel, but I'm still ranking it fairly low because there wouldn't be anything she'd be passionately against either. The story is a bit too much of a bummer for her taste, but it's still not as grim and depressing as many Black Mirror episodes. Similarly, the premise with the mom spying on her daughter via forbidden footage from the eye implants installed into her at an early age would strike my mom as a bit 'weird' for her taste - but, in terms of just how weird the sci-fi elements in Black Mirror can get, that one is still very tame.

So, I guess we've exited the "she might actually somewhat like or at least tolerate this" section of the list, and moved onto the "mild dislike phase". And it's still gonna get so much worse from here!

24. Be Right Back (Season 2 Episode 1)

The sci-fi side would very likely not be an issue here, as it's a pretty straightforward pitch to wrap your head around - what if technology could (sort of) bring back the dead? The story, in which a grieving widow uses this new tech to purchase a replica of her late husband, comprised of data compiled from voice recordings and DNA et cetera, is a strangely relevant one, as news of such technology being developed has caused many "haha, Black Mirror predicted the future again" jokes in the last few years.

Mom would keep up with the story with ease, although the slow pace might have her looking at her phone or leaving for various side quests around the house every now and then. I'm guessing she'd even get invested enough to be moved by the story - something that wouldn't happen with some of the episodes that are so weird that she wouldn't relate. However, it's still ranked in the mild dislike -section, because the episode (like most in Black Mirror) is just so damn sad! She'd definitely need a cool-off sitcom episode to wash away the upset.

23. Men Against Fire (Season 3 Episode 5)

With its intensity and stressful tone, I'm guessing my mom wouldn't enjoy watching this episode all that much. It's still ranked quite low on the hate-list, because I do think she'd appreciate where the story is coming from. While she's not quite the hardcore pacifist that I am, she definitely doesn't like war, and that's one of the many values that she did a great job teaching to me.

With a story that uses its premise to criticize the way in which humanity's leaders have always tried to dehumanize their enemies in order to justify reckless and endless wars, I think my mom would be so on board with the message that she'd grudgingly respect the episode as long as she's in the right frame of mind to watch something so grim (happens 1-3 times per year).

22. Rachel, Jack and Ashley Too (Season 5 Episode 3)

I think my mom would barely somewhat tolerate this episode - funnily enough, for the same reasons that many IMDB reviewers absolutely hate the episode. Namely, it isn't as dark and bleak as most Black Mirror episodes, and even dabbles with fun from time to time. It would otherwise have the potential to be one of her favorites, with the entertaining and not-too-serious story - but there's a lot that would hinder her enjoyment.

I don't think she'd have a problem with the episode's feminist angle like many of the idiots who trashed it online, but I also don't see her celebrating it like many viewers from my generation - hard to picture her relating to the main character, a socially dysfunctional teen who idolizes a pop star so much that she buys a clone doll of her and becomes obsessed. Also, the sci-fi aspect would get a bit 'weird' for her taste (as is the case with most of these episodes), and the overall atmosphere of punk and angst would keep the episode from being as fun to her as it is to some viewers.

21. USS Callister: Into Infinity (Season 7 Episode 6)

The newest Black Mirror season culminated in a groundbreaking episode - not only is it the anthology show's first sequel to a previous episode, but it also is the closest they've ever come to a blockbuster film, with its high production values and lengthy runtime. Now, my mom wouldn't particularly like the the original USS Callister episode (more on that later), but she's a big familiarity enjoyer, so I still think she'd appreciate returning to characters she knows and not having to learn every new character from scratch like in all the other episodes.

Also, the episode isn't quite as focused on the convoluted sci-fi side as its predecessor, being more of a fun sci-fi adventure in the style of Star Wars. My mom likes the Star Wars movies, so I'm guessing she'd be quite entertained by this style. Still, there are a few key elements keeping the episode firmly in the 'dislike' section overall: A) a sequel doesn't hit as hard if you didn't like the first part, B) parts of the story (in the final act especially) would most definitely be too sci-fi for her, and C) she'd have to be in the exact right state of mind to watch such a long TV episode, and even then she'd have a slightly negative attitude from the get-go due to the length.

20. The Entire History of You (Season 1 Episode 3)

The season 1 finale is a very archetypical Black Mirror episode. This means that my mom wouldn't particularly like it just like she wouldn't like the series in general - but also that she wouldn't find anything about it completely unappealing or horrifying like in the more weird and extreme episodes of the series. I'm sure it would still be weird and a bit too sci-fi for her taste, but it's still tame enough by Black Mirror standards that it'd hold up okay when compared to many of the other episodes.

19. Hated in the Nation (Season 3 Episode 6)

On paper, the season 3 finale has the potential to be one of the most mom-unfriendly episodes in the show's seven-season run: from the long runtime to the out-of-left-field stuff with the mechanical killer bees, there's a lot to not like here if you're this particular woman. I'm still ranking it here around the middle, because at its core, Hated in the Nation is a crime thriller. Mom enjoyes police movies and crime shows (as long as they're not too dark), and while her preference most definitely is the type of police thriller where the villain isn't a hacker who manipulates people into sending mechanical killer bees after each other, the episode still has enough of the crime genre's charm that she might enjoy parts of it.

18. Striking Vipers (Season 5 Episode 1)

Striking Vipers may not be weird / dark / narratively convoluted enough to cause as strong feelings of anguish in my mother than many other Black Mirror episodes - but the thing is, I just don't belive she'd like it. It would be because of a much more simple yet hard-to-put-to-words reason: I don't think there's anything in this story about two male friends finding homoerotic solace by playing a hyperrealistic virtual reality video game together that would speak to her, or just be remotely interesting and/or entertaining to her. I can just hear her asking questions like "Why are we watching this" or "What is the point of this story supposed to be" throughout the episode.

17. Crocodile (Season 4 Episode 3)

My mom would definitely give Crocodile a chance, as it begins as essentially a crime drama, with the sci-fi element being quite mundane and easy to grasp by the show's standards. However, the thing with Crocodile is that it gets so dark. Realistically, my mom would almost certainly give up on the episode at some point, but assuming for the sake of this list that she would've watched all of these episodes start to finish for a fair comparison, that ending twist especially would be so over-the-top for her sensibilities with its haunting nature.

16. Fifteen Million Merits (Season 1 Episode 2)

We have definitely entered the "strong dislike" phase by now. My mom would have such a bad time with the two first Black Mirror episodes, and for such different reasons. For those who have seen the pilot episode, I think it's pretty obvious why no one ever would want their mother to see that - but with the show's second episode, it's much more of a Tiina-Hoffman-specific thing.

The premise is one of the more imaginative and far-out ones in the series, as the story takes place far enough in the future that the class divide and the role of media and entertainment as sedatives have spiraled into an unrecognizable dystopian hellscape. Basically, people are living in box-like apartments, constantly generating energy by cycling on exercise bikes, with the promise of reality TV shows working as their incentive. I honestly can't say what would upset my mom more - the sheer bleakness of the episode's reality, or the "who even comes up with something like this??" elements in Charlie Brooker's high-concept storytelling.

15. Shut Up and Dance (Season 3 Episode 3)

At this point in the list, the episodes are ones that my mom definitely wouldn't enjoy overall, but each one has some element she'd grudgingly appreciate, to separate these from the pure-hate ones we'll get to in the top ten. With Shut Up and Dance, that 'saving grace' would be that it is one of the more grounded episodes - it could take place in present day, and there's no major sci-fi dystopian stuff to give my mom a headache.

Why is it ranked this high, then? Well, the plot is quite intense and stressful from the beginning, and it escalates so much, up until that final twist that is one of the most brutal, depressing twists in the show's run. The poor woman would need at least two or three F.R.I.E.N.D.S. episodes to calm down and feel good about the world again after watching this.

14. Loch Henry (Season 6 Episode 2)

Much like the previous entry, Loch Henry starts out as the sort of episode my mom might even warm up to - it's a young couple, visiting the quaint British village one of them is from, in order to shoot a documentary for the film school they attend. A story among the rest of them, as it were. However, the places the episode escalates to are wild as f**k, with an ending twist that rivals that of Shut Up and Dance and has some intense implications. Assuming my mom would somehow get through the entire episode, she would have just the worst time for the final 15 minutes.

13. Beyond the Sea (Season 6 Episode 3)

If one were to divide the essence of Black Mirror into different categories and rate them based on how negatively they'd affect my mom as a viewer, I reckon that Beyond the Sea wouldn't get the absolute worst points possible in any category, but it would do quite poorly in every one.

Yes, there are episodes with even wilder sci-fi elements, but this one would definitely be more frustrating to grasp than most, with the astronauts on their deep-space mission relying on their host body system to transfer their consciousness back to earth every now and then. Similarly, the narrative wouldn't feel as unnecessarily convoluted as the very worst of them, but I can still see her getting rattled by the notion that this episode takes place not in the future but in the 1960's, yet there's all this futuristic technology because it's an alternate history (I'm actually on the side of my mom's hypothetical reactions here, as I never really saw the point in that). And, while there are even more depressing episodes in the show (see: most of today's top ten), this one is definitely upsetting enough to be too upsetting for her taste.

12. Demon 79 (Season 6 Episode 5)

This is one of the two episodes with the "RED MIRROR" styling, signifying a direction less sci-fi and more fantasy than what we're used to. On paper, that should work for my mom, who definitely enjoys fantasy more than science fiction on average. But, the type of fantasy seen in these episodes...yeah, no. The episode's specific style of humor would be so irritating to her (once again, I'm actually with her on this one), and the downright apocalyptic stakes would be way too doom-and-gloom.

11. The National Anthem (Season 1 Episode 1)

I can't believe that this episode, immediately cited by my fiancée as the perfect example of an episode my mom would hate when I mention the premise of this post, didn't even make it to the top ten. In most TV shows, an episode like The National Anthem would easily be the ultimate low-point for her, but in Black Mirror, there are exactly ten that I reckon she'd hate even more. But, yeah, there's a reason that this episode immediately came to Martta's mind when discussing this list's premise.

There are many story elements that are an immediate red flag for a certain kind of viewer, and while I enjoy all sorts of crazy and macabre stories, I can't really blame a big part of the population for probably having "There's a scene where the Prime Minister of the UK has sex with a pig" on their list of no-nos. Especially when it's not just an individual scene, but rather the plot device that the whole episode revolves around.

If you're wondering why this isn't higher on the list, it's because everything else in the episode would be more accessible for my mom than a majority of Black Mirror - it's a modern-day setting, there's no sci-fi mumbo jumbo, and the whole thing does play out as a satire of British society/culture/politics (something that Mrs. Hoffman enjoys a great deal when it's done in Bill Bryson books, Ted Lasso, or really anything that doesn't involve the prime minister getting intimate with a pig).

10. Bête Noire (Season 7 Episode 2)

Now we're starting to get to a point where the list of things my mom would enjoy watching more than this would include "any Fast & Furious movie", "a three-hour Civil War documentary", or (God forbid) possibly even "10 seconds of Fox News". There is so much wrong with Bête Noire, at least if you have Tiina Hoffman's taste in television. None of the characters are very likable, there's no humor or clear humane themes/dynamics to relate to, and the exact nature of the sci-fi premise is kept as a mystery until the very end, thus keeping the viewer anxious and guessing about what the hell is going on. When we do arrive in the ending, it's utterly f**king bonkers, but not in a particularly fun way.

9. USS Callister (Season 4 Episode 1)

Funnily enough, this is my #1 favorite episode of the whole series - which really encapsulates how far the apple fell from the tree (at least in terms of TV taste - I proudly take after her in other ways, like having a fierce heart and a fantastic sense of humor). But, yeah - the reasons why I love USS Callister so much have quite a lot of overlap with why my mom would be quite miserable watching it:
- The Star Trek parody/tribute element (she hasn't watched enough of the franchise to necessarily appreciate that, while I loved all the little easter eggs and other signs of influence)
- The far-out sci-fi premise (it had me roughly as hyped and charged with curiosity as it would have her confused and pausing to ask questions every few minutes)
- The escalation of the plot (every plot turn had me more and more hooked, but mom would definitely find herself at a point of giving up trying to follow the plot at about 10 minutes in).

8. Plaything (Season 7 Episode 4)

Yeah, there's so much here that would bug my mom. She wouldn't begin to even want to understand the point behind the Thronglets, the point that the main character is trying to make, the rambling way in which Peter Capaldi plays the lead the role, the psychedelic LSD sequences, or the connections to obscure Bandersnatch lore. And don't get her started on that ambiguous, potentially apocalyptic ending twist!

7. White Bear (Season 2 Episode 2)

In one of the fairly rare intersections between my Black Mirror taste and my mom's hypothetical takes, season 2's White Bear is fairly bottom-of-the-barrel for both of us. It's for slightly different reasons, perhaps, but still - nice to have some common ground. The overall atmosphere of the episode, marked by anxiety and paranoia, would be frustratingly stressful for her, and the ending would feel like quite the opposite of a payoff (the viewer finally gets a sense of what the hell was going on, but it's not exactly a happy ending).

6. Joan Is Awful (Season 6 Episode 1)

Joan Is Awful is one of my big favorites in the series, and the reasons for that are amusingly the exact same reasons for why my mom would be f**king livid with it. Essentially, in what is undoubtedly the most Kaufman-inspired episode of the series, we follow a woman who finds out that there's somehow a TV series based on her life, and when she tries to find out how that's possible, the episode escalates into layers upon layers of creative meta storytelling that'll make you question what is real.

There's a profound message about digital consent wrapped up there somewhere that my mom might appreciate if it was told via a more approachable story, but the meta chaos of Joan Is Awful would certainly just piss her off.

5. Playtest (Season 3 Episode 2)

One thing to understand about my mother is that horror is not her genre. Sure, she'll get through Hitchcock's Psycho if in the exact right mood, but anything more hardcore than that and it's a hard pass. Playtest, an episode that holds a mirror to the thrill-seeking tendencies of modern humans, tells the story of a man who signs up for a hyper-realistic virtual reality experience based on adrenaline and fear - and it's intense as f**k. The horror sequences are downright brutal, and there's no way my mom would see Playtest as anything but a colossal waste of time.

4. Black Museum (Season 4 Episode 6)

First of all, the generally most praised elements of the season 4 finale are A) the easter eggs and subtle connections to other Black Mirror episodes shedding some light on the show's timeline, and B) the clever ways in which the anthology-within-anthology vignettes tie together and build towards the ending twist. Now, if you're a nerd like me, that pitch will make you squeal with excitement - but if you're a no-nonsense, sensible person living in the real world who once called Parks & Recreation "too weird" like my mom, that pitch will make you ask questions like "What do those words mean", "Why should I care" or "Whatever happened to old-fashioned feel-good half-hour sitcoms?".

3. White Christmas (Season 2 Episode 4)

White Christmas is a similar episode to Black Museum in many ways - there are a few shorter stories, tied together by a present-day storyline of a mystery interaction between two people. It would score even worse points in my mom's books, I reckon, because the flashback-heavy narrative would be even more labor-intensive to follow, the sci-fi concepts are arguably even weirder, and the ending twist is so much more brutal.

Additionally, the Christmas setting gives the viewer the idea that there might be something remotely wholesome or festive in the episode, which would make the end result hurt extra much. Even the handsomeness of Jon Hamm in the lead role wouldn't be enough to make her give the episode a chance.

2. Mazey Day (Season 6 Episode 4)

In Mazey Day, we follow an unlikable paparazzi living a depressing life, when she gets the gig of hunting for evidence on a controversial celebrity's latest scandal. As is hinted by the episode's bizarre "RED MIRROR" title card, it's a totally different kind of episode for the show, temporarily ditching the sci-fi stuff and instead delivering a supernatural story, culminating in a werewolf twist that no one saw coming.

Now, my mom might otherwise like the episode, if it weren't for the fact that she doesn't like paparazzis, stories with unlikable main characters, depressing stories, celebrity controversies and scandals, TV shows changing their concept/genre midway through, supernatural stories, horror, werewolves, and literally anything else that can be found in this episode.

1. Metalhead (Season 4 Episode 5)

It feels like this particular episode was pitched as a mad lib with the concept of "let's make the worst TV episode ever tailored for Tiina Hoffman's preferences". No, really, look:

"This episode will tackle the *post-apocalyptic* subgenre of *horror* television, and it will be *black-and-white* for artistic gimmick reasons. The characters will be *mysterious people we find out very little about*, and the villain will be *a bunch of terrifying robot dogs*. The overall style will be *violent* and the atmosphere will be *confusing*. Every moment will be *intense* and *creepy* and *stressful*, and the plot will *do very little explaining and leave a bunch of stuff to the viewer's imagination*. The ending will be *wildly ambiguous*.

So, there you have it - out of the show's 33 episodes, there are a few my mom might actually like, a few more she'd be indifferent to, quite many in the "mild dislike" and "strong dislike" sections, quite many that she'd downright hate (a word she doesn't use lightly, mind you) - and as the crown jewel of them all, Metalhead is the one episode where I can't think of a single element she'd enjoy or appreciate.



Thank you for reading! Tune in next week for my list of the top 10 Desperate Housewives episodes.

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